PerverT CinemA presents: The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, usually shortened to Marat/Sade (1967)

Sunday January 12. 2014, Movie night, The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade,  Door opens at 20:00, film begins at 21:00

Director: Peter Brook. Writers: Peter Weiss (play), Geoffrey Skelton (English translation). Stars: Patrick Magee, Clifford Rose, Glenda Jackson. The film is in English language. Duration: 116 min.

Set in the historical Charenton Asylum, Marat/Sade is almost entirely a “play within a play”. The main story takes place on July 13, 1808, after the French Revolution; the play directed by Marquis de Sade within the story takes place during the Revolution, in the middle of 1793, culminating in the assassination of Jean-Paul Marat (which took place on July 13, 1793), then quickly brings the audience up to date (1808). The actors are the inmates of the asylum, and the nurses and supervisors occasionally step in to restore order. The bourgeois director of the hospital, Coulmier, supervises the performance, accompanied by his wife and daughter. He is a supporter of the post-revolutionary government led by Napoleon, in place at the time of the production, and believes the play he has organised to be an endorsement of his patriotic views. His patients, however, have other ideas, and they make a habit of speaking lines he had attempted to suppress, or deviating entirely into personal opinion. Suffice it to say that they, as people who came out of the revolution no better than they went in, are not entirely pleased with the course of events as they fell. […Lees verder]

Defending the right to privacy, benefit voku and info evening

Thursday January 9th 2014, Defending the right to privacy, benefit voku and info evening, 7pm.

Platform 1984 warmly invites you to an evening with delicious food, followed by a discussion about the loss of privacy, the growing surveillance state, and how we can resist these developments through creative direct action. Two short documentaries will be screened. The proceeds of this benefit will be used to finance Platform 1984 direct action in defence of privacy and against the surveillance state. […Lees verder]

Benefit for Anarchist Collective Ghent

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Monday January 6th 2014: Benefit for Anarchist Collective Ghent, Volkseten Vegazulu, 7pm.

Joe’s Garage invites you for a benefit voku for the Anarchist Collective of Ghent (AKG). What is the AKG and why this benefit?

The Anarchist Collective of Ghent (AKG), is a group of young individuals who carry out activities and actions based on anarchist ideas. We organise lectures, info evenings, open discussions, workshops, movie nights and much more. We have a mobile bookshop including posters and pamphlets with all sorts of anarchist topics. Since quite a big part of the AKG consists of students we also spread information on our activities at universities. Our main goal, off course, is to introduce people to anarchism. This is done by spreading posters and pamphlets at universities and on the streets and also by taking part in actions like demonstrations. The history of the AKG as well as what we do and what we stand for can be found in the latest issue of Buiten De Orde (magazine of De Vrije Bond, issue nr.3 of 2013). […Lees verder]

Movie night: The Man from Earth

Sunday January 5th 2014, Movie night: The Man from Earth (Richard Schenkman, 2007, 89 minutes). In English. Door opens at 20:00, film begins at 21:00.

The Man from Earth is a science fiction film written by Jerome Bixby and directed by Richard Schenkman. The plot focuses on John Oldman, a departing university professor who claims to be a Cro-Magnon (or Magdalenian caveman) who has somehow survived for more than 14,000 years. The entire movie is set in and around Oldman’s house during his farewell party, and the plot advances through intellectual arguments between Oldman and his fellow faculty members. The movie is composed almost entirely of dialogue. […Lees verder]