Iranian movie night: The Salesman (Asghar Farhadi, 2016)

Sunday 4 September 2022, Iranian movie night: The Salesman (Asghar Farhadi, 2016), 125 minutes. In Farsi with English subtitles. Doors open at 20:00, Film starts at 20:30.

Emad and Rana have had to move into a new apartment because their old building is structurally unsafe – a metaphor for their lives, perhaps. The new flat was once rented by a woman working as a prostitute, and one day when she is alone there, Rana casually buzzes in a caller she assumes is her husband.
Asghar Farhadi’s sombre movie is the story of a shocking and mysterious event which shatters the wellbeing of a middle-class couple. It is about male pride, male violence, male privilege. The film tells the story of a sexual assault that exposes the emotions seething beneath the surface of Iranian bourgeois life.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Iranian movie night: My Tehran for Sale (Granaz Moussavi, 2009)

Sunday 27 February 2022, Iranian movie night: My Tehran for Sale (Persian :تهران من، حراج) Granaz Moussavi, 2009, 101 minutes, in Farsi with English subtitles. Doors open at 19:30, Film starts at 20:00.

Marzieh is a young female actress living in Tehran. The authorities ban her theater work and, like so many young people in Iran, she is forced to lead a secret life in order to express herself artistically. At an underground rave, she meets Iranian born Saman, now an Australian citizen, who offers her a way out of her country and the possibility of living without fear.
My Tehran for Sale is the debut feature film written and directed by avant-garde poet turned filmmaker Granaz Moussavi (she immigrated to Australia with her family in 1997), starring Marzieh Vafamehr, Amir Chegini and Asha Mehrabi. The film explores the contemporary Tehran and its underground art scene, focusing on the life of a young actress who has been banned from her theater work. Struggling to pursue her passion in art as well as her secret lifestyle in a socially oppressed environment, Marzieh gets involved in some subsequent and unexpected events leading her to a decision-making dilemma regarding her survival and identity.
The film addresses issues such as double life of young people, oppression of women, HIV, secret abortions, underground art, massive emigration, crisis of identity, people smuggling, and asylum seeker detention centres. The borders between documentary and fiction are seemingly dissolved in many scenes using a poetic language with a non-linear narrative and an open ending.
In July 2011, Iranian authorities arrested Marzieh Vafamehr, reportedly for acting in the film without proper Islamic hijab and with a shaved head. She was sentenced to one year in prison and 90 lashes, however due to international pressure and various campaigns, an appeals court later reduced her sentence to only three months’ imprisonment. She was released in October 2011.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Circumstance (Maryam Keshavarz, 2011)

Sunday 21 november 2021, Circumstance (Maryam Keshavarz, 2011) 108 minutes, in Farsi with English subtitles. Free admission. Doors open at 20:00, film starts at 20:30

Circumstance is an amazingly accomplished and complex first feature from Iranian-American writer-director Maryam Keshavarz. Set in Iran, the film was shot in Lebanon. It explores homosexuality in modern Iran, among other subjects. Atafeh is the teenage daughter of a wealthy Iranian family in Tehran. She and her best friend, the orphaned Shireen attend illicit parties and experiment with sex, drinking, and drugs.
MaraKesh Films is the production company spearheaded by writer-director-producer Maryam Keshavarz. MaraKesh Films is dedicated to making sure women and minorities are behind and in front of the camera.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Black Sea Files (Ursula Biemann, 2005), The Host (Miranda Pennell, 2015)

Sunday 7 november 2021, “Black Sea Files” (2005) by Ursula Biemann (42 minutes).”The Host” (2015) by Miranda Pennell (60 minutes). Free admission. Doors open at 20:00, film starts at 20:30

Both these movies are experimental documentaries about oil. In overgeneralized terms they both pose and attempt to answer the question: “If the modern world stands on a base of fossil fuel use, shouldn’t we assume that fossil fuels have their influence on every aspect of human life?” It’s a paranoid question but in some ways productive. “Black Sea Files” is about the Baku-Tbilisi-Ceyhan pipeline and how peoples (including the filmmaker’s) lives are organized around and under it. “The Host” is about the Anglo-Iranian Oil Company’s (later to be renamed British Petroleum) presence in Iran. The director, Miranda Pennell, lived on site in Iran as a child as both her parents worked for the Anglo-Iranian Oil Company. Building her case on old photographs and archive entries, Pennell explores the violence commited on employees, Iranian citizens, and her own parents.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Benefit for Federation of Anarchism on Iran and Afghanistan

Monday 6 september 2021, Benefit for Federation of Anarchism on Iran and Afghanistan. Food served from 7pm till 9pm, no reservation.

The anti-authoritarian collective Ajo Negro is cooking at Joe’s Garage. The benefit will go to support the Federation of Anarchism on Iran and Afghanistan

Ajo Negro is an anti-authoritarian collective that cooks to support events and projects of social transformation. It is run by volunteers based on a libertarian perspective. Encouraging human and non-human freedom. We are an active kitchen that criticise capitalism and welfarism. We choose vegan as a nourish option and as a political decision. We help each other in a horizontal way, considering that the collective effort is more fruitful that the individual one. […Lees verder]

Iranian Movie night: Kandahar (Mohsen Makhmalbaf, 2001)

Sunday 5 september 2021, Iranian Movie night: Kandahar (by Mohsen Makhmalbaf, 2001, 85 minutes). In Farsi and Pashto, with English subtitles. Doors open at 20:00, Film starts at 20:30. Free admission.

