Benefit for Federation of Anarchism on Iran and Afghanistan

By: börek - September 1st, 2021  Filed under: Benefiet, Volkseten/Voku

Monday 6 september 2021, Benefit for Federation of Anarchism on Iran and Afghanistan. Food served from 7pm till 9pm, no reservation.

The anti-authoritarian collective Ajo Negro is cooking at Joe’s Garage. The benefit will go to support the Federation of Anarchism on Iran and Afghanistan

Ajo Negro is an anti-authoritarian collective that cooks to support events and projects of social transformation. It is run by volunteers based on a libertarian perspective. Encouraging human and non-human freedom. We are an active kitchen that criticise capitalism and welfarism. We choose vegan as a nourish option and as a political decision. We help each other in a horizontal way, considering that the collective effort is more fruitful that the individual one. […Lees verder]

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Iranian Movie night: Kandahar (Mohsen Makhmalbaf, 2001)

By: börek - September 1st, 2021  Filed under: Filmavond

Sunday 5 september 2021, Iranian Movie night: Kandahar (by Mohsen Makhmalbaf, 2001, 85 minutes). In Farsi and Pashto, with English subtitles. Doors open at 20:00, Film starts at 20:30. Free admission.

Kandahar (Dari-Persian: قندهار Qandahar) is a 2001 Iranian film directed by Mohsen Makhmalbaf, set in Afghanistan during the rule of the Taliban. Its original Persian title is Safar-e Ghandehar, which means “Journey to Kandahar”, and it is alternatively known as The Sun Behind the Moon. The film is based on a partly true, partly fictionalized story of a successful Afghan-Canadian, played by Nelofer Pazira, who returns to Afghanistan after receiving a letter from her sister, who was left behind when the family escaped, that she plans on committing suicide on the last solar eclipse of the millennium.

Kandahar was filmed mostly in Iran, including at the Niatak refugee camp, but also secretly in Afghanistan itself. Most people, including Nelofer Pazira, played themselves. The film premiered at the 2001 Cannes Film Festival, but did not get much attention at first. After 9/11, however, it was widely shown. Kandahar won Makhmalbaf the Federico Fellini Prize from UNESCO in 2001.

Synopsis: Nafas is a reporter who was born in Afghanistan, but fled with her family to Canada when she was a child. However, her sister wasn’t so lucky; she lost her legs to a land mine while young, and when Nafas and her family left the country, her sister was accidentally left behind. Nafas receives a letter from her sister announcing that she’s decided to commit suicide during the final eclipse before the dawn of the 21st century; desperate to spare her sister’s life, Nafas makes haste to Afghanistan, where she joins a caravan of refugees who, for a variety of reasons, are returning to the war-torn nation. As Nafas searches for her sister, she soon gets a clear and disturbing portrait of the toll the Taliban regime has taken upon its people.

Other movies made by Mohsen Makhmalbaf screened at Joe’s Garage: https://joesgarage.nl/archives/tag/mohsen-makhmalbaf
All Iran related events: https://joesgarage.nl/archives/tag/iran
All Afghanistan related events: https://joesgarage.nl/archives/tag/afghanistan […Lees verder]

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Iranian New Wave Cinema: Buddha Collapsed Out of Shame (2007)

By: börek - April 1st, 2016  Filed under: Filmavond

Buddha_Collapsed_Out_of_ShameSunday April 17th 2016, Iranian New Wave Cinema: Buddha collapsed out of shame (Hana Makhmalbaf, 2007). In Dari with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

Buddha Collapsed Out of Shame (Persian:بودا از شرم فرو ریخت : Buda az sharm foru rikht) is a 2007 Iranian film directed by Hana Makhmalbaf. The story takes place in modern Afghanistan following the removal of the Taliban and revolves around a 5-year-old Afghan girl who wants to attend a newly opened school. The girl Bakhtay (Nikbakht Noruz) lives in the caves under the remains of the Buddhas of Bamiyan which were destroyed by the Taliban in 2001. Bakhtay becomes obsessed with the idea of going to school but must fight against a society influenced by conditions suffered during the strict Taliban rule including male domination, war, poverty and dire children’s games.

Synopsis:
Amidst the wreckage beneath the ruined statue of the Buddha, thousands of families struggle to survive. Baktay, a six-year-old Afghan girl is challenged to go to school by her neighbour’s son who reads in front of their cave. Having found the money to buy a precious notebook, and taking her mother’s lipstick for a pencil, Baktay sets out. On her way, she is harassed by boys playing games that mimic the terrible violence they have witnessed, that has always surrounded them. The boys want to stone the little girl, to blow her up as the Taliban blew up the Buddha, to shoot her like Americans. Will Baktay be able to escape these violent war games and reach the school?

Director’s View:
In a period of 25 years Afghanistan has experienced many rulers; the communist Russians, Al-Qaeda and the Islamic extremists Taliban and western or laic Christians. Each of these rulers in order to save Afghanistan from the hegemony of the other have initially attacked and destroyed this country. The present day destructions in Afghanistan are not limited to cities and homes. Now the children of this land in their games fire at each other with wooden arms and play the stoning game with little girls and place mines under each other’s feet in humor. How will these children who mock the game of war in childhood like adults play with each other and the future of humanity?

More about the film: http://www.makhmalbaf.com/?q=film/buddha-collapsed-out-shame
More about the director: http://www.makhmalbaf.com/?q=hana

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Iranian new wave cinema: Afghan Alphabet (2002)

By: börek - January 1st, 2016  Filed under: Filmavond

20160131_iranian_new_wave_cinema_afghan_alphabetSunday January 31st 2016, Iranian new wave cinema: Afghan Alphabet (2002) by Mohsen Makhmalbaf. English subtitles. Door opens at 8pm, film begin at 9pm. Free admission.

