Morning Patrol (Nikos Nikolaidis, 1987)

By: börek - July 1st, 2018  Filed under: Filmavond

Sunday July 29th 2018, Movie night: Morning Patrol (Nikos Nikolaidis, 1987). Greek with English subtitles | 105 min. Doors 20:00 | Film 20:30

Going alone into an abandoned, living city, a woman tries to cross a forbidden zone swarming with the Morning Patrol and traps. Meeting one of the last city guards, they attempt recall the past and penetrate the zone together.
Communication seems to fallen by the wayside and all the dialogue we get is the woman’s internal monologue, a haze of sentimental memories and a longing for a better time.
The dialogue in Nikos Nikolaidis’ iconic  film contains excerpts taken from published works authored by Daphne du Maurier, Philip K. Dick, Raymond Chandler, and Herman Raucher.
Watch the trailer: http://nikosnikolaidis.com/morning-patrol/

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Can Dialectics Break Bricks Cinema: The Punk Singer

By: börek - July 1st, 2018  Filed under: Filmavond

Sunday 15 July 2018, Can Dialectics Break Bricks Cinema. Doors open at 20.30. Intro and film start at 9 pm. THE PUNK SINGER, 2013, directed by Sini Anderson, 81 minutes. In English.

This documentary follows the story of an iconic female singer – Kathleen Hanna of the ‘riot grrrl’ band Bikini Kill (an acknowledged influence on Kurt Cobain) and later Le Tigre. In an indie-punk/grunge rock scene totally dominated and controlled by masculinity, Kathleen Hanna and her band shattered the glass ceiling and brought something necessary to the table. The film focuses on her fierce wit, her full-throttle spirit, her humor, her spoken-word poetry, her controversial activism – and in the end it also reveals why she suddenly went silent and totally dropped out of the scene without a warning in 2005. In the end it’s an intimate portrait on so many levels.

Besides the life of Kathleen Hanna, this documentary is also a fascinating look at the explosive riot grrl movement… the sounds, lyrics, the zines, and manifestos. There are also scattered interviews throughout the journey with relevant voices like Kim Gordon (Sonic Youth), Carrie Brownstein and even Joan Jett. The Punk Singer is engaging, insightful, thrilling, hilarious, sad and poignant. Kathleen Hanna has been described as a ‘cultural lightning rod’, signaling a new voice for women… and here her voice is interwoven with high-voltage performance footage, creating a wonderful film about perseverance and resilience. For anyone interested in feminist art, music or life in general.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Movie night: Revenir (David Fedele and Kumut Imesh, 2018)

By: börek - July 1st, 2018  Filed under: Filmavond

Thursday July 5, 2018, movie night: Revenir (To Return), a documentary film by David Fedele and Kumut Imesh, 2018, 83 minutes, English subtitles.  Doors open at 19pm with food. Screening and discussion from 20:30. On that screening, David Fedele will be also on-line after the screening to discuss the film with Kumut and the audience. This event one of the four screenings with Kumut Imesh in different locations in Amsterdam from 5 till 8 july.


REVENIR – synopsis (EN): For years, the stories of West African migrants and refugees have been told through the lenses of foreign journalists. Now there is a story from the inside. Part road-trip, part memoir, part journalistic investigation, Revenir follows Kumut Imesh, a refugee from the Ivory Coast now living in France, as he returns to the African continent and attempts to retrace the same journey that he himself took when forced to flee civil war in his country … But this time with a camera in his hand. Traveling alone, Kumut will be documenting his own journey; both as the main protagonist in front of the camera, as well as the person behind it, revealing the human struggle for freedom and dignity on one of the most dangerous migratory routes in the world. A controversial film experiment, a courageous journey and a unique collaboration between filmmaker and refugee; which is not without consequences. […Lees verder]

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Rosa Luxemburg (1986)

By: börek - June 1st, 2018  Filed under: Filmavond

Sunday 17 June 2018, Movie night: Rosa Luxemburg (1986). Die Geduld der Rosa Luxemburg, by Margarethe von Trotta. German with English subtitles | 123 min.
Doors 20:00 | Film 20:30

“Freedom is always the freedom of the one who thinks differently.”

Rosa Luxemburg (1871-1919): german-polish socialist, docorate in a time when women couldn’t graduate on German universities, speaker of the Left in the Labour Partry 20 before women in Germany gained the right to vote, co-founder of the Spartakus group, icon of the student movement in Germany. Margarethe von Trotta’s film “The patience of Rosa Luxemburg” tells her story, but als paints a clear picture of the economic and social situation in Germany before the First World War.

Von Trotta didn’t work to on the basis of the ledgend. She didn’t deal with the different views of her, didn’t explain anything, didn’t justify anything. She lets Rosa Luxemburg speak for herself. The basis of the scenes and dialogues in the film are mainly the 2500 letters Luxemburg send to friends and comrades. The film only shows what can be documented in such a way – the film is radical and subjective because it is only commit to one truth: the truth of Rosa Luxemburg herself.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Can Dialectics Break Bricks Cinema: Solo (Jean-Pierre Mocky, 1970)

By: börek - June 1st, 2018  Filed under: Filmavond

Sunday 10 June 2018, Can Dialectics Break Bricks Cinema.
SOLO, 1970 Directed by Jean-Pierre Mocky 83 minutes. In French with English subtitles.
Doors open at 20:00. Intro starts at 20:30

Once the revolution of May ’68 collapsed, there were few brave enough to discuss what had happened. Some directors like Godard continued, but in a more underground way. This flick was one of the few that managed to fuse some of the ideas of May with the predominant movie industry. Most films dealing with this taboo subject were totally marginalized, but this one slipped through the door.

