Film screening: Une île et une nuit (An Island and One Night)

Sunday 3rd March 2024, Film screening: Une île et une nuit (An Island and One Night) * 2021-2023 * 100 min * multi-lingual (11 languages) * no subs * Free or pay what you can * doors open at 20:00, film starts at 20:30.

Around a campfire travelers, vagabonds and pirates tell their stories, share their dreams and adventures. From language to language and story to story they tell their tales of how they reached this imaginary island which could be a reality. The island comes under threat from the forces of development, capitalism, technology and gentrification.
A film made organically, collectively and non hierarchically by the inhabitants and users of a community called Le Quartier Libre des Lentillères, located in Dijon, France facing eviction and development as well struggling against all borders.
The Quartier Libre des Lentillères was born out of a demonstration in 2010, in Dijon, at the end of which a hundred people cleared and then cultivated quality land left abandoned and threatened by a real estate project. From there was born the Pot’Col’Le, an open and collective gardening dynamic based on the exchange of knowledge. The Jardin des Maraichères, managed on a self-employed basis, supplies weekly non-profit markets at free prices. At the crossroads of these two large plots, dozens of small allotment gardens are intermingled. In the midst of all this, busy farms, a dynamic of building huts and maintaining places open to all for walks, for workshops for the exchange of diverse knowledge, concerts or atypical parties. From all this is born a colorful neighborhood, mixed collectives fed by several hundred people.
However, all these dynamics are threatened: the SPLAAD (Société Publique Locale d’Aménagement de l’Agglomération Dijonnaise) and the Grand Dijon want to destroy this creative boiling that produces a neighborhood as we want to live it, outside the established frameworks, to replace it with a real estate project of “eco-neighborhood”: the “ecocity of market gardeners”. The first phase of construction has begun on the industrial plot of land of the former slaughterhouses, but we intend to oppose the work of the second phase of construction which concerns the Quartier libre des Lentillères. We are more determined than ever to fight so that solidarity prevails over business. Join us!

Une île et une nuit https://piratesdeslentilleres.net/
Quartier Libre des Lentillères http://lentilleres.potager.org/
https://radar.squat.net/en/dijon/quartier-libre-des-lentilleres

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinema Italia: Good morning, night (Marco Bellocchio, 2003)

Sunday 25 February 2024, Good morning, night [Buongiorno, notte] (2003) * Directed by Marco Bellocchio * 106 min * In Italian with English subtitles * doors open at 20:00, film starts at 20:30. After the film, please engage in sharing comments, ideas, and inspiration with the host(s) of the evening.

The kidnapping of Aldo Moro, the politician who succeeded in forming a government with the Christian Democrats (West side of the Iron Curtain) and the Communist Party (Eastern bloc) together, was a turning point not only in the history of Italy but in Europe at least. In the 1970s, going beyond the political division East-West was almost beyond imagination. One leitmotif we are invited to reflect upon is the generation gap between the old Communists who fought fascists during WW2 and the new generation of people in their 20s, who in the 1970s want to achieve a proletarian revolution in Western Europe.

How can we influence politics with our actions? The power of media, and in particular the mainstream news of television but also entertainment, in contrast with the power of books, is an element of reflection in Buongiorno, notte. We may share the same language (in the film: Italian) but if language is shared only on the surface, communication ultimately is impossible. The use of music, especially when extra-diegetic (i.e. heard by the public, not by the characters), is an element wisely used by the director to underline emotions and comment by himself what is happening on the screen; you will recognize the motif of Pink Floyd.

Bellocchio, who last year came back to the topic of kidnapping with Rapito (kidnapped), 21 years ago proposed a very audacious feature film. First, the topic was filmed previously in 1986, starring an outstanding Gian Maria Volonté — we should say that Roberto Herlitzka in Bellocchio’s film is extraordinary as well. Also, because Bellocchio’s angle is original, as the protagonist is a young woman, Chiara, who is part of the big history but in a sense stays at its margins. Her sacrifice, in terms of personal life, is illustrated by the black-and-white dreamy sequences that comment the film with a poetic touch. Finally, Buongiorno, notte also has an element of meta-cinema, reflecting on the responsibility of making films in the early years of the 21st century respecting history but taking liberties with history as well.

