Movie night: Zombi 2 (Lucio Fulci, 1979)

Sunday December 21, 2025, Movie night: Zombi 2 (Lucio Fulci, 1979) * English spoken * doors open at 20:00 * intro & film start at 20:30.

“Zombi 2” is a 1979 Italian-made zombie film, shot in English and directed by Lucio Fulci. The movie was developed from an original script by Dardano Sacchetti and was designed to function as an unofficial follow-up to George A. Romero’s Dawn of the Dead (1978), which had been released in Italy under the title Zombi. The cast includes Tisa Farrow, Ian McCulloch, and Richard Johnson, with music composed by Fulci’s frequent collaborator – maestro Fabio Frizzi.
The story unfolds on a Caribbean island plagued by a voodoo curse that causes the dead to rise and prey on the living. After a scientist’s boat mysteriously appears deserted in New York City, his daughter travels to the island in search of answers. Written as a throwback to “traditional zombie stories,” the film was primarily shot in Italy, with additional scenes filmed in New York and Santo Domingo.
Despite its modest budget of 410 million Italian lira, the movie earned several times its cost worldwide. Upon release in the United Kingdom—where it played under the title Zombie Flesh Eaters—it stirred controversy and was eventually labeled a “video nasty.” Over time, however, critical opinion has become more favorable, and the film has since developed a strong cult following.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinerevolt: De Cierta Manera (Sara Gómez, 1977)

Sunday December 14, 2025, Cinerevolt: De Cierta Manera  (One Way or Another) * directed by Sara Gómez, * 1977 * 1hr 20 mins * Spanish with English Subtitles * door opens at 20:00 * intro & first film starts at 20:30.

The only feature from the radical Afro-Cuban filmmaker Sara Gómez—who also worked as an assistant director with Agnès Varda and Tomás Gutiérrez Alea before her untimely death at age thirty-one—is an extraordinary portrait of post revolution Cuba. Blending invaluable documentary footage with a loose narrative about the budding relationship between an outspoken schoolteacher (Yolanda Cuellar) and a young worker (Mario Balmaseda) facing a moral crisis, ONE WAY OR ANOTHER depicts revolution as an ongoing process that takes place at the level of community—among friends, lovers, coworkers, teachers, students, and parents, all of whom must work together to negotiate a new social order. Above all, Gómez offers a trenchant intersectional critique of the lingering sexism and machismo that, she argues, must be cleared away in order to create a truly just society.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Relaxe (Audrey Ginestet, 2022)

Sunday December 7, 2025, Relaxe, documentary film by Audrey Ginestet, released in 2022 * 92 minutes * in French with English subtitles * door opens at 20:00 * intro & first film starts at 20:30 * free entrance.

Manon has been a defendant in the Tarnac case for ten years, accused with eight other people of participating in a terrorist undertaking while sabotaging high-speed lines in France. As their trial approaches, Audrey Ginestet is taking her camera to join the group of women who helps Manon preparing her defense.
In novembre 2008, the french anti-terrorist police raided a farm in the Tarnac village in Corrèze. For the media and the state, the Tarnac Nine was the new enemy group of conspirators against the state who claimed Julien Coupat to be the author of The Coming Insurrection book. Coupat spent over six months in jail before being released on bail. He was held for a significantly longer period than other members of the Tarnac Nine because French police believed him to be the leader of the group, which they described as an anarchist cell. On April 12, 2018, Coupat and other members of the Tarnac Nine were acquitted of the most significant remaining charges, particularly conspiracy and sabotage, although some members were still convicted of lesser, symbolic charges, and ordered to pay fines.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Movie night: Spring on Zarechnaya Street (Felix Mironer and Marlen Khutsiev, 1956)

Sunday November 30, 2025, Spring on Zarechnaya Street * Весна на Заречной улице (Felix Mironer and Marlen Khutsiev * 1956, Soviet Union, 96 min, in Russian with English subtitles * door opens at 20:00 * intro & first film starts at 20:30 * free entrance.

This movie deals with the struggles of an inexperienced young teacher from the city to teach Russian literature in a night school in an industrial town to young adult students who are steelworkers by day.
This film, most of it shot in Zaporizhzhia, was one of the first post-war movies from the Odesa Film Studio. It not only showed spring in cinematography but also became a symbol of the beginning of the political thaw in the USSR. Filming of Spring on Zarechnaya Street began in 1953, the year of Stalin’s death, and was released in 1956, coinciding with the reevaluation of his cult of personality.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinerevolt: The Borders of Paradise (Nicolas Romero Silva, 2024)

Sunday November 2, 2025, The Borders of Paradise (Nicolas Romero Silva, 2024 * door opens at 20:00 * intro & first film starts at 20:30.

