Proxy Cafe: mail providers

Wednesday January 22, 2025, Proxy Cafe: mail providers. Door opens at 18:00, discussion about mail servers starts at 19:00.

Which mail providers to use, which ones to avoid? Disroot, Riseup, Autistici, Systemli, Proton, Google, where to open a new mailbox? What do they want from you? Commercial servers, anti-capitalist servers, autonomous servers, learn a bit more about these during this session.

A place and moment where we gather to talk about computers, free and opensource software, to follow or give a workshop, share skills. Feel free to come for a workshop, to have a chat, a drink around a pizza!
Free software workshops. Discussing tech and politics, GNU/Linux, fixing computers and revive old laptops, free and opensource software workshops. Zapatista coffee.
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Proxy Cafe, Amsterdam https://squ.at/r/8i60
https://proxycafe.puscii.nl/

Voku for Baroud family currently displaced in Gaza featuring a squatting musical

Monday January 20, 2025, Voku for Baroud family currently displaced in Gaza featuring a squatting musical. Food served from 7pm, no reservation.

Voku for one of the many displaced families in Gaza after which there will be a tryout squatting musical, in which the singer/ producer shares their insight in the emotional journey of squatting. The most cliche will be rewritten to convey the love and the heartbreak of the squatters live.
[…Lees verder]

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Cinerevolt: PFLP Declaration of World War (Kōji Wakamatsu and Masao Adachi, 1971)

Sunday January 19, 2025, Cinerevolt: PFLP Declaration of World War * directed by Kōji Wakamatsu and Masao Adachi * 1971 * Japan * 71 minutes * in Japanese, Arabic, English, French with English Subtitles * doors open at 20:00 * intro & film start at 20:30.

The atrocities that are happening in Palestine right now not only destroy the present and the future of Palestinians and the oppressed throughout the world, they also aim to eradicate their past. One of the magics of Cinema is precisely preservation of a reality which is constantly hidden from our eyes, and few movies give us such a view of the Palestinian experience as this one.

In 1971, after attending the Cannes Film Festival, filmmakers Kōji Wakamatsu and Masao Adachi traveled to Lebanon, where they met with Japan’s Red Army faction and the Popular Front for the Liberation of Palestine to create a propaganda newsreel supporting the Palestinian resistance. The PFLP was a major Marxist-Leninist Organization concerned with the Palestinian Cause and Resistance. In many ways, it serves as the antithesis of the Contemporary Western view of Palestinian Resistance and the Arab World; Secular, Progressive, Internationalist and Socialist. One of their most eminent figures and their spokesman -Ghassan Kanafani- provides exclusive interviews for this movie.

This film is Propaganda, and it is aware of this fact. It is aware of the fact because it openly claims it, and does not present dog whistles aimed at misleading the viewer. Does this make the film less objective though? Does this positionality mean that the movie cannot be neutral? I would claim that the only way to have access to the truth of the Palestinians.
From exclusive interviews with Kanafani, footage of training from PFLP and Japanese Red Army members, the movie draws a line in the sand, and it lets you know which one is the correct side.

“The Epic is for Israel and Documentary for Palestinians” – Jean-Luc Godard

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Radical Sunday School: Should I take a Holiday? Ethical travel and Global capitalism

Sunday January 19, 2025, Radical Sunday School: Should I take a Holiday? Ethical travel and Global capitalism. From 18:00 till 20:00.Travelling is great! You get to see different places, have a different mindset, relax, explore, have great adventures, try new things, make new friends, learn and develop yourself, and reflect on your place in the world.

Except, it also comes with a lot of problems. Here in Amsterdam, we clearly see that the prices are rapidly rising and the city center is almost unlivable because of tourism, with the expansion of hotels, Airbnb, and the tourism industry. This might be even worse in places like Barcelona, Ibiza, or Malaga, and even more so in tourist hotspots in the global south, like in Thailand, Cambodia, or Costa Rica. On top of this, there’s also the immense environmental impact of travelling, like with the air pollution caused by flights.

But on the other hand, maybe only if we travel, we can learn to understand those problems, and understand people from different cultures and their struggles? And maybe we can even contribute to the local economy and local lives by being there?

In this session of Radical Sunday School we would critically look at traveling and tourism, looking at its benefits and its problems. We would then also look at ‘alternative traveling’ – traveling by bike, hitchhiking, or walking, and think if it’s a better way to do it, for us and for the places we visit. In the end, we hope to have a clearer idea of why and how we want to travel.

Radical Sunday School
radicalsundayschool [at] riseup [dot] net
https://radar.squat.net/en/amsterdam/radical-sunday-school
https://radicalsundayschool.noblogs.org/

Aman molli: Practice of east Mediterranean Music

Friday January 17, 2025, Aman molli: Practice of east Mediterranean Music. From 20:00 to 23:30.

This is a weekly open practice session of east Mediterranean music, in which we play genres such as rebetiko and Greek/Balkan/Turkish/Middle Eastern folk music. Together we explore the melodic pathways, rhythms (e.g. 9/8, 7/8. 5/4) and harmonies of, as well as connections between these musical traditions. We gather to have fun playing music together, to share musical knowledge and experience, and improve our skills on our instruments. We welcome interested newcomers to join in, regardless of musical experience, and using any kind of instrument (strings, percussion, wind, voice).

Aman Molli https://radar.squat.net/en/aman-molli

Solidarity Voku for Gaza Soup Kitchen

Thursday January 16, 2025, Solidarity Voku for Gaza Soup Kitchen. Food served from 7pm, no reservation.