The film invites us to reflect on what are we ready to sacrifice in our normal life for our principles, and for staying loyal to our ethics. What is the value of life in front of imminent death? What does it mean to live 55 days in an apartment without ever going out? What is the difference between Christianity and Communism? What are we repeating in our lives, and what we are really choosing by ourselves? Do we have the courage to dream?

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Voku for Solidarity With Migrants & book presentation ‘The Light of the Beast’ by Pablo Allison

Thursday 15 February 2024, Voku for Solidarity With Migrants & book presentation ‘The Light of the Beast’ by Pablo Allison. Door opens at 7pm with food. The book presentation from Pablo Allison starts around 20:30. No reservation.

The Light of the Beast is the culmination of six years work documenting migrants traveling from Central America, through Mexico and into the USA as the final destination. Since 2007, British-Mexican artist Pablo Allison has tried to understand life and its intricacies, by documenting migration and its consequences.

‘The Beast’ or ‘La Bestia’ as migrants call it, is a freight train that carries goods between Canada, the United States of America and Mexico. As most people who leave their countries travel with no money, ‘La Bestia” represents the only way to get to the USA border, despite this being forbidden by Mexican authorities.
This journey is tough and it can be extremely dangerous for people to travel this way, for a number of reasons. These travellers often referred to as migrants, run a high chance of being kidnapped, mugged, extorted or ending up dead in the desert before they reach their destination.
The majority of migrants that use this mode of transport come from countries with the highest levels of violence in the world. Places like Honduras, El Salvador and Guatemala are examples of countries where the situation is so untenable that undertaking this potentially devastating journey is an only option for survival.
The vast amount of migrants that leave their countries are forced to, due to the oppression and extreme violence caused by delinquent groups that dominate entire communities. Violence in these countries is a product of decades of poverty and a lack of decent and fair policies from governments in Central America as well as from US interventions over many decades. https://www.pabloallison.co.uk/

The benefit for this voku is Solidarity With Migrants, an open assembly in solidarity with migrants in Greece consisting of locals, internationals and migrants against racism, fascism, and capitalism.
Our speech and actions are against the war against migrants waged by the states, capitalism and all kinds of racists and fascists, focusing on the anti- migration policy of the Greek state and the dehumanising camp system. We seek the communication between and connection of the struggles of locals and migrants against our common enemies, in the context of international struggles against all forms of oppression and devaluation of our lives. People attending and participating in the assembly come from different backgrounds and are often faced with different forms of oppression and violence (racist, gender violence, sexism, classism etc). Many of us are also involved in political movements, antifascist, antiracist, antisexist and other struggles. We want all to be equal and we also want society to become fair and free for everyone. This is the basis of everything we do.
We are not an NGO nor in another way an official organization so we don’t get funded from anyone and we are also totally independent from refugees organizations, the greek government and the European Union. According to our political standpoint of opposing all these, refusing funding by them is essential.

Solidarity With Migrants: solidaritymigrants [at] riseup [dot] net […Lees verder]

Can Dialectics Break Bricks Cinema: Changing Skins (Andreas Dresen, 1997)

Sunday 4 February 2024, Can Dialectics Break Bricks Cinema: RAUS AUS DER HAUT * 1997 * (Changing Skins) * Directed by Andreas Dresen * 90 minutes * In German with English subtitles * free screening * doors open at 8pm * intro & film start at 8.30

The setting is mid 1970s East Germany, and our story revolves around two high school students, Anna and Marcus, who are inspired by news reports coming from West Germany. What are they excited by? Some new product on the western market, or a Hollywood film? No, they are captivated by the real-life terrorists Andreas Baader and Ulrike Meinhof who were robbing banks and kidnapping corporate executives. When their teacher threatens to demote them, which would prevent them from entering university because of their unruly behavior, they decide to drug their teacher, kidnap him, and keep him hostage in a cellar until after they graduate. This little gem is a ‘feel-good’ terrorist film by the East German director Andreas Dresen. It is a romance, but with a sharp wit and sense of humor. Personally, I adore this little gem, and it’s totally unknown.

