Transit Levantkade

Sunday 3rd february 2019, Film night: Transit Levantkade by Rosemarie Blank. 1991 | 82 minutes | In Dutch with English subtitles. Doors: 20:00, Film 20:30

This creative documentary captures, in a way, the end of Amsterdam’s wild three decade run of alternative culture. The Berlin wall has fallen, the east-block is no longer a viable possibility, and everything slides into the American de-regulated free-market ideology – and that means that everything that doesn’t make a profit has to be stamped out. Here in Amsterdam that change was more extreme and painful than most other places, simply because Amsterdam was so different than anywhere else.

The Levantekade in Amsterdam’s east harbor was one of the last large-scale alternative spaces to be destroyed. It was a place anyone who didn’t have money could go, a sort of no-man’s land where people could live and create freely. It was a place for those who didn’t fit in. It was a place for the homeless, emigrants and artists and they both created and lived their own alternative culture. Sure, it was rough to live there, but it could also be beautiful for those who valued freedom and had their own vision. This film documents these ‘urban Indians’ and charts the last days before the police came in to remove everyone for the bulldozers. In an act of ritualistic defiance some chose to set fire to their self-made homes, their own creations, rather than leave them to be destroyed by a wrecking-ball. Rosemarie Blank’s film is composed of flickering grainy black and white images which have a rough poetry about them. They depict a dark shadow that is overtaking this playground of the imagination. The mood is a haunting death fugue, and soon these people and the refuge they created, would soon be written off as road-kill for the gentrification and financialization of the city. This film, which digs deep into Amsterdam’s past, is more than anything else an ode to a special way of living… and is especially crucial to see today when even the ADM, leagues outside the city, isn’t allowed to exist as a free space.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Aman Molli: special concert with Mále Vráse

Saturday January 19th 2019, Aman Molli: special concert with Mále Vráse, 19:30, donations welcome.

Once upon a time, in a period between wars, there was migration and sorrow (around ~1920). Folks from different places such as Smyrna, Istanbul, Aegean islands were gathering at the Piraeus docks to survive. While living at the margins of the society and being unable to adapt quickly to the rapid changes that industrial revolution and western countries dictated to Greece, they were meeting at “tekedes”, underground illegal dens, where they could blend their music traditions and experiences while smoking hash, marijuana using shisha and other custom made devices.They used to sing, dance, fight, love and discuss for many hours until the morning or until the police were forcefully stop them and take them to the prison.
Change is inevitable and Rebetiko was not an exception. Metaxas dictatorship in Greece (1936-41) enforce music censorship, which include melodic pathways, rhythms and lyrics. Someone said life always finds a way and music did the same!

That was the birthplace of Rebetiko, more or less…
And that music is what Male Vrase will play and sing with us!

Mále Vráse’ is a Greek slang expression, meaning upset, a mess, bust up. Having in common the love for music from a very young age, the members of Mále Vráse mixed their influences and started their own music journey. Each one with a different musical background, they form their sound with respect to the original gramophone recordings, combined with contemporary music elements.

Mále Vráse band are:
Antonis Laurijsen – Guitar, Vocals
Charis Laurijsen – Bouzouki, Vocals
Dimitris Maris – Bouzouki, Vocals
Nikos Kaliouris – Violin

January 2019 at Joe’s Garage