At the border of Italy and the French Riviera the French police and Italian State create a humanitarian hotspot through physical violence, illegal pushbacks, and negligence of young people on the move.
In the town of Ventimiglia (at the French-Italian border) we meet the young men who have fled genocide, violent militias, destitution, and have risked their lives crossing the sea to reach the perceived safety of Europe. However, once in Italy they are faced with what one young man calls a “slow death”. Unable to gain the foothold of basic social services, many asylum seekers end up in Ventimiglia. For those who wish to try their luck in another European country awaits a difficult border crossing, often thwarted by the violent and extra-judicial pushbacks by the French police. Others try more dangerous means, such as the ‘pass of death’ through the mountains, in the backs of trucks, or the roofs of trains.
Caught between the agonizing wait for help in Italy and the hope of a better life on the other side of a fortified border, The Borders of Paradise is a detailed portrait of the psychological toll which neglectful European policy has on the young men who arrive on its shores. Incorporating multiple face-to-face conversations about the why and how of their migration, this film seeks to make heard the voices of those most dehumanized in the European political landscape.
The Borders of Paradise is the first documentary film by Nicolás Romero Silva. To organize a screening or learn more about the project visit https://20milesmore.org/.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: a night with Pepe Mujica (Rest In Power)

Sunday June 8, 2025, Can Dialectics Break Bricks Cinema: a night with Pepe Mujica (Rest In Power) * EL PEPE: A SUPREME LIFE * (El Pepe, una vida suprema) * Directed by Emir Kusturica * 75 minutes * In Spanish with English subtitles * doors open at 20:00 * intro & film start at 20:30

A movie night in memoriam of Pepe Mujica, who described himself and his fellow Tupamaros as “politicians with weapons.” Not the brightest of his famously lucid turns of phrase, if you consider that the Junta that eventually took power, held on to it, tortured and imprisoned him for over a decade were also, arguably, “politicians with weapons”.
Short clips and a full-length movie El Pepe, una vida suprema by Emir Kusturica.

About a month ago the former Uruguayan president José (Pepe) Mujica died. In my book, he was maybe the only so-called politician that I think was sincere, thoughtful, and straightforward. He had a philosophical bent, and was on the right side of history. For the most part politics is game-playing involving vast amounts of money going to the top government officials. Mujica brought something radically different to the table. He had spent 14 years imprisoned and tortured under the Uruguayan dictatorship in the 1970s, and understood what’s valuable about life. As president, he continued living on his small farm in the countryside, living there with his wife and his three legged dog. He would drive to work every day in his tiny Volkswagen beetle or his moped. In this film he is asked why he was so different from any other politician, why no limousines, huge palaces or red carpets? He responded “If it’s the majority of the people who elect you for office, one has to try and live like the majority, not like the minority.” Such clear-sightedness puts all other politicians to shame.

This documentary was directed by Serbian director Emir Kusturica, and it’s clear that he went out of his way to make this film about a man he admired and loved. Kusturica spent three years filming him right up until the last day of his presidency. It’s a pretty straightforward documentary, but one that covers a lot of territory and adds some lively music to the journey. There are a few documentaries about Pepe Mujica out there, and we wanted to show one of them because of his recent passing, and chose this one because it at least contextualises the situation of Uruguay and Latin America a bit.

Pepe Mujica had been one of the left wing guerilla fighters of the Tupamaros National Liberation Movement in the 60s, who robbed banks and staged prison breaks under the dictatorship in order to redistribute the money to the poor, Robin Hood style. The Tupamaros invented a new form of guerrilla warfare that became a role model for all Latin America. It was crucial for them to stay on the side of the people, and to do actions that the general people could understand…. He didn’t just shoot off, wildly out of anger or desperation, they were incredibly thoughtful in everything they did. The film weaves together this past into the present, and includes discussions with his life-long partner/companion Lucía Topolansky who reflects “We united two utopias – the utopia of love, and the utopia of political struggle.”

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Movie Night: Possession (Andrzej Żuławski, 1981)

Sunday May 25, 2025, Movie Night: Movie Night: Possession (Andrzej Żuławski, 1981) * 124 minutes * in English, German, French with English subs * doors open at 20:00 * intro & film start at 20:30.

Possession is a cult psychological horror film directed by Andrzej Żuławski. After returning home from a long business trip, Mark discovers that during his absence he has become a complete stranger to his wife Anna. He decides to find out why and finds out that Anna periodically disappears.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinerevolt: Supermen of Malegaon (2008)

Sunday May 18, 2025, Supermen of Malegaon (2008) * doors open at 20:00 * intro & first film starts at 20:30.

The absurdity of the culture industry was on full display when last year ‘Superboys of Malegaon’ premiered at the Toronto international film festival. The film is a fictionalized reenactment of the life of Nasir Shaikh, an amateur filmmaker who 16 years before this fictionalization was shadowed by a film crew as he prepared for and produced his rendition of superman. In a city where most work grueling jobs at cotton looms, and the entertainment of the workers lies in hollywood and bollywood, Nasir puts everything on the line in order to make his own movies with and for his neighbors. The result, Supermen of Malegaon, is a heartwarming documentary about the creative process independent filmmaking, and overcoming adversity for the ludicrous end of one’s films.

The fact that the film industry would rehash this story into a polished film with no bite is reflective of the general state of film financing now. Rather than promote this existing documentary with it’s amateuristic style, the industry finances the creation of a spectral counterpart with none of the candidness, heart, or connection to real people and real lives. The film is a great launchpad for a discussion around art in capitalism, and film/entertainment in the context of the urban proletariat.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net