Singer songwriters: Tim Loud and Tim Holehouse

tim_loud_joesgarage_amsterdamMonday March 16th 2015, Singer songwriters: Tim Loud and Tim Holehouse. Volkseten Vegazulu at 7pm, then live music directly after the food, between, 8:30 and 10pm. Donations welcome.

Tim Holehouse (Portsmouth, UK) has spent the last 8 years on the road touring his ass off to play his music to the people of the world, playing his brand of mutant delta blues (delta blues played by a guy who was raised on a musical diet of being in Hardcore bands like Minor Threat, Husker du, Minute men and Black Flag). Not touring for huge profits (just enough to get by) or to seek fame, just a pure love of music, traveling and adventure. The archetypal image of a bluesman, outcast from proper society and stalked by personal demons. The defining characteristic of Delta blues is instrumentation and an emphasis on rhythm and “bottleneck” slide. When Holehouse arrived in a new town, he would play for tips on street corners or in front of the local barbershop or a restaurant. Holehouse also had an uncanny ability to establish a rapport with his audience – in every town in which he stopped, Holehouse would establish ties to the local community that would serve him well when he passed through again a month or a year later. Ok these things where written about Delta Blues Musicians of the 1920’s and 1930’s but sums up what i am trying to do now. I travel I play music for music’s sake. It has its roots in the delta blues with my own personal twist on it. I live by my rules and those rules are best summed up by something a friend of mine from Winnipeg told me once. Creativity, Adventure and People. Things I will not do Appear in my own music videos! Have my name or face on a shirt! Sell my soul! I enjoy playing music, if you want me to come to your town play get in touch. Let the good times roll! http://timholehouse.com/

Tim Loud (Leeds, UK), 12-string driven, harmonica-blowing, country/blues wailing anti-folk from Leeds. Since the release of his eponymous debut EP in Late 2012 Tim has been gigging and touring both on a national and international level building a strong fan base with his live show. http://timloud.bandcamp.com/ […Lees verder]

Movie Night: Pride (2014)

Sunday March 15th 2015. Pride by Matthew Warchus (UK, 2014, 119 minutes). In English. Door opens at 8pm, film begins at 9pm. Free admission.

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Tonight we are showing “Pride”. This movie has been released 2014 and has been received mostly very well among its audience, especially due to its narrative of cross solidarity between two particular and disconnected struggles that took place in the UK around the year of 84/85…

Wikipedia says about the movie:
Based on a true story, the film depicts a group of lesbian and gay activists who raised money to help families affected by the British miners’ strike in 1984, at the outset of what would become the Lesbians and Gays Support the Miners campaign. The National Union of Mineworkers was reluctant to accept the group’s support due to the union’s public relations’ worries about being openly associated with a gay group, so the activists instead decided to take their donations directly to Onllwyn, a small mining village in Wales, resulting in an alliance between the two communities. The alliance was unlike any seen before but was successful.

… and the Guardian adds:
In a decade when a degree of homophobia was the norm, LGSM (Lesbians and Gays Support the Miners) drove a couple of minibuses from Hackney Community Transport and a clapped-out VW camper van to a bleak mining town in South Wales to present their donations, uncertain what sort of welcome to expect. The events that unfolded said a lot about what it means to be empathetic, to overcome dissent and face common enemies: Thatcher, the tabloids, the police. They told a story about solidarity.

The real thing: LGSM members march in support of the miners

Besides the question of solidarity, which is an actual question still today, when thinking about solidarity and cooperation between our own local struggles of our daily life’s in the cities, neighborhoods and communities we are living in, but also globally when thinking about Gezi, Kobane, Ferguson or the Mediterranean Sea (just to name a few) there is another interesting theme to observe in “Pride”: the question of stereotypes that seem to emerge within the movie when it talks about the two movements in struggle and the question of media power when perceiving those emerging images.

