Can Dialectics Break Bricks Cinema: Turtles Can Fly (Bahman Ghobadi, 2004)

Sunday January 12, 2025, Can Dialectics Break Bricks Cinema: TURTLES CAN FLY * 2004 * (کیسەڵەکانیش دەفڕن, Lakposhtha hâm parvaz mikonand) * Directed by Bahman Ghobadi * 96 minutes * In Kurdish with English subtitles * doors open at 20:00 * intro & film start at 20:30.

Set in a Kurdish refugee camp near the Iraqi-Turkish border, the movie focuses on its orphans. For them life is temporary, fleeting, and always shifting. The fact that any human being is forced to live in such a volatile situation is crazy. These homeless kids makeshift everything, and life can be finished at any moment if you step on an American landmine. Many of the children who act as extras are actually real Kurdish refugees, and many of them are missing arms and legs. In other words, the issue of landmines isn’t just a narrative device for this film – it’s a reality that these people live with every day. But at the same time, bringing up facts like this doesn’t prevent the film from also achieving a kind of poetry.

This movie is so far removed from our daily lives here in the western world, that it takes on an almost surreal edge even though it’s based in a reality far away. For us a scenario like this is otherworldly, and it opens up so many questions. For example, for me, one of its interesting reflections is about the nature of communication. One of the boys in the camp seems to be a clairvoyant and can foretell mysterious prophecies that seem to come true. But then, on the other hand, we have other Kurds who are desperate to watch television thinking it will tell them what is going to happen next. Our main character, whose name is Satellite, realises that the blitzkrieg of sensationalistic information, music videos, and Fox news reports on the television are mostly a distraction and provide little to help understand the situation. Even though the lives these people live are desperate, they are at least rooted in a reality that is stripped down and understandable. Once the characters in this movie get a hold of a working television set and start flipping around all the channels, we feel like we have entered a world of total chaos.

This is a movie that brings up urgent issues, both political and on a human level. It has a strong emotional impact, but one that helps us contextualise a part of the world that we otherwise can’t comprehend. It doesn’t try to get us to take sides and any issue, but instead it is simply conjuring up a tragic situation with all its complexities.

As you have probably noticed, one of the reasons why I’m showing movies is to explore the world around us. Through movies we can see how people feel, think, and approach life in countries we will never reach. Cinema can help break down prejudices, and I always encourage people to use movies to listen to the other side of the story. Right now the entire Middle East, which was carved and divided up largely by Europeans after World War I, is now rapidly changing. To understand these changes a movie like this can shed some light. It is about a displaced Kurdish community at the Iraqi-Turkish border, and was the first movie to be made in Iraq after the American invasion and the fall of Saddam Hussein. It’s insightful and poignant, and what might shock you is that it’s an Iranian movie, and one that I feel will surprise many.

Other movies from Bahman Ghobadi screened at Joe’s Garage: https://joesgarage.nl/archives/tag/bahman-ghobadi

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Iranian movie night: Crimson Gold (Jafar Panahi, 2003)

Sunday 22 January 2023, Iranian movie night: Crimson Gold, directed by Jafar Panahi, written by Abbas Kiarostami, 2003, 95 minutes. In Farsi with English subtitles. Doors open at 20:00, film starts at 20:30.

The film depicts an impoverished pizza delivery man’s failed attempt to rob a jewelry store and the events that drove him to his crime. The story is based on real events that Panahi first heard about when Kiarostami told him the story while they were stuck in a traffic jam on their way to one of Kiarostami’s photographic exhibits. Panahi was extremely moved by the story and Kiarostami agreed to write the script for him to direct. Panahi submitted the film to the Cannes Film Festival without being granted a permit from the Ministry of Culture and Islamic Guidance. Panahi had applied for the permit but the Ministry demanded several cuts be made to the film. Panahi refused and submitted the film anyway. Like The Circle, Crimson Gold was banned in Iran.
In December 2010, Jafar Panahi has been sentenced to a six-year jail sentence and a 20-year ban on directing any films, writing screenplays, giving any form of interview with Iranian or foreign media and from leaving the country. He was prosecuted for attempting “to commit crimes against the country’s national security and propaganda against the Islamic Republic”. In October 2011, a court in Tehran upheld Panahi’s sentence and ban. Following the decision, Panahi was placed under house arrest. He had since been allowed to move more freely but he couldn’t travel outside Iran.
End 2022, as the revolt is spreading all around Iran following Mahsa Amini’s death, a new Panahi film is released, No Bears, secretly shot in a mountain village near by the Turkish border. Panahi finished his film shortly before getting arrested in July 2022 when he went to the prosecutor’s office to follow up on the situation of other film-makers, Mohammad Rasoulof and Mostafa Aleahmad. He was the third director detained in less than a week.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Benefit voku in solidarity with Iranian protesters, documentary screening and discussion with Iranian protesters

Monday 5th December 2022, Benefit voku in solidarity with Iranian protesters, documentary screening ‘Iranian Women’s Liberation Movement, Year Zero’ and discussion with Iranian protesters. Food served from 7pm, no reservation.

All benefits go to Iranian protesters. After the dinner, screening followed by an improvised talk/discussion. Little homemade craft objects will be available on donation, all proceeds will go to the benefit cause.

Screening of short documentary, Iranian Women’s Liberation Movement, Year Zero by Claudine Mulard, 1979 (جنبش آزادی زنان ایران – سال صفر) . In 1979, Iranian Women invite the American feminist Kate Millett to celebrate March 8, the International Women’s Day, in Tehran. On March 7, the religious leaders announce that women have to wear the Islamic veil. From March 8 to March 13, Iranian women and liberals demonstrate in the streets against the veil. A crew of four French feminists (Sylvina Boissonnas, Michelle Muller, Sylviane Rey, and Claudine Mulard) filmed these historic events before being expelled by the Islamic government.