Kandahar (Dari-Persian: قندهار Qandahar) is a 2001 Iranian film directed by Mohsen Makhmalbaf, set in Afghanistan during the rule of the Taliban. Its original Persian title is Safar-e Ghandehar, which means “Journey to Kandahar”, and it is alternatively known as The Sun Behind the Moon. The film is based on a partly true, partly fictionalized story of a successful Afghan-Canadian, played by Nelofer Pazira, who returns to Afghanistan after receiving a letter from her sister, who was left behind when the family escaped, that she plans on committing suicide on the last solar eclipse of the millennium.

Kandahar was filmed mostly in Iran, including at the Niatak refugee camp, but also secretly in Afghanistan itself. Most people, including Nelofer Pazira, played themselves. The film premiered at the 2001 Cannes Film Festival, but did not get much attention at first. After 9/11, however, it was widely shown. Kandahar won Makhmalbaf the Federico Fellini Prize from UNESCO in 2001.

Synopsis: Nafas is a reporter who was born in Afghanistan, but fled with her family to Canada when she was a child. However, her sister wasn’t so lucky; she lost her legs to a land mine while young, and when Nafas and her family left the country, her sister was accidentally left behind. Nafas receives a letter from her sister announcing that she’s decided to commit suicide during the final eclipse before the dawn of the 21st century; desperate to spare her sister’s life, Nafas makes haste to Afghanistan, where she joins a caravan of refugees who, for a variety of reasons, are returning to the war-torn nation. As Nafas searches for her sister, she soon gets a clear and disturbing portrait of the toll the Taliban regime has taken upon its people.

Other movies made by Mohsen Makhmalbaf screened at Joe’s Garage: https://joesgarage.nl/archives/tag/mohsen-makhmalbaf
All Iran related events: https://joesgarage.nl/archives/tag/iran
All Afghanistan related events: https://joesgarage.nl/archives/tag/afghanistan […Lees verder]

Iranian movie night: Tehran Taboo (Ali Soozandeh, 2017)

Sunday August 22nd, 2021, Iranian movie night: Tehran Taboo (2017) by Ali Soozandeh. 96 minutes, english subtitles. Doors open at 20:00, Film starts at 20:30. Free admission.

In this multi-stranded rotoscoped narrative, crackling with tension and bleak comedy, musicians and prostitutes find ways around the strict laws of their country.
“Saying ‘no’ is more important than breathing in Tehran,” one character in this impressive debut feature by writer-director Ali Soozandeh advises another who has gotten in trouble through a failure to abstain. In this criss-crossing, multi-stranded narrative, various denizens of Iran’s capital city are seen bending, fracturing and sometimes decisively shattering the strict laws of the land – particularly where it comes to sex, drugs and general submission to the patriarchy.
Soozandeh has cleverly worked around the problem not just by living abroad but through the unusual way the film is made: the movie is technically a work of animation. Like Waltz With Bashir or A Scanner Darkly, it’s made with a contemporary, computer-assisted version of what was once called rotoscoping, whereby filmed material is traced over to produce a drawn image that matches the live-action frame for frame. The result offers deniability to the participating actors. But more importantly, it creates a remarkable visual texture, hyper-realistic in terms of movement and expression but also stylised with simplified fields of colour.

Cast: Elmira Rafizadeh, Zar Amir Ebrahimi, Arash Marandi, Bilal Yasar, Negar Mona Alizadeh, Payam Madjlessi.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Benefit for We Are Here Academy + Iranian movie night: Fireworks Wednesday (Asghar Farhadi, 2006)

Asghar_Farhadi_Fireworks_WednesdayMonday January 16th 2017, Food at 7pm with a benefit for We Are Here Academy. Then at 9pm, Iranian movie night with Fireworks Wednesday from Asghar Farhadi, (2006).

The We Are Here Academy is an educational initiative offering university-level courses for undocumented individuals. The We Are Here Academy upholds the rights for any person, whether or not in possession of legal status, to pursue an education. http://heretosupport.nl/we-are-here-academy-3/

Fireworks Wednesday, Iranian film from Asghar Farhadi (2006, 104 min.). In Farsi with English subtitles. The titular fireworks are literal – the story takes place as Iranians celebrate New Year  by spring-cleaning and lighting firecrackers – and metaphorical : when Rouhi, a young bride-to-be working for a cleaning agency,  turns up at the apartment of a couple about to go on holiday, she’s drawn into an explosive domestic conflict. What distinguishes the film is the way Farhadi keeps us guessing from as to what exactly is happening and why; repeatedly shifting our point of view, he forces us to question our assumptions about characters and their reliability. This compelling, corrosive account of male-female relationships in today’s Tehran is tempered by genuine compassion for the individuals concerned; wisely, Farhadi never serves judgement on them in their troubled pursuit of truth, love and happiness. Intelligent, illuminating and directed with unflashy expertise.

Volkseten Vegazulu is a people’s kitchen, every monday and thursday, all year long. Door opens at 7pm. Vegan food for 4€ or donation. All benefits go for social & political struggles. No reservation. In July and August, the people’s kitchen is closed on thursday.

We’re always looking for cooks. Any help is welcome in the kitchen. Experience not required. Enjoying it is a must. If you want to know which days are still available in the schedule, send an email to joe [at] squat [dot] net and book yourself the night. You can, of course, also participate by rolling up your sleeves and doing the