Can Dialectics Break Bricks Cinema: Charles, Dead or Alive

Charles_Dead_or_AliveSunday June 19th 2016, Can Dialectics Break Bricks Cinema: Charles, Dead or Alive (Charles mort ou vif). Directed by Alain Tanner, 1970, 93 minutes. In French with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

The debut feature film by the great Swiss director Alain Tanner (Jonas will be 25 in the Year 2000, In the White City). Unseen for decades, this is an incredibly rare screening of this film about a businessman who becomes disillusioned with his lifestyle and throws his destiny to the wind to see where he ends up. In this film, Tanner already sets up the major theme that runs through all his films… describing the inner road and turmoil that anyone has to go through when they decide to break with society and follow their convictions uncompromisingly to the bitter end.

Although shot in Switzerland, the backdrop of the film is the volatile uprisings and demonstrations that were happening in France in 1968. This one is a forgotten gem that few people have had the chance to see in a cinema. Shot in a grainy and austere black and white, it’s a snapshot of the dynamic sociopolitical landscape of late 1960s Europe as the old world is hijacked and overtaken by modernization and American economic globalization. An extremely rare glimpse into the counter-culture movements of the 60s.

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Black and White movie night: The Heart of a Dog (1988)

The_Heart_of_a_DogSunday May 29th 2016, Black and White movie night: Black and White movie night: The Heart of a Dog (Vladimir Bortko, 1988). 136 minutes, in Russian with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

The film is set in Moscow not long after the October Revolution where a complaining stray dog looks for food and shelter. A well-off well-known surgeon Phillip Phillippovich Preobrazhensky happens to need a dog and lures the animal to his big home annex practice with a piece of sausage. The dog is named Sharik and well taken care of by the doctor’s maids, but still wonders why he’s there. He finds out too late he’s needed as a test animal: the doctor implants a pituitary gland and testicles of a recently deceased alcoholic and petty criminal Klim Chugunkin into Sharik. Sharik proceeds to become more and more human during the next days. After his transition to human is complete, it turns out that he inherited all the negative traits of the donor – bad manners, aggressiveness, use of profanity, heavy drinking – but still hates cats. He picks for himself the absurd name Poligraf Poligrafovich Sharikov, starts working at the “Moscow Cleansing Department responsible for eliminating vagrant quadrupeds (cats, etc.)” and associating with revolutionaries, who plot to drive Preobrazhensky out of his big apartment. Eventually he turns the life in the professor’s house into a nightmare by stealing money, breaking his furniture, a water ballet during a cat chase and blackmailing into marriage a girl he met at the cinema. The professor with his assistant are then urged to reverse the procedure. Sharikov turns back into a dog. As Sharik he does remember little about what has happened to him but isn’t much concerned about that. To his content he is left to live in the professor’s apartment. […Lees verder]

Iranian New Wave Cinema Nomad Tribes of Iran Special: ‘Gabbeh’ (1996)

GabbehgabbehSunday May 22th 2016, Iranian new wave cinema: Gabbeh (1996). In Farsi with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

Gabbeh is a 1996 Iranian film directed by Mohsen Makhmalbaf. Gabbeh is a brilliantly colorful, profoundly romantic ode to beauty, nature, love and art. Mohsen Makhmalbaf originally traveled to the remote steppes of southeastern Iran to document the lives of an almost extinct tribe of nomads. For centuries, these wandering families created special carpets – Gabbeh – that served both as artistic expression and autobiographical record of the lives of the weavers. Spellbound by the exotic countryside, and by the tales behind the Gabbehs, Makhmalbaf’s intended documentary evolved into a fictional love story which uses a gabbeh as a magic story – telling device weaving past and present’ fantasy and reality.

Synopsis:
On the banks of a stream, an old woman and her husband are washing their Gabbeh. From this carpet comes forth a beautiful young woman – aptly named Gabbeh – who shares her epic tale: she is desperately in love with a mysterious horseman who follows her clan from after. Though her father has agreed to let her marry the man, season after season, the horseman follows Gabbeh—always present, always waiting, howling songs of love after nightfall.

Delicately interlaced with this simple and touching love story are the people whose lives are shaped by the rhythms of nature, and who instinctively express the joys and sorrows of life through song, poetry, and the tales they tell in their brilliantly-hued weavings.

More about the film: http://www.makhmalbaf.com/?q=film%2Fgabbeh
More about the director: http://www.makhmalbaf.com/?q=mohsen
Trailer: https://www.youtube.com/watch?v=bYEXQcZZL90 […Lees verder]

Can Dialectics Break Bricks Cinema: The Murderers Are Among Us

The_Murderers_Are_Among_UsSunday May 15th 2016, Can Dialectics Break Bricks Cinema:
THE MURDERERS ARE AMONG US 1946
(Die mörder sind unter uns)
Directed by Wolfgang Staudte
81 minutes
In German with English subtitles
Door opens at 8pm, film begins at 9pm. Free admission.

With a style that is a fusion of deep expressionism mixed with harsh documentary, this rare movie captures the mood of a demoralized Berlin directly after the Second World War. We enter a city of devastation, of decimated streets and broken lives. But imagine the feelings of the main character Susanne when she returns to her home city after having been released from a concentration camp. When she returns to her wrecked apartment, she finds a stranger living there. Both of them are lost souls. They strike up a friendship… but as she goes through the streets she realizes she is in a city of people that betrayed her. Who is who? Who are the innocent survivors, and who are the villains?