Probably mainly for storytelling reasons, “Pride” portrays a large fraction of the miners in the village of Onllwyn as a relatively conservative, thus homophobic bunch of people, that does not want to have gays and lesbians supporting their struggle. In the movie, this situation will eventually be dissolved and overcome by LGSM, even though parts of LGSM did not seem to be comfortable with the idea of visiting the village of the miner community in the first place.

After the film has been released, former LGSM members explained that this reality was slightly different: LGSM activists did not perceive homophobic tendencies among the miners, that the majority of the communities were conscious about homosexuality and that they overruled those minor fractions within their communities that were clearly homophobic. The miners came to their stance against homophobia before LGSM visited them for the first time, and their first encounters were more welcoming and supportive as portrayed in the movie.

LGSM

In fact, the miners themselves had to struggle against a hard smear campaign initiated by British media all over the country, being portrayed as backward rednecks by media institutions that came up with absurd facts and stories aiming to discredit the miners and their struggle. It may be the only really unnecessary tendency in Pride, that it uses a similar strategy then the media of that time (on a different scale and for different purposes of course), and by that reproduces the very stereotypes that it aims to dissolve by telling this story of solidarity.

In order to dig into that situation a bit deeper we are also going to show a short documentary about the miners strike produced by LGSM in 1985. For further information, take a look at the following collection of texts about the situation in the UK during that times.

For a first reading, a quite nice interview has been made with one of the former LGSM members Ray Goodspeed who gives an insight into the context of that time and differences between the movie and history: Dear Love of Comrades: The politics of Lesbians and Gays Support the Miners.

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Some collection of texts about the miners strike 1984-85
https://libcom.org/tags/miners-strike
http://www.gayinthe80s.com/tag/lesbians-and-gays-support-the-miners/

Spanish anarchists in the Welsh valleys
https://libcom.org/history/spanish-anarchists-welsh-valleys

Tell us lies about the miners
https://libcom.org/history/tell-us-lies-about-miners-dave-douglass

Lesbians and Gays Support the Miners in their protests for ‘Coal not Dole’
https://unlockideas.wordpress.com/2014/01/31/lesbians-and-gays-support-the-miners-in-their-protests-for-coal-not-dole/

Pride: The UK miners’ strike through the distorted mirror of identity politics
https://www.wsws.org/en/articles/2014/10/29/prid-o29.html

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Workshop: How to make a screen print poster for Joe’s

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Friday March 13th 2015, Workshop: How to make a screen print poster for Joe’s. From 18:30 til 21:00

This workshop is about hands on poster making with GIMP for multi-color screen printing, just as Joe’s monthly posters are done. We will (briefly) discuss how to make a poster design with screen printing in mind, or how to convert an existing design for screen printing purposes.

The main focus will be put on the steps to be performed in GIMP, a free software graphic editor available for all major operating systems, in order to produce proper files and designs to be used for screen printing.

The final result can then be send to your local screen print collective for large series of copies but could also be used as blueprint for d.i.y. silc screens.

An example of one of Joe’s posters splitted into different layers/stencils by color: each of the 4 black/white stencils on the lower row is printed one over another. the black portions of each layer are assigned to a specific color by the printer and so finally produce a 5 color poster (black, white, blue, red, yellow) as it can be seen on the left.

# We will use GIMP as graphical tool (http://www.gimp.org). If you use window$, check out the portable version of GIMP (http://portableapps.com/apps/graphics_pictures/gimp_portable)

# No further knowledge of GIMP necessary

# We have a beamer for visualisation

# There are 2 desktop computers available in Joe’s, but better bring your own (laptop) if possible, with GIMP already installed, so that we do not need to spend time installing software.

# If you already have some designs ready, bring them along

Benefit and info-night Agriculture and climate action camp

20150312_joesgarage_Benefit_climate_action_campThursday March 12th 2015, Benefit and info-night Agriculture and climate action camp – summer 2015 Amsterdam, Volkseten Vegazulu, 7pm

In December 2015, the world’s leaders are meeting up in Paris for the international Climate Change negotiations (COP21). This is a year of mass mobilization and a golden opportunity to make our voices heard.

