Black Cat Cine presents “We Come As Friends”

By: börek - February 1st, 2017  Filed under: Filmavond

20170226_wecomeasfriendsSunday February 26th 2017, Black Cat Cine presents “We Come As Friends” by Hubert Sauper, France/Austria, 2014, 110 minutes. English subtitles. Door opens at 8pm, film begin at 9pm. Free admission.

In his tiny homemade aircraft flown all the way from France, documentarian Hubert Sauper touches down on grassy strips and military airports in Sudan. He visits people and places in one of the world’s most politically confusing regions. “A modern odyssey, a dizzying, science fiction-like journey into the heart of Africa.” By the maker of Darwin’s Nightmare in 2005.

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Movie night: Guerrilla: The Taking of Patty Hearst, aka “Neverland: The Rise and Fall of the Symbionese Liberation Army” (Robert Stone, 2004)

By: börek - February 1st, 2017  Filed under: Filmavond

guerrillaSunday February 12th 2017, Movie night: Guerrilla: The Taking of Patty Hearst, aka “Neverland: The Rise and Fall of the Symbionese Liberation Army” (Robert Stone, 2004). Door opens at 8pm, film begin at 9pm. Free admission.

In 1974, a militant, fringe political group kidnapped teenage newspaper heiress Patricia Hearst from her Berkeley apartment. In the months that followed, Hearst, the Symbionese Liberation Army (S.L.A.), and their constant, paramilitary audio messages dominated headlines globally.
Using a treasure trove of archival footage and audio material, this film follows the bizarre saga from the establishment of the S.L.A., through the kidnapping, Hearst’s conversion to her captors’ cause, and the bank robberies and shootouts that followed.
First-ever interviews with two surviving members of the S.L.A. provide insight into the politically charged times and the reasons why the group embraced revolutionary rhetoric and a terrorist agenda. As the spectacle unfolds, and journalists camped outside the Hearst home become consumed by the story, the film begins to explore questions about the role of the media and the ethics of broadcast journalism.
Guerrilla: The Taking of Patty Hearst is an unprecedented account of the Symbionese Liberation Army, arguably the most notorious and flamboyant domestic terrorist group in American history.
Dedicated to the rights of black prisoners and the working class, the S.L.A. set forth in 1973 to incite the violent overthrow of the U.S. government, brilliantly manipulating the mass media to advance their message. Their audacious kidnapping of teenage newspaper heiress Patty Hearst inspired what might be described as the first true media “frenzy,” one that only exploded further when Patty transformed into “Tania” and joined the ranks of the S.L.A. Every detail of their descent into the surreal outer limits of political extremism was played out in public, a spectacle foreshadowing some of the worst excesses of modern TV journalism. Thirty years later, the S.L.A.’s extraordinary two-year crime spree resonates as a parable of political ideology run amok, the role of the media in America, and the romantic fantasies of modern political terrorism.
For Guerrilla, filmmaker Robert Stone went underground, where he spent four years creating a film that delivers both eye-popping archival footage and an exclusive interview with S.L.A. founder Russ Little, whose incarceration inspired the Hearst kidnapping. […Lees verder]

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Can Dialectics Break Bricks Cinema: Rome, Open City (Roberto Rossellini, 1945)

By: börek - February 1st, 2017  Filed under: Filmavond

170205_roma_citta_aperta_smSunday February 5th 2017, Can Dialectics Break Bricks Cinema. Door opens at 8pm, film begin at 9pm. Free admission.

ROME, OPEN CITY. 1945
(Roma Città Aperta)
Directed by Roberto Rossellini
103 minutes
In Italian with English subtitles

Over the next months we will slowly take a look back at the brilliant early films of Roberto Rossellini, made when Europe was utterly ruined during WWII. When you watch these movies, you are watching two films at the same time… an incredible drama, and also a documentation of history shot in the middle of real-life.

The filming of Rossellini’s first neo-realist film, ROME, OPEN CITY was began when Italy was still occupied by the Germans. Made with almost no money, and shot in the streets of Rome guerrilla-style, this film depicts what the inhabitants of Italy were going though with a searing authenticity. Utter poverty, betrayal, humiliations, extraordinary renditions (I mean “kidnappings”) and enhanced interrogations (I mean “torture”) by the Gestapo. In this movie we get a heart-rending depiction of Europe torn to shreds by war.