Volkseten Vegazulu is a people’s kitchens existing since the very beginning of Joe’s Garage, June 2005. Your donations are welcome. Food is vegan, no reservation. All benefits go to social & political struggles. Joe’s Garage is a space run by volunteers. Without a collective effort, without your active participation, we’re remaining closed. Get in touch in you feel like giving a hand. We’re always looking for cooks. Any help is welcome in the kitchen. Experience not required. If you want to know which days are still available, mail us.

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Iranian movie night: About Elly (Asghar Farhadi, 2009)

Sunday 20 November 2022, Iranian movie night: About Elly (Asghar Farhadi, 2009). 119 minutes. In Farsi with English subtitles. Doors open at 20:00, Film starts at 20:30.

With his fourth film, a fascinating psychological drama, Farhadi examines middle class relationships in Iran. A group of former classmates at the law faculty of the university, go to the Caspian Sea for a three-day vacation: Sepideh, her husband Amir and their young daughter; Shohreh, her husband Peymān and their two children, including their son Arash; and Nāzy and her husband Manuchehr. Sepideh, who planned the trip, brings along her daughter’s kindergarten teacher, Elly, in order to introduce her to Ahmad, a divorced friend visiting from Germany.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Iranian movie night: The Salesman (Asghar Farhadi, 2016)

Sunday 4 September 2022, Iranian movie night: The Salesman (Asghar Farhadi, 2016), 125 minutes. In Farsi with English subtitles. Doors open at 20:00, Film starts at 20:30.

Emad and Rana have had to move into a new apartment because their old building is structurally unsafe – a metaphor for their lives, perhaps. The new flat was once rented by a woman working as a prostitute, and one day when she is alone there, Rana casually buzzes in a caller she assumes is her husband.
Asghar Farhadi’s sombre movie is the story of a shocking and mysterious event which shatters the wellbeing of a middle-class couple. It is about male pride, male violence, male privilege. The film tells the story of a sexual assault that exposes the emotions seething beneath the surface of Iranian bourgeois life.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Iranian movie night: My Tehran for Sale (Granaz Moussavi, 2009)

Sunday 27 February 2022, Iranian movie night: My Tehran for Sale (Persian :تهران من، حراج) Granaz Moussavi, 2009, 101 minutes, in Farsi with English subtitles. Doors open at 19:30, Film starts at 20:00.

Marzieh is a young female actress living in Tehran. The authorities ban her theater work and, like so many young people in Iran, she is forced to lead a secret life in order to express herself artistically. At an underground rave, she meets Iranian born Saman, now an Australian citizen, who offers her a way out of her country and the possibility of living without fear.
My Tehran for Sale is the debut feature film written and directed by avant-garde poet turned filmmaker Granaz Moussavi (she immigrated to Australia with her family in 1997), starring Marzieh Vafamehr, Amir Chegini and Asha Mehrabi. The film explores the contemporary Tehran and its underground art scene, focusing on the life of a young actress who has been banned from her theater work. Struggling to pursue her passion in art as well as her secret lifestyle in a socially oppressed environment, Marzieh gets involved in some subsequent and unexpected events leading her to a decision-making dilemma regarding her survival and identity.
The film addresses issues such as double life of young people, oppression of women, HIV, secret abortions, underground art, massive emigration, crisis of identity, people smuggling, and asylum seeker detention centres. The borders between documentary and fiction are seemingly dissolved in many scenes using a poetic language with a non-linear narrative and an open ending.
In July 2011, Iranian authorities arrested Marzieh Vafamehr, reportedly for acting in the film without proper Islamic hijab and with a shaved head. She was sentenced to one year in prison and 90 lashes, however due to international pressure and various campaigns, an appeals court later reduced her sentence to only three months’ imprisonment. She was released in October 2011.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Circumstance (Maryam Keshavarz, 2011)

Sunday 21 november 2021, Circumstance (Maryam Keshavarz, 2011) 108 minutes, in Farsi with English subtitles. Free admission. Doors open at 20:00, film starts at 20:30

Circumstance is an amazingly accomplished and complex first feature from Iranian-American writer-director Maryam Keshavarz. Set in Iran, the film was shot in Lebanon. It explores homosexuality in modern Iran, among other subjects. Atafeh is the teenage daughter of a wealthy Iranian family in Tehran. She and her best friend, the orphaned Shireen attend illicit parties and experiment with sex, drinking, and drugs.
MaraKesh Films is the production company spearheaded by writer-director-producer Maryam Keshavarz. MaraKesh Films is dedicated to making sure women and minorities are behind and in front of the camera.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Black Sea Files (Ursula Biemann, 2005), The Host (Miranda Pennell, 2015)

Sunday 7 november 2021, “Black Sea Files” (2005) by Ursula Biemann (42 minutes).”The Host” (2015) by Miranda Pennell (60 minutes). Free admission. Doors open at 20:00, film starts at 20:30

Both these movies are experimental documentaries about oil. In overgeneralized terms they both pose and attempt to answer the question: “If the modern world stands on a base of fossil fuel use, shouldn’t we assume that fossil fuels have their influence on every aspect of human life?” It’s a paranoid question but in some ways productive. “Black Sea Files” is about the Baku-Tbilisi-Ceyhan pipeline and how peoples (including the filmmaker’s) lives are organized around and under it. “The Host” is about the Anglo-Iranian Oil Company’s (later to be renamed British Petroleum) presence in Iran. The director, Miranda Pennell, lived on site in Iran as a child as both her parents worked for the Anglo-Iranian Oil Company. Building her case on old photographs and archive entries, Pennell explores the violence commited on employees, Iranian citizens, and her own parents.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net