Can Dialectics Break Bricks Cinema: La comunidad (Álex de la Iglesia, 2000)

Sunday 9 april 2023, Can Dialectics Break Bricks Cinema: La comunidad * 2000 * (Common Wealth) * Directed by by Álex de la Iglesia * 110 minutes * In Spanish with English subtitles. Doors open at 20:00, intro & film start at 20:30.

After the dictator Franco died in the mid-70s, Spain became a democracy and people celebrated. But catchwords like ‘democracy’ and ‘freedom’ can be tricky, and are often just a feel-good ruse for capitalism. In his own special way, Spain’s enfant terrible film director Álex de la Iglesia turns to Alfred Hitchcock to expose the darker aspects of the new Spain.

The premise of this black comedy is dead simple… when a middle-aged real estate agent (Carmen Maura) is sent to sell a Madrid apartment, she accidentally discovers a small fortune (300 million pesetas) a dead neighbor had stashed away. She secretly takes the money, and thinks she has hit a gold mine. This already shows a kind of Hitchcockian twist, revealing the murderous greed under the surface of bourgeois everyday life. But when it turns out the neighbors also had their eyes on the cash and were just waiting for the old man to croak, things really go nuts, turning the tale into a brutal farce of secret plots, dirty deals and backstabbing.

Director Alex De Iglesia has a reputation for conjuring up his own brand of madness, cranking his movies so tight they become over-the-top absurd. This approach goes against the grain of most flicks these days that wallow in a cesspool of graphic violence. When De Iglesia uses violence there is always an aspect of flamboyant panache that saves it from becoming too serious. In the end this is a punchy black humored critique of neo-liberal capitalism, bordering on a horror film. Winner of 3 Goya awards, including one for the lead actress Carmen Maura.

This will be a high-definition screening.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: Billy Liar (John Schlesinger, 1963)

Sunday 12 February 2023, Can Dialectics Break Bricks Cinema: Billy Liar * 1963 * directed by John Schlesinger * 98 minutes * In English with English subtitles. Doors open at 20:00, intro & film start at 20:30.

Based on a novel by Keith Waterhouse, this dark comedy is fundamentally about a young bloke who doesn’t want to give up his dreams, causing mayhem in the Manchester community where he lives. The entire film is a breath of fresh air, since its concept hasn’t been repeated a thousand times in Hollywood. This film is too quirky, too satirical, and its message too relevant. It follows the path of a young desk clerk called Billy Fischer who lies endlessly, and therefore throws chaos into the real world. Billy has a wild imagination, and his fantasies blur his sense of reality. But that also makes sense…. it’s a natural defense against a world that is way too boring, and that tries to kill him spiritually.

This is an early work directed by John Schlesinger (Midnight Cowboy), made in England during the first half of the 60s. It stars an energetic Tom Courtenay and a very young Julie Christie. Its fluid style is influenced by the French New Wave, and it also taps into the rebellious spirit of that movement. It has a sense of irony and black humor that kicks back against the conservative landscape of post-war England, just on the edge of being transformed into the swinging sixties. In a world like today when everything is so heavily templated, it’s a wonder to see a movie like this unfold, where the sharpness of the dialogue matches perfectly the playful wit of the visuals. In a way it has a punky attitude that was picked up later in the 80s by the indie Manchester band The Smiths… who even lifted sentences from this film and turned them into song lyrics.

This will be a high-definition screening.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: Zabriskie Point (Michelangelo Antonioni, 1970)

Sunday 12 February 2023, Can Dialectics Break Bricks Cinema: Zabriskie Point * 1970 * Directed by Michelangelo Antonioni * 107 minutes * In English. Doors open at 20:00, film starts at 20:30.

An epic portrait of late-sixties America as seen through the lives of two of its children: anthropology student Daria (who’s helping a property developer build a village in the Los Angeles desert) and dropout Mark (who’s wanted by the authorities because he is suspected of killing a policeman during a student riot). They meet and end up on a journey to the end of the American dream.