The story of this movie (co-written with Federico Fellini) follows one of the leaders of the Resistance who is being hunted down by the Nazis. Shot on scavenged film stock with mostly non-professional actors, natural lighting, location shooting and little money… this is the kind of cinema that is only possible through sheer vision and passion. It was her performance in this film which would shoot actress Anna Magnani to international fame. Shot illegally when Italy was under fascism, this movie has gone on to become one of the classics of cinema.

This will be a high-definition screening.

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Can Dialectics Break Bricks Cinema: Harlan County U.S.A. (Barbara Kopple, 1976)

By: börek - January 8th, 2017  Filed under: Filmavond

harlancountyusaSunday January 22nd 2017, Can Dialectics Break Bricks Cinema. Door opens at 8pm, film begin at 9pm. Free admission.

HARLAN COUNTY .U.S.A.   1976
Directed by Barbara Kopple
103 minutes
In English with English subtitles

Here is a documentary that is generally considered to be the one of the very best ever made. It is riveting as hell, and was made in the old-school approach of cinéma vérité… in other words without any cheap pseudo-Hollywood effects or re-enactments, only raw material that was shot at the scene.

Director Barbara Kopple throws herself and her crew into the battle that was taking place in the small mining community of Harlan County, Kentucky located deep in the black mountains of Appalachia. This place had a history, it was also the site of the legendary “Harlan County War” in 1931, when miners fought against the brutal working conditions dictated by the local coal company.

In 1973 things flared up again when miners began to strike against the Duke Power Company. When you look at the footage, you have to conclude not much had improved in the last half-century. The situation was appalling, and this lead to a needed confrontation. The company hired goons to come in and break the strike up, and in one electrically charged scene at dawn while the strikers and camera crew are heading to the picket line, they are shot at with machine guns. Luckily Barbara Kopple keeps here camera rolling as we watch her and her cameraman Hart Perry attacked and beaten.

What a tear-jerker this one is, and I don’t mean in the sense of cheap sentimentalism. I mean in the sense of seeing people fight for their rights. The kind of spirit and fire that is documented in this film is something that is so lacking these days, and is something we need so much more of. People allow themselves to be pushed around, and while their rights are being stolen from them they do nothing out of fear of something worse. And that is what this film is about… not giving into fear.

And don’t get the wrong idea. This is not just a film about men. It is also about the wives of the miners and women who have lost their husbands in the mines. How fucking strong these women are, it’s amazing. It’s the kind of film that will cut you to the core. It also won the academy award for best documentary feature.

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Benefit for We Are Here Academy + Iranian movie night: Fireworks Wednesday (Asghar Farhadi, 2006)

By: börek - January 8th, 2017  Filed under: Benefiet, Filmavond, Volkseten/Voku

Asghar_Farhadi_Fireworks_WednesdayMonday January 16th 2017, Food at 7pm with a benefit for We Are Here Academy. Then at 9pm, Iranian movie night with Fireworks Wednesday from Asghar Farhadi, (2006).

The We Are Here Academy is an educational initiative offering university-level courses for undocumented individuals. The We Are Here Academy upholds the rights for any person, whether or not in possession of legal status, to pursue an education. http://heretosupport.nl/we-are-here-academy-3/

Fireworks Wednesday, Iranian film from Asghar Farhadi (2006, 104 min.). In Farsi with English subtitles. The titular fireworks are literal – the story takes place as Iranians celebrate New Year  by spring-cleaning and lighting firecrackers – and metaphorical : when Rouhi, a young bride-to-be working for a cleaning agency,  turns up at the apartment of a couple about to go on holiday, she’s drawn into an explosive domestic conflict. What distinguishes the film is the way Farhadi keeps us guessing from as to what exactly is happening and why; repeatedly shifting our point of view, he forces us to question our assumptions about characters and their reliability. This compelling, corrosive account of male-female relationships in today’s Tehran is tempered by genuine compassion for the individuals concerned; wisely, Farhadi never serves judgement on them in their troubled pursuit of truth, love and happiness. Intelligent, illuminating and directed with unflashy expertise.

Volkseten Vegazulu is a people’s kitchen, every monday and thursday, all year long. Door opens at 7pm. Vegan food for 4€ or donation. All benefits go for social & political struggles. No reservation. In July and August, the people’s kitchen is closed on thursday.

We’re always looking for cooks. Any help is welcome in the kitchen. Experience not required. Enjoying it is a must. If you want to know which days are still available in the schedule, send an email to joe [at] squat [dot] net and book yourself the night. You can, of course, also participate by rolling up your sleeves and doing the

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Movie night: Divine Intervention (Elia Suleiman, 2002)

By: börek - January 8th, 2017  Filed under: Filmavond

divine_intervention_elia_suleimanSunday January 15th 2017, Movie night: Divine Intervention by Elia Suleiman, 2002, 92 minutes, in Arabic and Hebrew with English subtitles. Door opens at 8pm, film begin at 9pm. Free admission.

