Movie night: Killing Gaza (Max Blumenthal and Dan Cohen, 2014)

Sunday 25 november 2018, Movie night: Killing Gaza (Max Blumenthal and Dan Cohen, 2014). Door opens at 8pm, film starts at 8:30.

“Independent journalists Max Blumenthal and Dan Cohen documented Israel’s 2014 assault on Gaza during the war, and chronicled its horrific aftermath. As they waded through the rubble of Gaza’s destroyed border regions, they turned a camera onto the survivors of the slaughter and let them speak for themselves.

Dan returned, week after week, to capture on film the daily struggles of the people of Gaza as they suffered through one of the worst winters in recorded history, and then weathered the sweltering summer heat without electricity and — in many cases — without homes.

While giving voice to the pain of a people under siege, Cohen and Blumenthal also highlighted Gazans’ inspiring acts of creative resistance, from painting to break-dancing to literature, that allow them maintain their humanity in the face of deprivation and war.

Killing Gaza is much more than a documentary about Palestinian resilience and suffering. It is a chilling visual document of war crimes committed by the Israeli military, featuring direct testimony and evidence from the survivors, delivered to them often just days after escaping indiscriminate shelling, bombings and summary executions.”

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

L’AMOUR ET LA RÉVOLUTION: No, nothing is over in Greece (Yannis Youlountas, 2018) — ΑΓΆΠΗ ΚΑΙ ΕΠΑΝΆΣΤΑΣΗ: Όχι, τίποτα δεν έχει τελειώσει στην Ελλάδα (ΓΙΆΝΝΗΣ ΓΙΟΥΛΟΥΝΤΑΣ)

Sunday 18 November 2018, Movie night | ΑΓΆΠΗ ΚΑΙ ΕΠΑΝΆΣΤΑΣΗ: Όχι, τίποτα δεν έχει τελειώσει στην Ελλάδα (ΓΙΆΝΝΗΣ ΓΙΟΥΛΟΥΝΤΑΣ) | L’AMOUR ET LA RÉVOLUTION: No, nothing is over in Greece | directed by Yannis Youlountas | 2018 | 84 minutes | Mainly in Greek and French | English subtitles | Door opens at 8pm, film starts at 8:30.

‘To fight is like falling in love. You lose all control. You do not know what will happen the next day. You leave behind any fear you might have. Fear vanishes when fighting or loving. “LOVE AND REVOLUTION”

The media no longer talk about Greece, suggesting that the austerity cure has been successful and that peace has returned. This film proves the opposite.

People fighting, and loving: Cooking for thousands, teaching children, securing the anarchist neighbourhood, stopping the airport, fighting the cops, and bashing in fascists.

A musical journey, from the north to the south of Greece, among those who dream of love and revolution.

Yannis Youlountas, a Franco-Greek author and film-maker, is also the organizer of philosophical debates for children, criticising the formation of media influenced opinions. Since 2008, He has been participating in the events in Greece, reporting them in his articles, photos, books and films, while also organising actions and solidarity convoys. In 2013, his film Let’s not live like slaves carried the word of the Greek social movement to all the continents, followed, two years later, by his film I fight therefore I am.


ΑΓΆΠΗ ΚΑΙ ΕΠΑΝΆΣΤΑΣΗ: Όχι, τίποτα δεν έχει τελειώσει στην Ελλάδα (ΓΙΆΝΝΗΣ ΓΙΟΥΛΟΥΝΤΑΣ)

Το να αγωνίζεσαι είναι σαν να αγαπάς. Χάνεις όλο τον έλεγχο. Δεν ξέρεις τι θα συμβεί την επόμενη μέρα. Αφήνεις πίσω κάθε φόβο που μπορεί να έχεις. Ο φόβος εξαφανίζεται όταν αγωνίζεσαι ή αγαπάς. ΑΓΆΠΗ ΚΑΙ Η ΕΠΑΝΆΣΤΑΣΗ.
Τα μέσα ενημέρωσης δεν μιλάνε πια για την Ελλάδα, προτείνοντας οτι τα μέτρα λιτότητας είχαν επιτυχία και πως η ευημερία έχει επιστρέψει. Αυτή η ταινία αποδεικνύει το αντίθετο.

Οι άνθρωποι αγωνίζονται και αγαπούν: μαγειρεύοντας για χιλιάδες, διδάσκοντας παιδιά, προστατεύοντας τις αναρχικές γειτονιές, σταματώντας το αεροδρόμιο, παλεύοντας με μπάτσους και φασίστες.

Ένα μουσικό ταξίδι, από τον βορά ως τον νότο, για εκείνους που ονειρεύονται αγάπη και επανάσταση.