This film got a lot of critical flack when it came out, but many now consider it a cult classic. But then again most of the negative reviews for this movie came from Americans, and not Europeans. Most people I talked to about it in America thought it was shit. I guess that’s natural, since the entire movie goes against the grain of the American way of life. But if you talk to a guy in a shop in Brussels about it, he says “wow, it’s such a beeeaauutiful movie!” And indeed the ending is nothing short of monumental, a poetic ballet of destruction unmatched anywhere else in cinema history. It’s a love it or hate it kind of film for sure, but those who have seen it have never forgotten it and it has stayed alive in the hearts of film lovers across the world…. it’s visually stunning. It’s a film that didn’t play according to the rules, and today it is an amazing postcard from a bygone era, ending with one of the most dazzling climaxes in cinema history.

WARNING: If you ever were going to watch this film on your goddamn laptop or flat screen the film wouldn’t make any sense. This film is a moving painting designed to be shown in a theatre where images can dominate the story! You have to soak in these images. With music by Pink Floyd and other 60s counter-culture icons that helps to psych-out the desert landscape.

P.S. We will be screening the ultra-rare version with the original soundmix, that includes in a Pink Floyd psychedelic burst at the very end (instead of a Roy Orbison love song).

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: Glengarry Glen Ross (James Foley, 1992)

Sunday 15 January 2023, Can Dialectics Break Bricks Cinema: Glengarry Glen Ross * by James Foley, script by David Mamet * 1992 * 100 minutes * In English with English subtitles. Doors open at 20:00, film starts at 20:30.

What is important about this flick isn’t so much the director, but its provocative scriptwriter David Mamet (Wag the Dog). The craft of his writing is so powerful it makes the director unimportant, and no matter what theme he takes on, he always elevates it to another level. His punchy razor-sharp dialogue is so unique there is even a term to describe it – ‘Mametspeak’.
In this one he throws us into the real estate world, a place almost as creepy as the banking sector, and it shows how once things start to go wrong, the inherent greed and viciousness of the employees turns inward as they start tearing themselves to shreds. For many, if you want to understand how the guts of big business operates, this is the best film to watch.
During the pandemic we were told to stay at home and chill, but others were more busy. Ruthless speculators like the American investment corporation Blackrock were busy as hell acquiring more spaces in this city so they could leave them empty and eventually jack up the rental prices for a huge profit in the future. When squatters tried occupying one of those empty Blackrock buildings, they were immediately dragged out by the police. Welcome to the dark world of high-finance, where profits matter more than human lives.
And what is just as amazing as the script is the crazy cast cobbled together to speak the dialogue – Al Pacino, Alec Baldwin, Ed Harris, Alan Arkin and old-schooler Jack Lemmon. We’re not a great fans of that genre of films where there are zero women roles of any importance. Still, for the energy in this film it was important to keep the testosterone levels as disfunctionally high as possible.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: finally the legendary Can Dialectics Break Bricks Cinema (René Viénet, 1973)

Sunday 11 December 2022, Can Dialectics Break Bricks Cinema: finally the legendary Can Dialectics Break Bricks Cinema (René Viénet, 1973)* 90 minutes * In French with English subtitles. Doors open at 20:00, film starts at 20:30.

This is a movie we wanted to screen for ages – after all, we even named this cinema-night after it. But all of the available copies were so terrible… muddy vhs tape transfers that were virtually unwatchable and took all the joy out of the experience. But now it has finally been restored in its full color glory.

Back in the mid-60s in France there was a group of post-artists that called themselves Situationists. One thing they observed was how even the most radical ideas can be transformed into harmless commercial products by the power of modern marketing. But then they thought – why not reverse the process? Why can’t we take some banal commercial products and turn them into something subversive, alive and meaningful again?

A great example of the wild, sly humor of May 68 can be seen in this delirious flick. The situationist collaborator René Viénet took a 1972 Hong Kong martial arts film called Crush, and replaced the entire soundtrack with his own narration and dialogue. The new dubbed soundtrack he added changes everything, turning the kung-fu film into a politically-charged struggle about gender equality, the alienation of consumer society, the Paris Commune and post-Marxist political theory. And it’s all done with a razor-sharp sense of humor, because joy was part of their ammunition. The new script is witty and snappy. At one point one of the characters asks “What the hell was the original film about anyway?”

To do the new voices on the soundtrack René Viénet brought in some members of the satirical Café de la Gare Theatre group, including the legendary Patrick Dewaere. The finished film is a riot, but one with a message!

