Can Dialectics Break Bricks Cinema: Interrogation (Ryszard Bugajski, 1989)

Sunday 14 may 2023, Can Dialectics Break Bricks Cinema: Interrogation * 1989 * Directed by Ryszard Bugajski * 118 min * in Polish with English subtitles. Doors open at 20:00, intro & film start at 20:30.


Considered to be one of the most harrowing movies to come out of Poland in the last century, but also one of the best. Set in 1951, it is about a woman who goes out drinking with some friends, and gets drunk to the point where she passes out. She wakes up in a prison, and she has no idea why. She is endlessly interrogated, threatened and tortured, and accused of being part of a conspiracy with a Russian friend of hers. She is being forced to answer intimate questions about her sexuality and previous lovers, and also they attempt to force her to sign a confession of things she never did.

Actress Krystyna Janda gives a fierce performance as the main character Tonia. She won the best actress award at Cannes in 1982, but the film would not be released in Poland itself until seven years later because it was banned. Director Ryszard Bugajski only was able to make a handful of films, but they were ruthless and hardhitting. I recently screened a movie he later made in Canada called Clearcut about the treatment of the indigenous native people there, and it was breathtaking. Bugajski was always taking shots at those in power – left or right, communist or capitalist, and took sides with the people trampled by those systems. In a way it is a political drama, but it can also be seen as a different kind of horror movie.

Dramatically hard-hitting, fierce, it’s an experience you won’t forget, and something that many people experience around the world, behind closed doors.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinema Italia: The Country Boy (Franco Castellano and Giuseppe Moccia, 1984)

Sunday 7 may 2023, THE COUNTRY BOY [IL RAGAZZO DI CAMPAGNA] * Directed by Franco Castellano and Giuseppe Moccia * 92 min * In Italian with English subtitles * doors open at 20:00, film starts at 20:30. After the film, please engage and share comments, ideas, and inspiration with the host(s) of the evening!
BEFORE THE FILM * Video * Punx Creatività e Rabbia Punk Milano 1984 (by Elisabetta “Betty 23” Altomare)

According to the UN, more than half of the population of the world is urbanized. This film tells the story of a young man from a rural area coming to Milan in the 1980s, where the local government was suffocating alternatives and protests (as seen in the video before the film). Edonism, consumerism started to become mainstream, and eventually it was that version of Milan which became the cradle of berlusconism, and the deep transformation of Italy, for the worse.
The Cradle Boy is a gentle, poetic film, with a touch of humour, and a couple of surrealist moments. It’s an absolute cult film in Italy, starring the comedian Renato Pozzetto in his best role ever.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

AFGA movie Screening & Discussion: Queen of Lapa (Theodore Collatos and Carolina Monnerat, 2019)

Friday 5 May 2023, AFGA movie Screening & Discussion: Queen of Lapa (Theodore Collatos and Carolina Monnerat, 2019). Door open at 7:30. screening at 8pm.


As part of a month of events surrounding Sex Work organized by the Anarchist Feminist Group Amsterdam, we will be screening the movie Queen of Lapa, a 1h13 documentary directed in 2019 by Theodore Collatos and Carolina Monnerat about Luana Muniz and her community of trans sex workers in Rio de Janeiro, Brazil.
After the screening, we hope to have a discussion about the themes brought up in the movie 🙂
More info about the documentary: https://www.queenoflapa.com/#photo
(We plan to start the screening at 8 pm, it’s great if you can come from 7:30 to settle in and hear the introduction!).

Anarcha Feminist Group Amsterdam
https://afga.noblogs.org/
https://squ.at/afga

Benefit dinner, screening and info talk in solidarity with Alfredo Cospito

Monday 10 April 2023, Benefit dinner, screening and info talk in solidarity with Alfredo Cospito. Food served from 7pm, no reservation.

Soli-event for the International 41bis Mobilization. The 41bis Mobilization started in support of the hunger strike that Alfredo Cospito started in october 2022.
The soli-money goes to Cassa AntiRepressione delle Alpi occidentali and La Lima. These are the anti-rep groups based in Italy who support anarchists that are under repression around the mobilization of 41bis.
On the event the documentary ‘Until my last breath’ will be shown. There will be a small infotalk discussion about insurrectionary anarchism in the South of Europe and South America.
We have 3 propositions to discuss insurrectiony anarchism in the North European context, but feel free to bring your own propositions in addition, or to change the course of discussion!
Date & Time:

Volkseten Vegazulu is a people’s kitchens existing since the very beginning of Joe’s Garage, June 2005. Your donations are welcome. Food is vegan, no reservation. All benefits go to social & political struggles. Joe’s Garage is a space run by volunteers. Without a collective effort, without your active participation, we’re remaining closed. Get in touch in you feel like giving a hand. We’re always looking for cooks. Any help is welcome in the kitchen. Experience not required. If you want to know which days are still available, mail us.

Can Dialectics Break Bricks Cinema: La comunidad (Álex de la Iglesia, 2000)

Sunday 9 april 2023, Can Dialectics Break Bricks Cinema: La comunidad * 2000 * (Common Wealth) * Directed by by Álex de la Iglesia * 110 minutes * In Spanish with English subtitles. Doors open at 20:00, intro & film start at 20:30.

After the dictator Franco died in the mid-70s, Spain became a democracy and people celebrated. But catchwords like ‘democracy’ and ‘freedom’ can be tricky, and are often just a feel-good ruse for capitalism. In his own special way, Spain’s enfant terrible film director Álex de la Iglesia turns to Alfred Hitchcock to expose the darker aspects of the new Spain.