When Elia Suleiman’s “Chronicle of a Disappearance” hit the festival circuit in 1996 and 1997, it was a real revelation. The Palestinian director touched on the frustration of being an Arab in Israel, maintaining a strong sense of humor. Rather than agitprop, he made a witty, semi-autobiographical comedy, reminiscent of Jim Jarmusch’s “Stranger Than Paradise” and Jacques Tati. Using himself as a silent protagonist named E.S., Suleiman treated the film as a fictional diary. In many ways, “Divine Intervention” is a close follow-up to “Chronicle of a Disappearance.” Once again, Suleiman stars and remains silent. He plays a filmmaker struggling to write a script, inspired by his experiences. It also begins in his birthplace, Nazareth, and ends in Jerusalem. However, “Divine Intervention” is likely to be far more controversial than “Chronicle.” That film’s gentle tone and ironic ending were taken by some viewers as signs of acquiescence; on the other hand, the violent revenge fantasies of “Divine Intervention” are in danger of being taken literally.

Synopsis – Nazareth, birthplace of the Christian carpenter is also a Palestinian enclave inside Israel. Under the cover of a seemingly banal everyday life, the city is becoming overwhelmed by madness. An old man, a father, breaks down under the pressure of a decaying business. The son, a Palestinian from Jerusalem, is in love with a Palestinian woman from Ramala. Torn between his sick father and his love, he is trying to keep them both alive. Due to the political situation, the freedom of movement for women ends at the Israel Defence Forces checkpoint between the two cities. As the lovers cannot cross the border together they start meeting each other at an abandoned parking lot right at the checkpoint. They cannot free themselves from the clutches of occupation. Their intimacy is fatally marked with the military siege. Lonesome yearnings begin to produce violent retaliations, angry hearts beat with the spasm of imaginary getaways.
trailer: https://vimeo.com/8623241

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Movie night: Revolution with bare hands. The trajectory of a people. Burkina Faso. (2015) by Moussa Ouédraogo & Hans-Georg Eberl

By: börek - December 1st, 2016  Filed under: Filmavond

burkinafasoSunday December 18th 2016, Movie night: Revolution with bare hands. The trajectory of a people. Burkina Faso. (2015) by Moussa Ouédraogo & Hans-Georg Eberl (70 min., english subtitles). Door opens at 20:00. Film starts at 21:00. Free admission.

“Revolution with bare hands. The trajectory of a people. Burkina Faso” is a filmic document of remembrance of the popular insurrection in Burkina Faso on 30th and 31st of October 2014 against the dictatorial regime of Blaise Compaoré. The film approaches protagonists of the revolution and visits emblematic symbolic places. It asks about reasons and motivations based in the living conditions of the population as well as in memories of foregone struggles during previous decades.
Org.: All Included http://www.allincluded.nl/ […Lees verder]

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Movie night: HyperNormalisation (2016)

By: börek - December 1st, 2016  Filed under: Filmavond

HyperNormalisationSunday December 11th 2016, Movie night: HyperNormalisation, documentary by Adam Curtis, 2016, 2 hours 46 minutes, in English with English subtitles. Door opens at 8pm, film begin at 9pm. Free admission.

The latest film from documentary maker, Adam Curtis, continues to pursue his path to provide a narrative outside the simple narrative of history. Using his jump-cuts and abrupt mood changes here in this near 3 hours exploration of the present political situation he again examines, questions the powers that brought us to this situation.
The BBC about the film: “We live in a time of great uncertainty and confusion. Events keep happening that seem inexplicable and out of control. Donald Trump, Brexit, the War in Syria, the endless migrant crisis, random bomb attacks. And those who are supposed to be in power are paralysed – they have no idea what to do.
This film is the epic story of how we got to this strange place. It explains not only why these chaotic events are happening – but also why we, and our politicians, cannot understand them.
It shows that what has happened is that all of us in the West – not just the politicians and the journalists and the experts, but we ourselves – have retreated into a simplified, and often completely fake version of the world. But because it is all around us we accept it as normal.
But there is another world outside. Forces that politicians tried to forget and bury forty years ago – that then festered and mutated – but which are now turning on us with a vengeful fury. Piercing though the wall of our fake world.”

A zine with the voice over and dialogues from the film will be available at the screening. […Lees verder]

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