Ο Γιάννης Γιουλούντας, Γάλλο-Έλληνας συγγραφέας και σκηνοθέτης, οργανώνει και φιλοσοφικά debates για παιδιά κάνοντας κριτική στην επιρροή των μέσων ενημέρωσής στην κοινή γνώμη. Από το 2008, συμμετάσχει σε γεγονότα που συμβαίνουν στην Ελλάδα, σθμπεριλαμβάνοντάς τα στα άρθρα, στις φωτογραφίες και στα στα βιβλία του, ενώ οργανώνει παράλληλα δράσεις αλληλεγγύης. Το 2013, η ταινία του ‘Ας μην ζήσουμε σαν δούλοι’ μετέδωσε το μήνυμα του ελληνικού κινήματος σε όλες τις ηπείρους, ακολουθούμενο, δυο χρόνια μετά, από την ταινία του ‘αγωνίζομαι άρα υπάρχω’.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Black Cat Cine presents High and Low (Akira Kurosawa, 1963)

Sunday 11 november 2018, Black Cat Cine presents: High and Low (Akira Kurosawa, 1963). Door opens at 8:00, film starts at 8:30

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Can Dialectics Break Bricks Cinema: The Working Class Goes to Heaven (Elio Petri, 1971)

Sunday 4 november 2018, Can Dialectics Break Bricks Cinema. Doors open at 20:00, Film starts 20:30.

THE WORKING CLASS GOES TO HEAVEN 1971
(La classe operaia va in paradiso)
Directed by Elio Petri
111 minutes
In Italian with English subtitles

This long-forgotten flick by cult Italian director Elio Petri (Investigation of a Citizen above Suspicion, The 10th Victim) received top honors at Cannes in 1972. It’s a gut-level, sex-and-politics view of industrial capitalism focusing on a factory worker (Gian Maria Volonté) caught up in the wheels of assembly-line production and mass consumption. It’s the sexual fantasies that he has which fuels Lulu’s productivity for the company, but his perspective on work and life undergo a radical transformation when he looses his finger in a factory accident and is temporarily laid off. Along with his finger he also loses himself – everything he had believed in and dedicated his life to. That’s the set-up of this film, and I won’t go into how everything unfolds afterwards. The alternative title is Lulu the Tool (there was a time when workers actually used tools; then there came a time when workers became tools).

Here we clearly see the impact of the May ’68 upheavals… and although all of this may sound dry and grim, in the hands of a superb director like Petri, an absurdist sense of black humour bursts to the surface from time to time. Petri chooses his aesthetics, both visually and musically, to reflect the working conditions found in factories, which ends up being both surreal and aggressive. The cinema vérité camerawork is by Luigi Kuvellier, production design is by the future Academy Awards winner Dante Ferretti, and it is graced with a darkly dissonant music score by the legendary Ennio Morricone. Besides starring Gian Maria Volonté, this hard-hitting gem also features Mariangela Melato.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Can Dialectics Break Bricks Cinema: L’été (Marcel Hanoun, 1968) + Radio Voorwaarts (Mateo Vega, 2018)

Sunday 28 October 2018, Can Dialectics Break Bricks Cinema. Doors open at 20:00, programme starts at 20:30. Radio Voorwaarts (local short) and L’été (Summer)

RADIO VOORWAARTS – 2018 (Radio Forwards) Directed by Mateo Vega. 20 minutes. In Dutch with English subtitles
Threatened with eviction, the inhabitants of an alternative community – artists, squatters, idealists and ravers – give one last party to simultaneously mourn and celebrate the end of their beloved space. Director Mateo Vega will be present at this screening to answer questions. Trailer: https://vimeo.com/274252520

MAI ’68 L’ETE – 1968. Directed by Marcel Hanoun, 63 minutes. In French with English subtitles
Directly after the spring of may ’68, when all the dreams of a new generation came to the surface but were beaten down, Tunisian-born director Marcel Hanoun and actress Graziella Buci left Paris and went to the countryside to lick their wounds and reflect on what had been lost. In a stone house in Normandy a woman lives in seclusion, looking at photographs of the Mai’68 uprising. She walks in the countryside, attempting to reconcile what has happened. She listens to the radio, and hears a broadcast about the invasion of Soviet tanks into Czechoslovakia. That feels like the final nail in the coffin. She quotes a poet “there is no longer any fire in the sky.”

This movie is certainly political, but in a way that you have probably never experienced before…. because here the discourse is poetic, rather than ranting. The film is a mood piece, and a time capsule, with a deep melancholic tone.

“Ceux qui font des révolutions à moitié n’ont fait que se creuser un tombeau.”

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Movie night: Sanfermines 78 (Juan Gautier, José Ángel Jiménez, 2005)

Sunday 21 October 2018, Movie night: Sanfermines 78 by Juan Gautier, José Ángel Jiménez (2005), 68 minutes, in Spanish, no subtitles. Doors open at 8pm, film starts at 8:30pm.

On 8 July 1978, the Sanfermines fiestas were interrupted by events that shook Pamplona. That same year the text of the Spanish Constitution was being negotiated and Navarre was experiencing days of political tension. In addition, the actions of the extreme right, the advance of the workers’ movement, the actions of ETA, the incipient political parties, etc, formed part of a puzzle that was difficult to solve in those years of transition to democracy. 25 years after these events, its protagonists tell us how they lived those days forming a collective portrait of that time and bringing us a little closer to the reality of those events.

