Sunday December 8, 2024, Can Dialectics Break Bricks Cinema: Ecstasy of Angels * 1972 * (天使の恍惚, Tenshi no kōkotsu) * Directed by Kōji Wakamatsu * 89 minutes * In Japanese with English subtitles * doors open at 20:00 * intro & film start at 20:30.
Japanese director Kōji Wakamatsu was a wild cat, and was the primary director that fused together radical politics along with transgressive sexuality. He had made a link between these two things that was, in a way, revolutionary. He didn’t believe in breaking down barriers only on a single issue or theme, but through an explosion of freedom he sought to destabilize Japan’s colonized, regulated, conservative society that was imposed by America after World War II.
These were wild days in Japan, with student protests, occupations, psychedelic music and a lot of experimentation. This movie is a byproduct of that time, a snapshot of his zeitgeist, a call for freedom. It is a pink political flick, meaning it’s politically charged. The story is about a group of left-wing revolutionaries who break into a US military Depot to steal weapons and ammunition. As they make their getaway they come into a conflict with soldiers, leaving some Americans dead. The movie takes off from there.
Right around the time when Kōji Wakamatsu made this movie, he went to the Palestinian territories and filmed a radical left-wing group training there, he was instantly put on a blacklist by three major organizations – the Japanese government, Interpol, and the American government. In fact, he was banned from entering the United States for the rest of his life.
Wakamatsu is a great example of guerilla filmmaking, knocking out radical, imaginative films, and all budgets. In fact, Wakamatsu said the reason he became a film director in the first place was because “in movies, you can kill as many police officers as you want and not get caught.”
Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net