This will be a high-definition screening.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: The Ipcress File (Sidney J. Furie, 1965)

Sunday 13 November 2022, Can Dialectics Break Bricks Cinema: The Ipcress File (Sidney J. Furie, 1965) * 108 minutes * In English. Doors open at 20:00, film starts at 20:30.

In many ways this classic British Cold War thriller was set up as an anti-James Bond comment… where Bond is glamorous and heroic and sent to exotic locations, instead here we find our secret agent Harry Palmer (Michael Caine) buried in shitty errands, bureaucratic confusion and endless paperwork. There is always another form to be filled out before he can do anything. He has a hard time getting any girlfriend at all, and when he tries to be witty people mostly find him annoying. In the background the movie also comments on the Americanization of England, as colorful supermarkets invade gritty post-war London.

But when Harry stumbles onto a forbidden file, he suddenly finds himself hunted from all sides, and all hell breaks loose in the midst of double-crossings, kidnappings and mysterious killings. Strangely enough, this flick also reflects with uncanny accuracy the secret brainwashing operations the CIA had in foreign countries worldwide, including their so-called partners in Europe. It is one of those movies considered to have an outrageous premise when it hit the screens, but later it turned out to be based in reality.

Shot in rich Technicolor widescreen, and besides starring a youthful Michael Caine, it also sports an iconic music score by John Barry.
This will be a high-definition screening.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: Vertical Ray of the Sun (Tran Anh Hung, 2000)

Sunday 9 october 2022, Can Dialectics Break Bricks Cinema: Vertical Ray of the Sun * Mùa hè chiều thẳng đứng / À la verticale de l’été * 2000 * by Tran Anh Hung * 112 minutes * In Vietnamese with English subtitles. Doors open at 20:00, film starts at 20:30.

Most American movies these days have huge stories, and zero content. This movie is exactly the opposite, and in some ways is closer to European cinema of the 1960s. Here the story is minimal, but it is done in such a lush way. Even when it starts raining it feels like a shower of silver, not like the gloomy rainfalls here in Europe. To put it simply, poetry is still intact, and there is an engagement to the bigger picture of life, something lacking in more narrative driven movies. This is the kind of film you can sink into body and soul.

Although the film has a lush exotic mood, it doesn’t get carried away with its exoticism, and breaks the borders between East and West by bringing in elements of Western culture. For example, a Velvet Underground tune that pops up. The reason this diversity is possible is that the director grew up in Vietnam until he was 12, and then moved to France. So he has a double identity, and in his movies he brings together the best of both worlds.

On the surface it is about three sisters who meet in Hanoi over the course of a month on the anniversary after their parents’ deaths. In these encounters secrets about the past are revealed. But the real meat is the ultra-sensual mood, and its feeling of incredible harmony with the environment. it doesn’t have a conventional approach to narrative story telling… instead it’s more a mosaic of small intimate moments, and the power of images to communicate a sense of life.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: Divided Heaven (Konrad Wolf, 1964), GDR series

Sunday 11 September 2022, Can Dialectics Break Bricks Cinema: Divided Heaven / Der geteilte Himmel (GDR series), 1964 adaptation of Christa Wolf’s novel by Konrad Wolf, 109 minutes, in German with English subtitles. Doors open at 20:00, film starts at 20:30.

This film is part of the GDR / Why Women Had Better Sex under Socialism series

Based on the famous novel by Christa Wolf about two lovers who are torn apart as the Berlin Wall is about to be constructed, dividing the country in two. Rita has a lover, but over the course of their relationship it becomes clear they have different political points of view. The movie is great in laying out excellent arguments for both sides… the socialist East Bloc and the consumer-orientated West.

The film embraces the structure of the novel, which begins with a woman waking up in a hospital, and through flashbacks, recounts the recent events that got her there. This wild structure matches well with the film’s French New Wave feel. It is often quite experimental – using angular photography and scenes overlapping between the present moment and the past. The cinematography is crystalline, with an endless array of exquisitely composed black-and-white images. The soundtrack is also bold, with an experimental electronic music score giving the story a modern, ‘in transition’ sort of mood.

It makes sense that since each character is a different gender, they make different decisions. In the West men are in control and have more advantages… and Rita stays in the East where there was much more gender equality. But the real argument is much more than that, it is more about if a person should fight for a cause, or just live as easy as possible.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net