This unusual movie was made directly after the end of the war, and therefore captures the ideas and sensibilities of that bitter time better than any film made today which looks back with contemporary prejudices. All of the film’s photography was done in the real streets of Berlin, and the main characters roam the desolate streets of rubble. And this thriller is also interesting to compare to the upcoming film noir movement… all of the elements are there – the sharp shadows, human silhouettes against cracked walls, unusual angles, spiral staircases, haunted tormented individuals wandering through a jagged broken landscape. There is a mood of dark melancholy hanging in the air of this sombre movie as Suzanne tries to find a way to forgive her city for the atrocities she has endured. […Lees verder]

Movie night: La Estrategia del Caracol

La_Estrategia_del_CaracolSunday May 8th 2016, La Estrategia del Caracol  (The Strategy of the Snail) by Sergio Cabrera, 1993, 107 minutes, in Spanish with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

After years of living peacefully in an old house in the city, a group of squatters are given their eviction orders by a sleazy property developer, leaving them just 10 days to leave. Poor and unwilling to move, the group decides they should take matters into their own hands. Jacinto, an old Spanish exile, proposes they employ the ‘snail’s strategy’, in order to foil the property developer’s plans. […Lees verder]

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Ecuadorian movie night: Con mi corazón en Yambo (2011)

Con_mi_corazon_en_YamboSunday May 1st 2016, Ecuadorian movie night: With My Heart in Yambo (Original title: Con mi corazón en Yambo) from María Fernanda Restrep, 2011, 135 minutes, in Spanish with English subtitles. Door opens at 8pm, film begins at 9pm. Donations welcome to raise funds for the victims of the earthquake in Ecuador of April 16th.

This award winning documentary tells the story of the Restrepo brothers from the point of view of her sister, who directs the film. The Restrepo brothers were kidnaped and killed by the Ecuadorian police, and this was the beginning of a struggle for their family that became the most iconic case of human rights in Ecuador in recent times. This documentary is a story about pain, faith, family and about never surrendering to any injustice, because as the Restrepo’s family has prove, this persistence can change everything.

Trailer: https://www.youtube.com/watch?v=hO6-vDdvp2w

On Thursday May 5th, benefit voku, Ecuadorian dinner in support of the victims of the earthquake in Ecuador with a concert with Charo Durán. Event starts at 7pm. No reservation.
[…Lees verder]

Black and White movie night: La Vie de Bohème (1992)

La_Vie_De_BohemeSunday April 24th 2016, Black and White movie night: La Vie de Bohème (Aki Kaurismäki, 1992). In French with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

La Vie de Bohème manages to mine more impact from the simple fact of movement than most movies can get even with a flurry of mobile shots and onscreen action. The title of the original novel translates to “Scenes from the Bohemian Life”, a title which could just as easily apply to a painting or set of paintings as it does to a film or collection of writings. Kaurismäki’s deep-focus shots are filled with the attention to detail and design that defines many of the greatest directors of onscreen comedy: Jerry Lewis, Frank Tashlin, and Kaurismäki’s contemporary Roy Andersson among them.

Unlike their color scenery and elaborate contraptions, however, (Andersson in particular is capable of a how’d-he-do-that craft in the tradition of stage magic) Kaurismäki’s compositions create the impression of a series of still lives in which his characters move tentatively about. The first shot captures the poet Marcel Marx (Andre Wilms) rummaging about in a heap of trash before he commits a violent pratfall, picking himself up with a bemused demeanor as he mutters about the predicament. What did he think would happen? […Lees verder]

Iranian New Wave Cinema: Buddha Collapsed Out of Shame (2007)

Buddha_Collapsed_Out_of_ShameSunday April 17th 2016, Iranian New Wave Cinema: Buddha collapsed out of shame (Hana Makhmalbaf, 2007). In Dari with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

Buddha Collapsed Out of Shame (Persian:بودا از شرم فرو ریخت : Buda az sharm foru rikht) is a 2007 Iranian film directed by Hana Makhmalbaf. The story takes place in modern Afghanistan following the removal of the Taliban and revolves around a 5-year-old Afghan girl who wants to attend a newly opened school. The girl Bakhtay (Nikbakht Noruz) lives in the caves under the remains of the Buddhas of Bamiyan which were destroyed by the Taliban in 2001. Bakhtay becomes obsessed with the idea of going to school but must fight against a society influenced by conditions suffered during the strict Taliban rule including male domination, war, poverty and dire children’s games.

Synopsis:
Amidst the wreckage beneath the ruined statue of the Buddha, thousands of families struggle to survive. Baktay, a six-year-old Afghan girl is challenged to go to school by her neighbour’s son who reads in front of their cave. Having found the money to buy a precious notebook, and taking her mother’s lipstick for a pencil, Baktay sets out. On her way, she is harassed by boys playing games that mimic the terrible violence they have witnessed, that has always surrounded them. The boys want to stone the little girl, to blow her up as the Taliban blew up the Buddha, to shoot her like Americans. Will Baktay be able to escape these violent war games and reach the school?

Director’s View:
In a period of 25 years Afghanistan has experienced many rulers; the communist Russians, Al-Qaeda and the Islamic extremists Taliban and western or laic Christians. Each of these rulers in order to save Afghanistan from the hegemony of the other have initially attacked and destroyed this country. The present day destructions in Afghanistan are not limited to cities and homes. Now the children of this land in their games fire at each other with wooden arms and play the stoning game with little girls and place mines under each other’s feet in humor. How will these children who mock the game of war in childhood like adults play with each other and the future of humanity?

More about the film: http://www.makhmalbaf.com/?q=film/buddha-collapsed-out-shame
More about the director: http://www.makhmalbaf.com/?q=hana

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net