Can Dialectics Break Bricks Cinema: Who’s Singin’ Over There? (Slobodan Sijan, 1980)

Sunday 16 july 2023, Can Dialectics Break Bricks Cinema: WHO’S SINGIN’ OVER THERE? * 1980 * (Ko to Tamo Peva) * Directed by Slobodan Sijan * 83 minutes * In Serbo-Croatian with English subtitles * Doors open at 20:30, intro & film start at 21:00.

This is as close to a perfect movie as you’re ever going to see. Ko to tamo peva has it all – historical significance, a great story that keeps you on the move from one event to the next, fabulous social commentary, a string of bittersweet comic moments, and to top it off, a fiery Balkan soundtrack. What more could you possibly want?

The story is simple…in an old, broken down bus en route to Belgrade, a diverse group of passengers have to put up with each other as the bus slowly makes its way through the rough country roads. Within the confines of this thin narrative, the director Slobodan Sijan paints a picture of a society torn by one war (World War I) and bracing itself for another, as the shadow of World War II looms over the countryside. Two of the passengers are Gypsy musicians who every once in a while will sing of their miserable life, and they also foresee the tragedy to come. Their songs are magical and work like a Greek reflecting upon the events as they are taking place.

Years later, another director, Emir Kusturica (Arizona Dream, Black Cat White cat) would make a big hit internationally with the wild characters and vivid story lines that he created in his films….but his sense of humor and style didn’t spark out of nowhere. He drew from a specific culture that was developing in the 70s and 80s in ex-Yugoslavia. Ko to tamo peva is the finest gem from that period. Tragically, it was never screened that much outside its home country, although it’s considered by many to be the best Yugoslavian movie ever made. And that might even be an understatement. In fact, the film is pure magic.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinema Italia: The Mafia Kills Only in Summer (Pierfrancesco Diliberto, 2013)

Sunday 9 july 2023, THE MAFIA KILLS ONLY IN SUMMER [LA MAFIA UCCIDE SOLO D’ESTATE] * Directed Pierfrancesco Diliberto (Pif) * 90 min * In Italian with English subtitles * doors open at 20:30, film starts at 21:00. After the film, please engage and share comments, ideas, and inspiration with the host(s) of the evening!

Mafia! You may have seen it in “The Godfather”, in “Goodfellas”, in “The Sopranos”, and you may think that you have seen it all, that you know what it looks like. But if you did, you would be wrong.

The real Mafia, in this case Sicilian “Cosa Nostra”, in this movie is told through the eyes of two children who turn young adults in the Palermo of the 1980s. Together they will experience the mafia phenomenon as it was lived in real lives in Sicily: an intricate relationship of things said and not said, of politics and common people, of journalists investigating, of absences at funerals, of the tireless work of judges and their ultimate sacrifice.

The key take away of this story on the Mafia war against the Italian State is not how strong crime is, but how noble the fight against it is, and how normal and extraordinary were the people who laid down their lives to defeat this cancer that has now spread, silently, all over Europe. In the end, you will want to learn and remember the names of the heroes of these real stories, from Rocco Chinnici to Giovanni Falcone and Paolo Borsellino.

A story that will make you laugh, will make you cry, will make you see a world of sweetness, of love, and of grief transpiring from the eyes of the child who tells it. Be careful, though: this movie will be shown in July – and Mafia only kills in Summer.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Movie night: The Uprising (Pravini Baboeram, 2019)

Sunday 2 july 2023, Movie night: The Uprising (Pravini Baboeram, 2019) * 94 minutes * Languages: English & Dutch * English subtitles * Doors open at 20:30, intro & film start at 21:00.

The Uprising is a documentary that connects colonialism to the common challenges that different communities of colour witness in contemporary society. The director analyses in nine written songs and with thirteen interviews how the heritage of colonialism is still rooted in nowadays society and how this heritage criminalises social/political struggles against racism. The struggles that are analysed in this documentary includes the struggle against blackface, the struggle for recognition of Dutch’s crimes in Indonesia, the fight for liberation of Palestine and the struggle for an inclusive society. The documentary ends with some suggestion for future resistance movements in order to create a new world of plurality and diversity. Trailer: https://vimeo.com/329425921

About the director:

Pravini Baboeram is an artist and activist from the Netherlands who use art to create social change. She holds a master degree in Media & Culture studies from UVA in Amsterdam. She has her own production label and was founder of several action against racism and cultural appropriation.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Freedom of Press & Nationalism in India: Discussion & Movie night: Gauri (documentary by Kavitha Lankesh)

Sunday 25 june 2023, Freedom of Press & Nationalism in India: Discussion & Movie night: Gauri (documentary by Kavitha Lankesh, 70 min). Doors open at 18:45. Online discussion with film director from 7pm. Film starts at 8pm.

There were more than 200 reported attacks on journalists in India in the last 5 years, and 30 journalists murdered in the last decade. India’s rank on the Global Press Freedom Index 2023 is an abysmal 161 out of 180 countries. Attacks on dissenters and journalists are unfortunately neither new, nor limited to India. But the intensity of attacks in the last decade is something to be concerned about.

On 5th September 2017, a prominent journalist and activist from India, Gauri Lankesh, was murdered, sending shock waves across the country and the rest of the world. “Gauri” is a documentary that juxtaposes the arc of her life with the rise of Hindu nationalism in India, and their confrontations. Directed by Kavitha Lankesh, her sister and International award winning director, “Gauri” won the “Best Long Documentary Award” at the South Asian Film Festival of Montreal, 2023.