Industrial agriculture is one of the major contributors to climate change, as it is primarily based on the use of fossil energy. Just think about the massive use of petrol-based fertilizers and all the import/export of commodities (soy, wheat, maize crops used for biofuels, animal feed, etc).
Drawing near to the Paris summit, all European capitals would be expected to prepare themselves for the challenges to come, and drastically reduce their greenhouse gas emissions.
However, disregarding the urgent need for action, the city of Amsterdam is not taking any significant measures to meet the climate targets agreed in past international conventions. In fact, despite the green public discourse displayed in the media, Amsterdam intends to expand its port, where some of the most polluting companies are already at work. Coal, oil, grain and chemicals are imported in massive quantities, processed and sent back for export on a daily basis. In other words, nasty food is being fueled by dirty energy in exchange for higher GDP (Growth Domestic Product = $$$) and unacceptable environmental costs. […Lees verder]

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Benefit for the Theatre of the Spectaculaire Oorakeligheid

gajes_in_bajes_bewerkttitelMonday March 9th 2015, Benefit for the Theatre of the Spectaculaire Oorakeligheid, Volkseten Vegazulu, 7pm

The Spectaculaire Oorakeligheid embodies a street performance collective that tries to lift up bits of the unweightable weight of society. As such, we do not aim to save or protect the collective madness labeled as ‘civilization’. We’d rather experience it in every possible way and street theatre is one of those ways: it carries a million of roundabouts, byways and holes, allowing de-routes and getting lost. Within a broad variety,from ‘invisible street theater’ till ‘puppet shows’ we can experience social concepts like ‘shop till you drop’, ‘obsessive computer disorder’ and ‘the post-Potter depression’.
More specifically, the 9th of March we give a benefit in order to realize a mad performance for the action days in the Hague. Would be totally freakin naiz to see ya all!
For more: https://spekoor.wordpress.com/ […Lees verder]

Iranian Movie night: The Circle (2000)

jafar_panahi_the_circleSunday March 8th 2015, Iranian Movie night: The Circle by Jafar Panahi (2000, 90 minutes). In Persian with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

The Circle (Farsi: دایره‎) is a 2000 drama film by Iranian independent filmmaker Jafar Panahi that criticizes the treatment of women in Iran. The film has won several awards, including the Golden Lion at the Venice Film Festival in 2000, but it is banned in Iran.

The Circle offers a look at the world of seven women in Iran, searching for themselves while struggling with everyday oppression. The film does not have a central protagonist: instead, it is constructed around a sequence of short interconnecting stories that illustrate the everyday challenges women face in Iran. Each story intersects, but none is complete, leaving the viewer to imagine both the background and the ending. All the actors are amateurs, except Fereshteh Sadre Orafaee who plays Pari, and Fatemeh Naghavi, who plays the mother abandoning her daughter.[2] Throughout the movie, Panahi focuses on the little rules symbolizing difficulties of life for Iranian women, such as the need to wear a chador under certain circumstances, or not being allowed to travel alone. He frequently uses contrast to illustrate both happiness and misery in contemporary Tehran […Lees verder]

Documentary: Children of the Revolution (2010)

children_of_the_revolutionSunday March 1st 2015. Documentary: Children of the Revolution (2010) by Shane O’Sullivan (Ireland, England, Germany, 2010, 92 minutes). In English. Door opens at 8pm, film begins at 9pm. Free admission.

Shane O’Sullivan’s documentary about Ulrike Meinhof and Fusako Shigenobu, leaders of the German Red Army Faction and the Japanese Red Army weaves their lives together through the testomy of their daughters authors and journalists Bettina Röhl and Mei Shigenobu. A portrait of late-60s radicalism told from an unusual perspective. With capitalism once more in crisis, they reflect on their mother’s actions as the film asks: what were they fighting for and what have we learned?
http://www.childrenoftherevolution.co.uk/

[…Lees verder]