Gaza Soup Kitchen is a grassroots organization providing food for Palestinians in Gaza founded in early 2024. Join us for a nice meal while we raise money for the Gaza Soup Kitchen! […Lees verder]

Benefit for the family of Moussa Balde

Monday January 13, 2025, Benefit for the family of Moussa Balde. Food served from 7pm, no reservation.

Todays voku will be to raise funds to allow Moussa Balde’s sister, brother and mother to take part in the first hearing of the trial of two responsible for his death. Moussa, originally from Guinea, was held as a non-European and irregular person on the territory, and for this reason he died in the isolation of a cell. Moussa’s death was neither “fatal” nor the fruit of a chain of inadvertence, but the consequence of structural racism. This hearing will be held in Turin on February 12.
The family members are represented by lawyers Gianluca Vitale and Laura Martinelli.
The funds are needed to pay for travel costs and the expensive visas for Italy, as well as the expenses while their stay.
During their visit to Italy of about a month, the family members would like to take part actively in various contestation events against CPR throughout Pemonte (Torino) and Liguria (Genova, Imperia, Ventigmiglia).

WHO WAS MOUSSA BALDE?

He was a friend and comerade, who died in the night between 22 and 23 May 2021 after 10 days spent in a cell in the isolation area, called Ospedaletto, inside the Turin CPR corso Brunelleschi. On May 9 he was beaten up in Ventimiglia by three Italians. After a short stay at the hospital he was held in the detention center, ignoring his serious physical and psychological condition.

To read more about the processes and his history, you can visit this blog (in Italian) under the category “Moussa Balde” https://parolesulconfine.com/ > Moussa Balde

NOW

On 12 February in Turin, the preliminary hearing of the proceeding for manslaughter will be held against the former director of the CPR and the medical director of the structure at the time of Moussa Balde’s death.
In February 2023, this very same CPR on corso Brunelleschi went on fire and remained closed until now. Yet it’s about to reopen.

Between June 2019 and December 2022, ten people lost their lives while being held in administrative detention. At the beginning of February 2024, the young Ousmane Sylla, who turns out to be a neighbor and friend of the Balde family, committed suicide in the CPR in Rome.

The presence of the family is crucial, not only for this legal procedure against this particular structure, it is also essential to strengthen a wide movement against the opening of more of these prisons in Liguria (as in Diano Marina) and in every Italian region.

AGAINST THE REOPENING OF TURIN’S CPR, WHERE MOUSSA BALDE DIED
AGAINST ALL CPR
FOR FREEDOM OF MOVEMENT
JUSTICE FOR MOUSSA […Lees verder]

Can Dialectics Break Bricks Cinema: Turtles Can Fly (Bahman Ghobadi, 2004)

Sunday January 12, 2025, Can Dialectics Break Bricks Cinema: TURTLES CAN FLY * 2004 * (کیسەڵەکانیش دەفڕن, Lakposhtha hâm parvaz mikonand) * Directed by Bahman Ghobadi * 96 minutes * In Kurdish with English subtitles * doors open at 20:00 * intro & film start at 20:30.

Set in a Kurdish refugee camp near the Iraqi-Turkish border, the movie focuses on its orphans. For them life is temporary, fleeting, and always shifting. The fact that any human being is forced to live in such a volatile situation is crazy. These homeless kids makeshift everything, and life can be finished at any moment if you step on an American landmine. Many of the children who act as extras are actually real Kurdish refugees, and many of them are missing arms and legs. In other words, the issue of landmines isn’t just a narrative device for this film – it’s a reality that these people live with every day. But at the same time, bringing up facts like this doesn’t prevent the film from also achieving a kind of poetry.

This movie is so far removed from our daily lives here in the western world, that it takes on an almost surreal edge even though it’s based in a reality far away. For us a scenario like this is otherworldly, and it opens up so many questions. For example, for me, one of its interesting reflections is about the nature of communication. One of the boys in the camp seems to be a clairvoyant and can foretell mysterious prophecies that seem to come true. But then, on the other hand, we have other Kurds who are desperate to watch television thinking it will tell them what is going to happen next. Our main character, whose name is Satellite, realises that the blitzkrieg of sensationalistic information, music videos, and Fox news reports on the television are mostly a distraction and provide little to help understand the situation. Even though the lives these people live are desperate, they are at least rooted in a reality that is stripped down and understandable. Once the characters in this movie get a hold of a working television set and start flipping around all the channels, we feel like we have entered a world of total chaos.

This is a movie that brings up urgent issues, both political and on a human level. It has a strong emotional impact, but one that helps us contextualise a part of the world that we otherwise can’t comprehend. It doesn’t try to get us to take sides and any issue, but instead it is simply conjuring up a tragic situation with all its complexities.

As you have probably noticed, one of the reasons why I’m showing movies is to explore the world around us. Through movies we can see how people feel, think, and approach life in countries we will never reach. Cinema can help break down prejudices, and I always encourage people to use movies to listen to the other side of the story. Right now the entire Middle East, which was carved and divided up largely by Europeans after World War I, is now rapidly changing. To understand these changes a movie like this can shed some light. It is about a displaced Kurdish community at the Iraqi-Turkish border, and was the first movie to be made in Iraq after the American invasion and the fall of Saddam Hussein. It’s insightful and poignant, and what might shock you is that it’s an Iranian movie, and one that I feel will surprise many.

Other movies from Bahman Ghobadi screened at Joe’s Garage: https://joesgarage.nl/archives/tag/bahman-ghobadi

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net