The citation of the award reads “A brave and uncompromising pulse-taking of the current crisis in Indian politics, focusing on the 2017 political assassination of trailblazing Bengaluru journalist Gauri Lankesh. A “J’accuse” docu-thriller directed and narrated with verve by Gauri’s sister, Kavitha Lankesh”.

Kavitha will join us online for an interactive session prior to the screening at 7pm. Film starts at 8pm.

Screening hosted by other indias – a space for discussion, reflection and (cultural, political) action relating to contemporary India. other indias is working towards building and sustaining a community in the Netherlands which reflects the plurality and complexity of India, which respects differences and upholds a coalitional approach to overcoming inequalities.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Film screening and discussion on Criminalization and Migration. “Tell me, Europa” (Merel Groels)

Sunday 25 june 2023, Unbubble Academia: The criminalization of solidarity in migration. Discussion and film screening: Tell me, Europa (Merel Groels). From 2pm till 4pm, free event, open for all!

Unbubble Academia will organise an event about topics of migration and criminalization. The visual ethnographist Merel Groels will share her film called “Tell me, Europa”, in which she explores the criminalization of people who help refugees on the island of Lesbos, Greece. After the film screening, there shall be an open dialogue between Merel, other academics working on Migration, and everyone else who would like to join.

“Unbubble Academia” strives to bring information and knowledge from the academic bubble, to a broader public, and to make knowledge co-production accessible to everyone.

Can Dialectics Break Bricks Cinema: Hola, ¿estás sola? (Iciar Bollain, 1995)

Sunday 11 june 2023, Can Dialectics Break Bricks Cinema: Hola, ¿estás sola? (Hi, Are You Alone?) * 1995 * by Iciar Bollain * 92 minutes * In Spanish with (special) English subtitles. doors open at 20:30, intro & film start at 21:00.

Behind this daft film title lurks an extremely rare gem from Spain’s speckly tradition of social realism. Except that, in this incarnation, it has left the arid countryside with a backpack or two in its freshest everyday summer top.

Hola tells the story of two young women who would much later be referred to as the ni-ni generation: ni estudia ni trabaja, i.e. neither working nor studying. Suddenly finding themselves homeless, they pack their bags and head southward to Big-Hotel-land dragging their smelly feet over asphalt and traintracks. Their intellectual baggage is so light they don’t even have their words to describe the quest they’re embarking on. But below this apparent poverty of ideas lies a deep humanity and a clear sense that adventures and ‘personal growth’ are pointless unless they’re a shared experience.

This little early film by Iciar Bollaín features some of the most delicious lines of dialogue she has ever written, in tandem here with Julio Medem, who by 1995 had made a name for himself with films like Vacas and The Red Squirrel. It features an astonishing Candela Peña. Already in this debut role, she let her enormous heart not only shine bright, but also make space for an arguably unworthy co-star: Silke, a pretty face who was being pushed by the film industry to be Spain’s one and only grunge star. Kind of like a Kurt Cobain, but for tampon commercials. Together with a few supporting male characters, these two girls made waves in the summer of 1995. And then they were forgotten, pretty much forever.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinema Italia: Perfect Strangers (Paolo Genovese, 2016)

Sunday 4 june 2023, Perfect Strangers [Perfetti sconosciuti] * Directed by Paolo Genovese * 96 min * In Italian with English subtitles * doors open at 20:30, film starts at 21:00. After the film, please engage and share comments, ideas, and inspiration with the host(s) of the evening!
Before the film * Selection of trailers of the 24 remakes made all over the world

We all have our secrets. The problem is, we keep them inside our smartphones. What happens if, during a dinner among friends, we let everybody listen to calls, read our messages, and so on?

Perfect Strangers is the film that has more remakes than any other in the entire history of cinema: from Spain (Perfectos desconocidos) to Greece (Τέλειοι ξένοι), from China, India until, recently, to Iceland (Villibráð). Why? Because it tells a truly universal story of our times: how our most intimate aspects of our lives changed forever because of the pervasiveness of smartphones in all aspects of our lives, including Romantic relationships, marriages (they may coincide or not), and — of course — sexual desires.

Beware: if you are in a happy, stable, relationship, you may want NOT to watch this!

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Movie night: Low Life

Sunday 28 may 2023, Movie night: Low Life * dir by Nic Clotz and Elisabet Percival * 120 minutes * in French with English subtitles. Doors open at 20:00, intro & film start at 20:30.

Higher education = low life.

Spend any amount of time with anyone, no matter how dull they seem or how boring they fancy themselves. The stories they will slowly wind up telling you about their life will reveal moments of magical beauty and heartfelt dreams. Life is never fully devoid of poetry, but most ‘realistic’ mainstream movies try pathetically hard to steer away from magic, chance encounters, and the beauty of earnest, unheroic struggles. A film without poetry, as we often argue in the underground cinemas, should not even consider calling itself realistic.

This little flick throws itself with all its weight in the opposite direction. Unafraid of dipping here and there into classical French pedantry, it sets its winding dialogues and monologues to immersive electronic music, elevating the nervous dreariness of student life as we read about it in the media and the ‘user-generated content’ of the socials to a quest for deeper connections and meaning.

The choral cast of Low Life is made up of about a dozen first-time (or one-time) performers and a bunch of supporting actors plucked from films such as Blue Is the Warmest Colour. The camera moves with incredible lightness through its gritty urban settings, first on the cobbled streets, where a cop is badly wounded while trying to evict illegal immigrants. And later on through the labyrinthian spaces of their crumbling squat, where art student Carmen and her Afghan lover tacitly lock themselves up to prevent his deportation.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

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