Czech film night with Pavel Juráček and Jan Němec

A_Report_on_the_Party_and_the_Guests_poster

Sunday April 14th 2013, Czech film night with a double bill, Joseph Kilian (“Postava k podpírání” original tile, from Pavel Juráček, 1965, 38 min.) and A Report on the Party and the Guests (“O slavnosti a hostech” original title, from Jan Němec, 1966, 70 min.). English subtitles. Door open at 20pm, films begin at 21:00.

Joseph Kilian (“Postava k podpírání” original tile, from Pavel Juráček, 1965, 38 min.)
A year after Franz Kafka’s work had been translated from German into his native Czech, this experimental feature was full of Kafka’s tone and style. The story is about Harold, an isolated figure in an overwhelming world of totalitarian bureaucracy. Harold tries to find the elusive Joseph Kilian, an old acquaintance, in Prague. When Harold stumbles across a state-run cat-lending store, he impulsively rents a feline for the day. Later, he attempts to return the cat and finds that the store no longer exists. Now with a furry companion, Harold continues his search for Kilian. Written and directed by Pavel Juracek, this 40 minute film effectively aims its allegorical shots at personality cults and the absurdities of a totalitarian regime. […Lees verder]

Can Dialectics Break Bricks Cinema: Diamonds of the Night (Jan Němec, 1964) and The Miners’ Hymns (Bill Morrison, 2011)

Sunday September 16th 2012, Can Dialectics Break Bricks Cinema with a double feature: Diamonds of the Night (Jan Němec, 1964) and The Miners’ Hymns (Bill Morrison, 2011). Screened by guest programmer Jeffrey Babcock,  in high-definition. Door open at 20pm (films start at 21:00pm)

Diamonds of the Night (Jan Němec, 1964)DIAMONDS OF THE NIGHT   1964
(Démanty noci)
Directed by Jan Němec
63 minutes
In Czech with English subtitles

This film is a intense, illuminating and harsh story of two Czech boys who escape from a train taking them from Prague to a concentration camp. As they run wildly through the hilly, forested landscape they are being hunted down by armed German villagers. The film is visceral and visual, with very few words spoken. It is an anti-war film that doesn’t deal with actual warfare, but rather focuses on human survival in almost surrealistic dimensions. The film constantly breaks with normal storytelling, intersecting hallucinations and flashbacks into the two boy’s exhaustive physical journey. […Lees verder]