On 8 July 1978 in Pamplona, after the deployment of a banner in favor of total amnesty, the Armed Police intervened leaving more than 150 wounded and a student, Germán Rodríguez, killed by a shot in the forehead. This intervention led to a general strike in Navarre and protests that spread to Álava, Guipúzcoa, Vizcaya and the rest of Navarre. These events were never judged.

In Donostia, on 11 July 1978, the Armed Police charged the demonstrators and Joseba Barandiaran Urkola, an 18-year-old resident of Astigarraga, was shot in the chest. The policemen of the operation covered themselves and the case was dismissed 7 years later for not being able to identify the author.

At the spot where Germán Rodríguez was shot, a commemorative stele was placed, by popular initiative, around which rallies have been held on the date of the anniversary in memory of Germán and of the aggression suffered by the city. This one that initially was of stone, was smashed away, being replaced by another one that was blown up with explosives. Another stele was placed again, this one made of bronze that was present for twenty years until, on the occasion of some works to make an underground car park in the area, it was removed in 2005.

On 14 December 2007, a stele was inaugurated in a popular way, without the presence of official representatives. In the commemoration of 2015 the mayor of Pamplona, the recently elected Joseba Asiron attended for the first time, and in 2016, in addition to the institutional participation, the plaque was changed and the following text was put on: “In memory of Germán Rodríguez Saiz, who was shot dead by the police on July 8, 1978.”

40 years later, on 18 January 2018, the Parliament of Navarre approved a resolution urging the Spanish government to declassify all documentation and information existing in the State Administration, related to the events of the Sanfermines of 1978. On 8 May 2018, the proposal was rejected in Congress with the votes of PP, PSOE and Ciudadanos

On 29 June 2018 the sculpture “Gogoan” (in memory) was inaugurated. It is located in the same avenue of Roncesvalles, dominant place of the police repression and in which Germán Rodríguez died.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Documentary screening: Arna’s Children (Juliano Mer Khamis, 2004)

Sunday 7 October 2018, SRP (Studenten voor Rechtvaardigheid in Palestina) presents Arna’s Children (Juliano Mer Khamis, 2004), 84 minutes. Language: Arabic & Hebrew (English subtitles). Doors open at 8pm, film starts at 8:30pm.

Arna’s Children tells the story of a theatre group that was established by Arna Mer Khamis. Arna comes from a Zionist family and in the 1950’s married a Palestinian Arab, Saliba Khamis. On the West Bank, she opened an alternative education system for children whose regular life was disrupted by the Israeli occupation. The theatre group that she started engaged children from Jenin, helping them to express their everyday frustrations, anger, bitterness and fear. Arna’s son Juliano, director of this film, was also one of the directors of Jenin’s theatre. With his camera, he filmed the children during rehearsal periods from 1989 to 1996. Now, he goes back to see what happened to them. Yussef committed a suicide attack in Hadera in 2001, Ashraf was killed in the battle of Jenin, Alla leads a resistance group. Juliano, who today is one of the leading actors in the region, looks back in time in Jenin, trying to understand the choices made by the children he loved and worked with. Eight years ago, the theatre was closed and life became static and paralysed. Shifting back and forth in time, the film reveals the tragedy and horror of lives trapped by the circumstances of the Israeli occupation.
The film screening will be followed by a discussion on the role of art and culture in liberation struggles. Aditionally we will present information on the cultural boycott as part of the wider BDS campaign and how solidarity activists can support the Palestinian struggle using this tactic.

SRP (Studenten voor Rechtvaardigheid in Palestina) : http://srpnederland.nl

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Can Dialectics Break Bricks Cinema: Joe (John G. Avildsen, 1970)

Sunday 30 September 2018, Can Dialectics Break Bricks Cinema: Joe (1970). Directed by John G. Avildsen. 102 minutes. In English with English subtitles. Doors open at 8pm, film starts at 8:30pm.

I screened this wild flick three years ago, as I saw a certain tendency building in the United States. Since then things have exploded… so let’s just take another look at this motherfucker in relation to current events.

This is vintage 1970’s filmmaking – swerving into unexpected areas and taking on topics that today’s formula-ridden cinema wouldn’t even imagine. Set in the swinging 60s and filled to the hilt with exploitation-like situations, this unusual film centers on corporate executive Bill Compton (Dennis Patrick) whose young daughter Melissa has overdosed on drugs. One night in a bar Bill meets a guy named Joe, an all American, anti-hippie, anti-commie, gun lovin, working class hard-head. The bizarre friendship that develops plummets the movie into the depths of the American nightmare… in a way that is totally fitting today’s political climate.

Directed by John G. Avildsen (Rocky) and starring Peter Boyle and Susan Sarandon in her film debut. Interestingly, this was the first film that Lloyd Kaufman (Troma films) ever worked on… he was the assistant director. The music is soulful and performed by Bobby Scott (who wrote He Ain’t Heavy, He’s My Brother). Without going into the subject of the movie too much, I should say that it is something even more relevant today than when it was made… one could even say it was prophetic. A great counter-balance to the commercial nonsense that we are offered in the cinemas today, much of which – directly or indirectly – sensationalize and glamorize violence.

This will be a high-definition screening.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net