The Afghan Alphabet (Persian: الفبای افغان‎‎, Alefbay-e afghan) is a 2002 documentary by Mohsen Makhmalbaf showing the life of children in the Afghan villages bordering Iran, and how their life and culture were affected by the Taliban regime.

Synopsis:
Mohsen Makhmalbaf tracks the children who do not attend school in the border villages between Iran and Afghanistan with his digital camera and questions why they are not being educated. He finds girls studying in UNICEF classes in one region. One of the girls is not willing to come out of her burqa despite the fact that she has run away from Afghanistan and the Taliban are not present here. She is more afraid of the horrifying god that the Taliban have created than the Taliban.

In 2002 about 3 million Afghan refugees were living in Iran. From those about 700,000 were Afghan children who were not allowed to go to Iranian schools because of their illegal status in Iran. After this movie was made, this subject became controversial and finally the Islamic Consultative Assembly passed a bill to allow Afghani children to go to school and it resulted in 500,000 kids getting education.

More about the film: http://www.makhmalbaf.com/?q=film/afghan-alphabet

More about the director: http://www.makhmalbaf.com/?q=mohsen

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Iranian Movie night: Kandahar (2001)

By: börek - November 1st, 2015  Filed under: Filmavond

KANDAHAR_Mohsen_MakhmalbafSunday November 22nd 2015, Iranian Movie night: Kandahar (by Mohsen Makhmalbaf, 2001, 85 minutes). In Farsi and Pashto, with English subtitles. Door opens at 8pm, film begin at 9pm. Free admission.

Kandahar (Dari-Persian: قندهار Qandahar) is a 2001 Iranian film directed by Mohsen Makhmalbaf, set in Afghanistan during the rule of the Taliban. Its original Persian title is Safar-e Ghandehar, which means “Journey to Kandahar”, and it is alternatively known as The Sun Behind the Moon. The film is based on a partly true, partly fictionalized story of a successful Afghan-Canadian, played by Nelofer Pazira, who returns to Afghanistan after receiving a letter from her sister, who was left behind when the family escaped, that she plans on committing suicide on the last solar eclipse of the millennium.

Kandahar was filmed mostly in Iran, including at the Niatak refugee camp, but also secretly in Afghanistan itself. Most people, including Nelofer Pazira, played themselves. The film premiered at the 2001 Cannes Film Festival, but did not get much attention at first. After 9/11, however, it was widely shown. Kandahar won Makhmalbaf the Federico Fellini Prize from UNESCO in 2001.

Synopsis: Nafas is a reporter who was born in Afghanistan, but fled with her family to Canada when she was a child. However, her sister wasn’t so lucky; she lost her legs to a land mine while young, and when Nafas and her family left the country, her sister was accidentally left behind. Nafas receives a letter from her sister announcing that she’s decided to commit suicide during the final eclipse before the dawn of the 21st century; desperate to spare her sister’s life, Nafas makes haste to Afghanistan, where she joins a caravan of refugees who, for a variety of reasons, are returning to the war-torn nation. As Nafas searches for her sister, she soon gets a clear and disturbing portrait of the toll the Taliban regime has taken upon its people.

More about the film: http://www.makhmalbaf.com/?q=film/kandahar
More about the director: http://www.makhmalbaf.com/?q=mohsen

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Iranian Movie night: At Five in the Afternoon (2003)

By: börek - September 1st, 2015  Filed under: Filmavond

At_Five_in_the_Afternoon_Maysam_MakhmalbafSunday September 20th 2015, Iranian Movie Night: At Five in the Afternoon (Persian: پنج عصر, Panj é asr‎) by Samira Makhmalbaf, Iran, 2003, 106 min.). In Dari Persian with English subtitles. Door opens at 8pm, film begin at 9pm. Free admission.

It tells the story of an ambitious young woman trying to gain an education in Afghanistan after the defeat of the Taliban. The title comes from a Federico García Lorca poem and is a tale of flourishing against the odds. At Five in the Afternoon was the first film to be shot in Kabul after the NATO invasion.
After the fall of the Taliban regime, the schools again open their doors to girls. Nogreh (Agheleh Rezaie) dreams of liberation. She wants to become Head of State (following Benazir Bhutto’s example), in order to reform the status of the Afghan woman. But the girl and her family only meet misery and desolation in a country in ruins.
This third full-length film by the talented Iranian filmmaker is without question her most pessimistic. It’s the prolongation of the segment she directed within the framework of the collective film 11′ 09′ 01. It also echoes the film Kandahar, directed by her father.

More info about the director: http://www.makhmalbaf.com/?q=marziyeh
More about the film: http://www.makhmalbaf.com/?q=film/At-five-in-the-afternoon

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Movie night about Afghan refugees in Iran: “Three, Four Days Ago” & “Baran”

By: börek - June 1st, 2014  Filed under: Filmavond

Sunday June 1st 2014, Movie night about Afghan refugees in Iran. Short film: “Three, Four Days Ago” By “Dornaz Hajiha” (2011). Feature film: “Baran” by Majid Majidi (2001). Films with English subtitles. Door opens at 8pm, film begins at 9pm.

Baran – After the 1979 Soviet invasion of Afghanistan, over 1.4 million Afghans fled to Iran seeking sanctuary and work. In this extraordinarily spiritual drama by Majid Majidi (*Children of Heaven, The Color of Paradise*), the plight of these refugees is vividly portrayed. They are strangers in a strange land forced to make do in dire circumstances after the loss of everything near and dear to them.
Synopsis: In a building site in present-day Tehran, Lateef, a 17-year-old Turkish worker is irresistibly drawn to Rahmat, a young Afghan worker. The revelation of Rahmat’s secret changes both their lives. […Lees verder]

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