After the fall of the Berlin wall, few directors from the former East bloc were able to make films in the new ‘united’ Germany. They were mostly run out of the industry, and thrown into unemployment. They were treated as if they had been contaminated by the plague. Andreas Dresen is one of the few voices in cinema that can accurately portray the life and dreams of his former East bloc GDR. And he does this with magic and charm…. and in the process he dispels many of the myths people in the West have about East Germany.

This is a mind-opening flick, with a series of wild twists and turns, but also a down-to-earth sense of humanity that was typical of the GDR. Here there is no trace of the arrogance of big-budget American movies that seem fueled by cocaine and cash. This is a low budget flick with a beautiful sensibility. Even within Germany this film is extremely difficult to see, and outside Germany it is utterly unknown. That makes this an extremely rare screening of this discreet masterpiece.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinema Italia: Pasqualino Settebellezze (Lina Wertmüller, 1975)

Sunday 28 January 2024, Seven Beauties [Pasqualino Settebellezze] (1975) * Directed by Lina Wertmüller * 115min * In Italian with English subtitles * doors open at 20:00, film starts at 20:30. After the film, please engage in sharing comments, ideas, and inspiration with the host(s) of the evening!

Pasqualino Frafuso, know as Settebellezze (Seven Beauties) navigates and survives life adversities thanks to his charisma. The film spans from the 1930 till the end of WWII, goes back and forth through time, and the protagonist’s choices and relative consequences show how life events (both on a small and a bigger scale) could change one’s life and core beliefs in order to survive, but at what cost?
Jumping from drama to comedy, and back again at the first one passing by the grotesque as a genre, this film shows how someone’s life pillars might shake and then shutter just to keep going and stay alive, especially regarding the theme of self-respect.
The film is a historical drama in a highly dense timeframe, but we are aware of what’s going on just from what touches directly our protagonist’s life, which invites drawing a parallelism with us today and with what we perceive, what we are aware of that’s happening in “our” countries and around the world and how those events directly affect us.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

other indias watch party: All Was Good + A Night of Knowing Nothing (screening & discussion)

Friday 26 January 2024, other indias watch party: All Was Good + A Night of Knowing Nothing (screening & discussion). Doors open at 18:00.

other indias curates an evening of films and dialogue on India’s Republic Day to commemorate the fourth anniversary of the 2019 student-led protest movement in India against the discriminatory Citizenship Amendment Act. Two protest films will remember what was built, reflect on what was lost, and discuss new solidarities.

On December 12, 2019, India enacted the controversial Citizenship Amendment Act (CAA), igniting nationwide and international student-led protests against the discriminatory legislation and its proposed National Register of Citizens (NRC). Critics condemn the CAA for religious bias, particularly in its exclusion of Muslims. Four years later, the act still remains in force, while many protestors face punitive criminal and legal charges. To commemorate the fourth anniversary of the movement, and offer an alternative to India’s official Republic Day “celebrations”, other indias curates a double-feature film screening capturing the essence of the CAA-NRC protests. Filmmaker Teresa A Braggs, director of “All Was Good,” will lead a discussion following the film. We will also contribute to the resistance by writing postcards to India’s political prisoners connected to the protests.

Join us for an evening of remembrance and reflection. Together, we watch to revisit the past and keep the spirit of solidarity alive—a collective effort to reflect, resist, and stand united.

