Jaffa, the Orange’s Clockwork (Eyal Sivan, 2009)

Sunday 27 March 2022, Movie night: Jaffa, the Orange’s Clockwork (Eyal Sivan, 2009), 86 minutes, English subtitles. Doors open at 20:00, Film starts at 20:30.

In deconstructing the world famous ‘Jaffa oranges’ brand and probing its iconographic history director, Eyal Sivan delves into orientalist fantasies of the Holy Land and the Zionist promise of a “desert” that colonists would be bringing to “bloom”. Sivan uses photographic and filmic archives, poems and paintings, to narrate the history that goes back to a once economically thriving Arab Jaffa, whose prolific and profit-generating orange groves attracted local and neighboring labor in droves for picking, packaging and export. After the Nakba and the expulsion of the Palestinian population, the Israeli state rebranded ‘Jaffa’ as a symbol of an Arab-free Israel. Sivan interviews historians, political analysts and workers, retracing how an orange harvest, once the site of a cooperation, transformed gradually into a symbol of the escalating conflict and war.

Eyal Sivan, is a documentary filmmaker and theoretician based in Paris. Born in 1964 in Haifa Israel and grow up in Jerusalem. After exercising as a professional photographer in Tel-Aviv, he leaves Israel in 1985 and settled in Paris. Since he is sharing is time between Europe and Israel. Known for his controversial films, Sivan directed more than 10 worldwide awarded political documentaries and produced many others. His cinematographic body of work was shown and awarded various prizes in prestigious festivals. Beside worldwide theatrical releases and TV broadcasts, Sivan’s films are regularly exhibit in major art shows around the world. He publishes and lectures on the Israeli-Palestinian conflict, documentary filmmaking and ethics, political crimes and representation, political use of memory, genocide and representation, etc.
Presently Sivan in an Honorary Fellow at Univerty of Exeter UK, he is teaching at the Master in Film at the Netherlands Film Academy in Amsterdam and he is member of the editorial board of the Paris based publishing house La Fabrique Editions.
http://eyalsivan.info/

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Movie night: Life According to Agfa (Assi Dayan, 1993)

Sunday 20 February 2022, Movie night: Life According to Agfa (Hebrew: החיים על פי אגפא) by Assi Dayan, 1993, 100 minutes. In Hebrew with English subtitles. Doors open at 19:30, Film starts at 20:00.

Life According to Agfa is a Israeli psychological-social drama film written and directed by Assi Dayan and produced by Rafi Bukai and Yoram Kislev. The film revolves around one night in a small Tel Aviv pub whose employees and patrons represent a microcosm of Israeli society – men and women, Jews and Arabs, Ashkenazi and Sephardi Jews, kibbutzniks and city-dwellers.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

It Must Be Heaven (Elia Suleiman, 2019)

Sunday 31 october 2021, It Must Be Heaven (Elia Suleiman, 2019) 97 minutes, with English subtitles. Free admission. Doors open at 20:00, film starts at 20:30

The film, which stars Suleiman, follows him as he goes from Paris to New York in a semi-autobiographical tale of a Palestinian man seeking a new homeland, only to find similarities with his homeland wherever he goes.
The jury (from the Cannes film festival) said in a statement: “In a subtle, stylistically strong and humorous way, this film tells a story that goes beyond politics, religions, authorities and cultural differences. Even though those differences are observed with a sharp eye for the absurd that slides through hypocrisy and are delivered with great cinematic and often surprising choreographies.”

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Benefit voku for South Hebron Hills villages

Monday 18 october 2021, Benefit voku for South Hebron Hills villages, Volkseten Vegazulu. Food served from 7pm till 9pm, no reservation.

On 28 september 2021, settlers attacked the Palestinian villages of Khirbat al-Mufkara, al-Rakiz in South-Hebron hills (West Bank). People, cars and houses were damaged by the violence of the settlers. The money will go to help to repair the damages, and to help the activists in the area in their struggle.

Volkseten Vegazulu is a people’s kitchens existing since the very beginning of Joe’s Garage, June 2005. Your donations are welcome. Starting from 19:00 until 21:00, vegan, no reservation. All benefits go to social & political struggles. Joe’s Garage is a space run by volunteers. Without a collective effort, without your active participation, we’re remaining closed. Get in touch in you feel like giving a hand. We’re always looking for cooks. Any help is welcome in the kitchen. Experience not required. If you want to know which days are still available, mail us.