This isn’t only directed by the notorious Jean-Pierre Mocky but he also stars in it – and he comes off a bit like a less cynical version of Alain Delon. This flick was connected to what was really happening in France during the post-68 crisis, but stylistically it was ahead of its time. Italian ‘police films’ would explode in the mid-70s, but this film already has the poise and determination of those movies in tact. Graced with a moody soundtrack the story focuses on a diamond smuggler who cares nothing for the political upheaval of ’68, but when his revolutionary brother is being chased by the cops, he is forced to help his brother get away. By doing so, he becomes a target himself. This alarming movie shows how the more radical elements of the May events would be hunted down afterwards.

An amazing little flick, wonderfully directed. In its own way it’s a masterpiece, but one that was never screened outside France. In other words, this is another outrageously rare screening.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Movie and Conversation: Together We Defend Our Mother Earth: Documentary on the Commons of Tila, Chiapas, Mexico

By: börek - May 3rd, 2018  Filed under: Filmavond, Infoavond

Sunday June 3rd 2018, Movie and Conversation: Together We Defend Our Mother Earth: Documentary on the Commons of Tila, Chiapas, Mexico. Door opens at 8pm, event starts at 8:30pm.

The indigenous ch’ol community in the town of Tila in Southern Chiapas, Mexico, live on the the communal lands protected legally as an ‘ejido’ (roughly: Commons). They have their own forms of governance and live in peace with most of their non-indigenous neighbours — except the authorites, who wanted to take over part of the communal lands. Left with no other option, the commoners took action against the ‘bad government’ on their lands and started to build autonomy in line with Zapatista principles and forms of organization. The documentary was made together with the commoners, to give those who are not from there the opportunity to understand the commoners’ experience and their struggle. We will watch the film, get an update on recent developments, and have a ‘conversatorio’, a conversation, about commonality, territory, solidarity, and documentary-making.
https://poeticsofresistance.wordpress.com/2016/12/21/together-we-defend-our-mother-earth-documentary-on-the-ejido-tila-chiapas-mexico/

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Movie night: Girls in Uniform (1931)

By: börek - May 1st, 2018  Filed under: Filmavond

Sunday 27 May 2018, Movie night: Girls in Uniform / Mädchen in Uniform (Leontine Sagan, 1931).
German with English subtitles | 98 minutes.
Doors 20:00 | Film 20:30

At a boarding school that turns the daughters of soldiers into future mothers of soldiers, 14-year old Manuela falls in love with one of her teachers.
“Mädchen in Uniform” was groundbreaking in having an all-female cast; in its sympathetic portrayal of lesbian “pedagogical eros”; and in its co-operative and profit-sharing financial arrangements (although these failed). Unsurprisingly it was banned in Nazi Germany, and only re-released on television in 1977, some 20 years after a much toned-down remake with Romney Schneider.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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Can Dialectics Break Bricks Cinema: The Year 01 (1969)

By: börek - May 1st, 2018  Filed under: Filmavond

Sunday 20 May 2018, Can Dialectics Break Bricks Cinema.
L’AN 01 1969 MAY 68 Directed by Jacques Doillon, Gébé, Alain Resnais and Jean Rouch. 90 minutes. In French with English subtitles.
Doors open at 20:00. Intro starts at 20:30

This is a collective film, where each of the filmmakers worked separately, but all of them were influenced by a single source—a utopian comic strip devised by the legendary cartoonist Gébé. It’s a farce with a free-wheeling avant-garde approach to cinema, embracing a ludic spirit of subversion. Although this satire is loaded with humour, it is also very ‘engaged’ and can be compared to the experimental ciné-tract short movies that were shot on the barricades. It is unstructured in its form, and changes style as it drifts along, touching on issues connected to ’68—the ecology, rejection of authority, challenges to growth and productivity, anti-war, free love, pollution, communal living, rejection of private property and demolishing the idea of forced labor.

This flick is a fable, and one that proposes with gleeful abandonment the following utopian scenario: all of a sudden, all the ordinary people throughout the world stopped working and money becomes worthless. Once everything has come to a grinding halt, we could bring back—reluctantly—only the services and products we really need. What follows is a wide-ranging series of whimsical sketches, a bit like a Monty Python narrative, of how different people react to such a situation. For example, the contribution of anthropologist Jean Rouch is documentary-like and harpoons the domination of northern countries over the south, and the so-called first world over the third world—something that is still alive and kicking today.

The tone is festive and all of the passages are marked with the cutting-edged humour of Gébé. Among the cast of actors are illustrators Georges Wolinski and Jean Cabut, who were both were killed in the January 7th, 2015 terrorist attack on the office of the satirical magazine Charlie Hebdo. Also on hand are several actors that would only later become well-known… Gérard Depardieu, Patrick Dewaere and Miou-Miou.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

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