Schedule: Doors open at 6 pm
6:30 – 7:50 pm: All Was Good (76 min)
7:50 – 8:30 pm: Q&A with Teresa A Braggs (other guests TBC)
8:30 – 8:50 pm: Snacks (samosas, chaat) + postcards
8:50 – 10:30 pm: A Night of Knowing Nothing (97 min)

About the films:

Sab Changa Si (All Was Good), India, 2022 / Teresa A. Braggs

In this debut, Teresa A Braggs draws us to the very centre of the student-led anti-CAA protests in Bangalore, India, to reveal a delightfully defiant and sensitive portrait of young people in search of a common language. With a raw and persistent gaze, the filmmaker intimately documents and critically reflects on the challenges of solidarity across identities. Made with a budget of less than 60 EUR, Sab Changa Si became the first Indian film to win the Peace Film Prize at the 72nd Berlinale. Teresa A Braggs, 24, was also the youngest filmmaker to win this award.

A Night of Knowing Nothing, France, India, 2021 / Payal Kapadia

L, a university student in India, writes letters to her estranged lover, while he is away. Through these letters, we get a glimpse into the drastic changes taking place around her. Merging reality with fiction, dreams, memories, fantasies and anxieties, an amorphous narrative unfolds. “A fever dream of impossible love tied to a broader reflection on contemporary India”. A Night of Knowing Nothing was selected for Director’s Fortnight at Cannes 2021, where it won the Golden Eye Prize for Best Documentary.
Trailer: https://vimeo.com/687092162

other indias
otherindias [at] riseup [dot] net
https://radar.squat.net/en/amsterdam/other-indias

Movie night: 20 Days in Mariupol (Mstyslav Chernov, 2023)

Sunday 21st January 2024, Movie night: 20 Days in Mariupol (Mstyslav Chernov, 2023). Documentary with English subtitles. Doors open at 20:00, intro & film start at 20:30.

During the Russian siege in 2022, unspeakably gruesome and bloody images of the countless dead and wounded victims of bombings and shootings in the Ukrainian port city of Mariupol were seen around the world—thanks in part to the work of Ukrainian AP journalist Mstyslav Chernov. With great difficulty in this city lacking electricity and internet coverage, he managed to share these shocking and now-iconic images, such as the pregnant woman being carried on a stretcher from a bombed-out maternity clinic.

This documentary offers an even more powerful and mind-boggling impression of the siege—if such a thing is possible. The crystal-clear quality of the video footage makes for an almost 3D viewing experience. The camera captures the entry into the blasted clinic, the hurriedly dug mass graves containing dead children, and emotional exclamations from the doctors working in operating rooms.

The footage is pin-sharp, though sometimes jittery due to the explosions. In his soft-spoken voice-over, we hear Chernov talking about his emotional response to the 20 days that transformed this normal city into a shattered ruin.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: Sexmisja (Juliusz Machulski, 1984)

Sunday 14 January 2024, Can Dialectics Break Bricks Cinema: Sexmission (Sexmisja) * directed by Juliusz Machulski * 1984 * 116 minutes * In Polish with English subtitles * free screening * doors open at 8pm * intro & film start at 8.30

This is easily the most popular comedy to come out of Poland in the 1980s. Because Poland was still in the Eastern block at that time and couldn’t confront their government openly and directly, they instead created indirect attacks…. innuendos that could bypass the censors and reach an audience who could decode and understand them. They were creating their own language of cinema through a specific style of black humor.

Sexmission was one of the major films in this genre, and once again, it’s a film that’s rarely been screened here in the west. The story of this film? Two men kept in hibernation for 50 years learn they are the only surviving living specimens of the male gender in a new underground society run by women. The female archeologist who digs them up concludes that she has found the missing link between women and apes! These two surviving men face harsh treatment from their female guards, and will do anything to save their skin and to re-establish a male dominated population. This is such a wild flick that when viewed today it has the power to offend almost everyone… but I’ll do my best to re-insert it back into its original context to reveal its true meaning. A crazy East-Block black comedy that operates on many levels, starring Jerzy Stuhr (a favorite of Krzysztof Kieslowski).

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net