Can Dialectics Break Bricks Cinema: Vertical Ray of the Sun (Tran Anh Hung, 2000)

Sunday 9 october 2022, Can Dialectics Break Bricks Cinema: Vertical Ray of the Sun * Mùa hè chiều thẳng đứng / À la verticale de l’été * 2000 * by Tran Anh Hung * 112 minutes * In Vietnamese with English subtitles. Doors open at 20:00, film starts at 20:30.

Most American movies these days have huge stories, and zero content. This movie is exactly the opposite, and in some ways is closer to European cinema of the 1960s. Here the story is minimal, but it is done in such a lush way. Even when it starts raining it feels like a shower of silver, not like the gloomy rainfalls here in Europe. To put it simply, poetry is still intact, and there is an engagement to the bigger picture of life, something lacking in more narrative driven movies. This is the kind of film you can sink into body and soul.

Although the film has a lush exotic mood, it doesn’t get carried away with its exoticism, and breaks the borders between East and West by bringing in elements of Western culture. For example, a Velvet Underground tune that pops up. The reason this diversity is possible is that the director grew up in Vietnam until he was 12, and then moved to France. So he has a double identity, and in his movies he brings together the best of both worlds.

On the surface it is about three sisters who meet in Hanoi over the course of a month on the anniversary after their parents’ deaths. In these encounters secrets about the past are revealed. But the real meat is the ultra-sensual mood, and its feeling of incredible harmony with the environment. it doesn’t have a conventional approach to narrative story telling… instead it’s more a mosaic of small intimate moments, and the power of images to communicate a sense of life.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Movie night: Politics in India – Environment, Gender, Human rights

Sunday 2nd October 2022, Movie night: Politics in India – Environment, Gender, Human rights. Movies with English subtitles. Doors open at 8:00 pm, film starts at 8:30 pm. Films followed by discussion with film-makers.

Two short documentary films about people’s movements for environment and social justice in India.
‘Izzat ka Pani’ is a story about Abrar Salmani, a resident of an informal settlement in Mumbai. Salmani struggled for 10 years to access the city’s water network and secure his basic human right to water. His story illuminates a politics of discrimination that pushes people into a mindset of slavery to maintain power hierarchies. Salmani joined a citizen collective to dismantle the unjust laws denying him water.
The second film sits at the intersection of gender and environmental justice. How can we view nature through a lens of bounty and interconnection, instead of only seeing opportunity to extract resources? Women from India’s indigenous fishing communities ask such questions to protect the ecosystems on which their lives depend, while fighting against patriarchy at home and corporate power outside it.

Picture credit: Zenith Photographers, Chennai

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Esperanto: Cinema and Esperanto video

Wednesday 28 September 2022, Esperanto: Cinema and Esperanto video * Starts at 19:00 * Doors open at 18:00


The evening will screen a 30 min video called “Cinema and Esperanto” where approximately 20 feature films using somehow Esperanto are illustrated. The video is in English with English subtitles. Q&A on the topic will follow.

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Movie Night: Metaal en Melancholie (Heddy Honigmann, 1993)

Sunday 25 September 2022, Movie Night: Metaal en Melancholie (Metal y Melancolía) from Heddy Honigmann, 1993, 80 minutes. In Spanish with English subtitles. Doors open at 20:00, Film starts at 20:30.

In Lima, the Peruvian capital of seven million, Heddy Honigmann shares a cab ride with the taxi drivers for whom this occupation is the only way of keeping poverty at bay. More often than not it is their second job, one that requires little more than a car – in whatever state – and a “taxi” plate, which is sold on every street corner. Determined, yet with a precise, measured sense of emotion, the director dissects their situation. A native of Peru, Honigmann returned to her place of birth after almost 20 years to make this film. Shot almost completely from inside the taxis, this documentary road movie reveals beautiful, moving anecdotes. Not only does the film portray these colorful and intriguing everyday people, but it also contrasts their dreams, hopes and disappointments to the state of Peru in the early 1990s. The economy is at an impasse, and teachers, soldiers, doctors and civil servants are part of the middle class in name only. In reality, their salaries are insufficient to feed their families; hence their need for second jobs. Still the rebellious and passionate drivers keep their spirits up, even if their vehicles often look less cheerful.