The Time That Remains (Elia Suleiman, 2009)


Sunday July 14th 2019, Movie night: The Time That Remains (Elia Suleiman, 2009). 109 minutes. In Hebrew, Arabic and English with English subtitles. Doors open at 20:00, Film starts 20:30.

Elia Suleiman about his film: The Time That Remains is a semi-autobiographical film, in four episodes, about a family, my family, from 1948 until recent times. The film is inspired by my father’s private diaries, starting from when he was a resistance fighter in 1948, and by my mother’s letters to family members who were forced to leave the country. Combined with my intimate memories of them and with them, the film attempts to portray the daily life of those Palestinians who remained and were labeled “Israeli-Arabs”, living as a minority in their own homeland. Trailer: https://vimeo.com/32169756

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] lists [dot] squat [dot] net

Palestinian Film: Chronicle of Disappearance (Elia Suleiman, 1996)

Sunday 23 December 2018, Palestinian Film: Chronicle of Disappearance (Elia Suleiman, 1996). 88 minutes. In Arabic with English subtitles. Doors open at 20:00, Film starts 20:30.

After spending more than a decade in New York, Palestinian director Elia Suleiman returned to his homeland in 1992 to make his first feature film. Chronicle of a Disappearance is an extended meditation of the contemporary life of Palestinians in “the Holy Land.” Elders recount absurdly funny tales and jokes; Russian emigres talk about tourism’s ravaging of the country; tourists pontificate about Israeli politics; and a young Palestinian actress struggles to find an apartment, while Suleiman, himself a character, tries to figure out what kind of film he should make. Suleiman weaves these narratives together with extraordinary irony and grace.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Pervomaisk, 1st of May – documentary film by Flora Reznik – screening and conversation

Sunday 23 September 2018

Pervomaisk, 1st of May
Documentary film by Flora Reznik
65 minutes

Screening and conversation with the director.
Doors open at 20, screening is at 20:30.
There will be drinks!
Organized by Jewdas.

To understand why Flora Reznik’s first film is called like a remote Ukrainian city and not Kibbutz Metzer -the Israeli commune located 2500 kilometers from Pervomaisk, where the film takes place almost in its entirety- one needs to arrive to the final ten minutes. To “arrive” and not to “await”, because what makes Pervomaisk a precise and potent symbol of so many things is being deciphered on the way towards there (and, in a sense, it is the way). There are lives, as much as there are places, in which History seems to inscribe with traces stronger than usual: many of the dilemmas, tensions and contradictions of the 20th Century are clearly readable in the parable of the kibbutz founded by Pesaj Zaskin, a wrecked utopia that Reznik does not send off with laments, but with the glorious rebellion of a techno song.
-Agustín Masaedo -Buenos Aires International Independent Film Festival.

Jewdas: https://www.jewdas.org/

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Ajami (Scandar Copti, Yaron Shani, 2009)

Sunday 4th June 2017, Movie night: Ajami (Scandar Copti, Yaron Shani, 2009). 120 minutes, Language: Arabic and Hebrew. English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

The film contains five story lines, each of which is presented in a non-chronological fashion. Some events are shown multiple times from varying perspectives. A young Israeli Arab boy, Nasri, who lives in the Ajami neighborhood of Jaffa, narrates the film.

The film borrows from the techniques of Gomorrah and the Mexican new wave as typified by, say, Amores Perros, in weaving characters and storylines to create a tapestry of lives. The drama is kickstarted by a drive-by shooting that kills an innocent boy, mistaken for one of the main characters. It’s the result of a vendetta between two crime clans and revenge for the shooting of a Bedouin weeks earlier.

Using non-professional actors, Ajami’s strands give an unusually nuanced insight to life in Israel, its confusion of identities and passions. Intelligently, the directors offer no glib solutions or sermons and allow the considerable energy of its images to sweep viewers along. Age-old prejudices and hatreds surface every now and then, but the main aim is the politics of day-to-day survival.

Movie trailer: https://vimeo.com/15503260 […Lees verder]