The premise of this black comedy is dead simple… when a middle-aged real estate agent (Carmen Maura) is sent to sell a Madrid apartment, she accidentally discovers a small fortune (300 million pesetas) a dead neighbor had stashed away. She secretly takes the money, and thinks she has hit a gold mine. This already shows a kind of Hitchcockian twist, revealing the murderous greed under the surface of bourgeois everyday life. But when it turns out the neighbors also had their eyes on the cash and were just waiting for the old man to croak, things really go nuts, turning the tale into a brutal farce of secret plots, dirty deals and backstabbing.

Director Alex De Iglesia has a reputation for conjuring up his own brand of madness, cranking his movies so tight they become over-the-top absurd. This approach goes against the grain of most flicks these days that wallow in a cesspool of graphic violence. When De Iglesia uses violence there is always an aspect of flamboyant panache that saves it from becoming too serious. In the end this is a punchy black humored critique of neo-liberal capitalism, bordering on a horror film. Winner of 3 Goya awards, including one for the lead actress Carmen Maura.

This will be a high-definition screening.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinema Italia: Comrade Don Camillo (Luigi Comencini, 1965)

Sunday 2nd april 2023, Il compagno Don Camillo (1965), Comrade Don Camillo * Directed by Luigi Comencini * 109 min * In Italian with English subtitles * doors open at 20:00, film starts at 20:30. After the film, please engage and share comments, ideas, and inspiration with the host(s) of the evening!

Also known in English as ‘Don Camillo in Moscow’, this feature film was originally released in Italian, French and Russian. Based on the novels of Giovannino Guareschi, the priest Don Camillo iconically represents the point of view of the popular classes supporting the Democrazia Cristiana party in the aftermath of WW2, while his opponent, Peppone, the mayor of a small town in the Northern part of the country, is the champion of the Partito Comunista Italiano. If Pier Paolo Pasolini incarnates the tragic, Dionysian approach to Catholicism in Italy, Guareschi represents its comic, lightweight approach. The archival documentary film La Rabbia (The Anger, 1963) directed in the first half by Pasolini and in the second half by Guareschi, immortalizes this reading, and the respect that the one tributes to the other.

There are five feature films, released between 1952 and 1965 as French-Italian co-productions, inspired by the novels and drawings by Guareschi. The two actors, Fernandel (Don Camillo) and Gino Cervi (Peppone) resemble the drawings in an astonishing way. This feature film is the last of the series, and it’s directed — unlike the previous ones — by Luigi Comencini, one of the most relevant director of Italian neorealism: in particular, he directed Vittorio De Sica and Gina Lollobrigida (Pane, amore e fantasia, 1953), Alberto Sordi (Tutti a casa, 1960), and in the almost forgotten jewel Italian Secret Service (original title in English, 1968), starring Nino Manfredi and Françoise Prévost.

Comrade Don Camillo brings the stereotypical division of post-WW2 Italy into a surrealistic perception. The film goes even beyond that, as it narrates a story of hetero cis male friendship, nonetheless not without ambiguities, and the complex relation of the Italian communists with Russia, after the death of his most important leader, Palmiro Togliatti who passed away in Yalta, the 21st of August 1964.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Movie night: The Official Story (Luis Puenzo, 1985)

Sunday 26 March 2023, Movie night: The Official Story / La historia oficial (Luis Puenzo, 1985) * 112 minutes * In Spanish, subtitles in English. Doors open at 20:00, film starts at 20:30.

A classic of outspokenly political cinema, The Official Story is so ‘classic’ in its form that it even won the oscar for best foreign language film at the academy awards. It was the first time that the yankees ever deigned to acknowledge the existence of cinema, really strong cinema, in their Latin American backyard.

How could this happen at the height of Reaganism? Perhaps because this film put a bourgeois family at the centre of the (official) story, so it was easy for American audiences to relate to them. It also kind of presents an easy badie: the evil military junta (1976-1983) obscuring the business interests that supported it from way up north. Spectators with a bit more historical perspective could read this between the lines, others could just cringe-watch what these banana republic folks got up to, from the airheadedness of their candied popcorn.

Personally I think Argentinean cinema has been great at stealing 1940s Hollywood form (arguably a German invention) and packing powerful stories inside it. It’s been doing this ever since Puenzo’s feat at the oscars, persistently beating Americans at their own game. If you ask me what my favourite Hollywood movie is, I’d probably say this one.

What else does it do apart from denounce political crimes? It shifts our Che Guevara image of the guerrillero to include women. Pregnant young women were targeted very specifically because there was a market for babies in the ranks of the military junta and among middle class supporters of the regime. Why that was is a matter of some speculation that we hope to discuss before and after the movie. Maybe we’ll also read a poem or two by Juan Gelman, who became the poster boy for grandparents in search of the lost children of the desaparecidos.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Movie night: Fight with Care (Bhargay & Ourratul Ain, 2023)

Sunday 19 March 2023, Other indias Watch Party #3. Movie night: Fight with Care (Bhargay & Ourratul Ain, 2023). Documentary film (30 mins) + discussion. This film is in Tamil with English subtitles. Doors open at 8:00 pm, film and presentation start at 8:30 pm. Films followed by discussion with one of the film maker.

Fight with Care brings unheard voices of fisherwomen from the coast of South India, who maintain their delicate ecosystems through everyday acts of care. As expanding ports and industries threaten wetland environments along the coasts of India, artisanal fishing communities are organising protests to bring attention to these ecologies, critical for climate change adaptation and local livelihoods. This film presents the anti-port actions of indigenous fisherwomen, raising their voices against one of the richest men in the world – Adani.

This watch party will be hosted by other indias – a space for discussion, reflection and (cultural, political) action relating to contemporary India. The watch parties constitute our monthly activities that are geared towards building and sustaining a community in the Netherlands which reflects the plurality and complexity of India, which respects differences and upholds a coalitional approach to overcoming inequalities.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net