The film beautifully explores the disconnect between the peruvian people and their authoritarian government in the 90s. At the same time, the movie also explores the strange ways the lower class of taxi drivers experiences the ruling elite and interacts with them.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinema Italia: Marrakech Express (Gabriele Salvatores, 1989)

Sunday 18 September 2022, Cinema Italia: Marrakech Express (Gabriele Salvatores, 1989), 104 minutes. In Italian with English subtitles. Doors open at 20:00, Film starts at 20:30.

Marrakech Express (1989) is the first film by Gabriele Salvatores on the topic of escaping, which is precisely the opposite of escapism. In the latter everything still and we allow ourselves a moment to forget how pointless is our way of life enjoying otherworldly stories. On the contrary, if we decide to escape we break the rules and get into the adventure of life, far from our comfort zone, without knowing in advance what we are doing, just living life, moment by moment. Marrakech Express is a story not only of escaping but also of life-long friendships, love, and the paradox of exoticism, the more you know it, the more it becomes familiar, losing its charm of distance. Salvatores here is somehow still an unripe fruit but, in his immaturity, he made a film that is forever green.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Esperanto: Docufilm Window to the world: an Esperanto journey

Wednesday 14 September 2022, Esperanto: Docufilm Window to the world: an Esperanto journey. Directed by Ida van Koolwijk * 28 minutes * In Esperanto with English subtitles * doors open at 18:00, film starts at 19:00.

The Esperanto Workshops start again at Joe’s! As this for this evening, there will be events open to everybody, regardless if they want the learn the language, and a course at two levels: absolute beginners and intermediate. We present the Esperanto phenomenon — language and culture — after watching together the Esperanto docufilm directed by Ida van Koolwijk as her final thesis in Visual Anthropology at the University of Amsterdam. What will follow is a presentation of the course.

Can Dialectics Break Bricks Cinema: Divided Heaven (Konrad Wolf, 1964), GDR series

Sunday 11 September 2022, Can Dialectics Break Bricks Cinema: Divided Heaven / Der geteilte Himmel (GDR series), 1964 adaptation of Christa Wolf’s novel by Konrad Wolf, 109 minutes, in German with English subtitles. Doors open at 20:00, film starts at 20:30.

This film is part of the GDR / Why Women Had Better Sex under Socialism series

Based on the famous novel by Christa Wolf about two lovers who are torn apart as the Berlin Wall is about to be constructed, dividing the country in two. Rita has a lover, but over the course of their relationship it becomes clear they have different political points of view. The movie is great in laying out excellent arguments for both sides… the socialist East Bloc and the consumer-orientated West.

The film embraces the structure of the novel, which begins with a woman waking up in a hospital, and through flashbacks, recounts the recent events that got her there. This wild structure matches well with the film’s French New Wave feel. It is often quite experimental – using angular photography and scenes overlapping between the present moment and the past. The cinematography is crystalline, with an endless array of exquisitely composed black-and-white images. The soundtrack is also bold, with an experimental electronic music score giving the story a modern, ‘in transition’ sort of mood.

It makes sense that since each character is a different gender, they make different decisions. In the West men are in control and have more advantages… and Rita stays in the East where there was much more gender equality. But the real argument is much more than that, it is more about if a person should fight for a cause, or just live as easy as possible.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Iranian movie night: The Salesman (Asghar Farhadi, 2016)

Sunday 4 September 2022, Iranian movie night: The Salesman (Asghar Farhadi, 2016), 125 minutes. In Farsi with English subtitles. Doors open at 20:00, Film starts at 20:30.

Emad and Rana have had to move into a new apartment because their old building is structurally unsafe – a metaphor for their lives, perhaps. The new flat was once rented by a woman working as a prostitute, and one day when she is alone there, Rana casually buzzes in a caller she assumes is her husband.
Asghar Farhadi’s sombre movie is the story of a shocking and mysterious event which shatters the wellbeing of a middle-class couple. It is about male pride, male violence, male privilege. The film tells the story of a sexual assault that exposes the emotions seething beneath the surface of Iranian bourgeois life.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net