Iranian movie night: The Song of Sparrows (2008)

The_Song_of_SparrowsSunday May 3rd 2015, Iranian Movie night: Avaze Gonjeshk-ha, آواز گنجشک‌ها , The Song of Sparrows by Majid Majidi (2008). In Farsi with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

When an ostrich-rancher focuses on replacing his daughter’s hearing aid, which breaks right before crucial exams, everything changes for a struggling rural family in Iran. Karim motorbikes into a world alien to him – incredibly hectic Tehran, where sudden opportunities for independence, thrill and challenge him. But his honor and honesty, plus traditional authority over his inventive clan, are tested, as he stumbles among vast cultural and economic gaps between his village nestled in the desert, and a throbbing metropolis.
More info here: http://en.wikipedia.org/wiki/The_Song_of_Sparrows […Lees verder]

Can Dialectics Break Bricks Cinema: Kes (1969)

150419 Kes smSunday April 19th 2015, Can Dialectics Break Bricks Cinema: Kes (1969). Directed by Ken Loach, 111 minutes. In English with English subtitles. Free admission. Door opens at 20:00, Film starts at 21:00.

This is an early film directed by Ken Loach, and it is a poetically beautiful portrait of a 14-year-old boy growing up in the northern working-class Yorkshire area of England. It is photographed in an austere, almost documentary style. The non-actor David Bradley is stunningly as the young boy Billy, whose dreary future seems to be pretty much destined for the local coal mines. One day his life suddenly resonates when he discovers a small kestrel falcon, which he trains daily. This is a film about being suffocated by your environment, and the deep longing for something else.

Whereas the Hollywood approach to life is to escape through entertainment, European cinema (and Kes is a wonderful example) instead zeros in on aspects of our lives and asks us to pause and think about them. In Kes, this is done through sublime acting and a profound ability to capture a mood. There is so much trash in the cinemas today, why not try out something that may pierce your heart and change your idea of cinema forever? This movie is still etched deeply in my memory after I saw it last 35 years ago.. it’s one of the most moving films of all time, and it achieves this without any cheap sentimentality.

For many people it is the best film ever made. And it was also voted by the British Film Institute as being one of the 10 best British films of the last century. This will be a high-definition screening. […Lees verder]

Iranian Movie night: Women Without Men (2009)

Women_Without_MenSunday April 12th 2015, Iranian Movie night: Women Without Men by Shirin Neshat (2009, 95 minutes). In Persian with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

Neshat offers an exquisitely crafted view of women rights today in Iran as compared to Iran in 1953, when a British- and American-backed coup removed the democratically elected government. The Women Without Men movie was adapted from the novel by Iranian author Shahrnush Parsipur, the film weaves together the stories of four individual women during that time, whose experiences are shaped by their faith and the social structures in place. The film grants audiences the opportunity to explore the lives of four women and the beautiful countryside of Iran, where Neshat explores the social, political, and psychological dimensions of her characters as they meet in a metaphorical garden, where they can exist and reflect while the complex intellectual and religious forces shaping their world linger in the air around them. […Lees verder]

Movie Night: Punishment Park (1971)

Punishment_ParkSunday April 5th 2015, Movie Night: Punishment Park (Peter Watkins, 1971, 88 min.). In English with English subtitles. Door opens at 8pm, film begins at 9pm.

Punishment Park is a pseudo-documentary, purporting to be a film crews’s news coverage of the team of soldiers escorting a group of hippies, draft dodgers, and anti-establishment types across the desert in a type of capture the flag game.
Although the film itself is fictional, many of the elements found within are metaphors of social and political events of the time, such as the trial of the Chicago Seven, the Kent State shootings, police brutality, and political polarisation.

The soldiers vow not to interfere with the rebels’ progress and merely shepherd them along to their destination. At that point, having obtained their goal, they will be released. The film crew’s coverage is meant to insure that the military’s intentions are honorable. As the representatives of the 60’s counter-culture get nearer to passing this arbitrary test, the soldiers become increasingly hostile, attempting to force the hippies out of their pacifist behavior. A lot of this film appears improvised and in several scene real tempers seem to flare as some of the “acting” got overaggressive. This is a interesting exercise in situational ethics. The cinema-veritie style, hand-held camera, and ambiguous demands of the director – would the actors be able to maintain their roles given the hazing they were taking – pushed some to the brink. The cast’s emotions are clearly on the surface. Unfortunately this film has gone completely underground and is next to impossible to find. It would offer a captivating document of the distrust that existed between soldiers willfully serving in the military and those persons who opposed the war peacefully. […Lees verder]

Movie Night: Trafic (1971)

Trafic_TatiSunday March 29th 2015. Movie Night: Trafic by Jacques Tati, 1971, 96 minutes. In French with English subtitles. Door opens at 8pm, film begins at 9pm. Free admission.

Trafic (Traffic) is a 1971 Italian-French comedy film directed by Jacques Tati.Trafic was the last film to feature Tati’s famous character of Monsieur Hulot, and followed the vein of earlier Tati films that lampooned modern society.

In Trafic, Hulot is a bumbling automobile designer who works for Altra, a Paris auto plant. He, along with a truck driver and a publicity agent, Maria, takes a new camper-car (designed by Hulot) to an auto show in Amsterdam. On the way there, they encounter various obstacles on the road. Some of the obstacles that Hulot and his companions encounter are getting impounded by Dutch customs guards, a car accident (meticulously choreographed by the filmmakers), and an inefficient mechanic. In the film, “Tati leaves no element of the auto scene unexplored, whether it is the after-battle recovery moments of a traffic-circle chain-reaction accident, whether it a study of drivers in repose or garage-attendants in slow-motion, the gas-station give-away (where the busts of historical figures seem to find their appropriate owners) or the police station bureaucracy. […Lees verder]

Info/filmavond over West Papua

20150326_Free_West_Papua_Benefit_Joes_GarageThursday March 26th 2015, Info/filmavond over West Papua, Benefit for the Free West Papua Campaign, Volkseten Vegazulu, 7pm.

FREEDOM IS NOT FREE IN WEST PAPUA
For decades West Papua’s tribal people have been killed, raped, arrested and tortured by Indonesian soldiers and police. The international community has done nothing to stop them. Indonesian president Joko Widodo (Jokowi), so-called Indonesian Obama, will not bring positive changes to Papuans, but death and destruction. Free West Papua Campaign is raising awareness about what is really happening in West Papua. Papuans are fighting for their survival as a people.

Film documentary: Strange Birds in Paradise
Speaker: Oridek Ap, Coordinator Free West Papua Campaign (NL) […Lees verder]

Can Dialectics Break Bricks Cinema: Nenette and Boni (1996)

150322 Nenette et Boni smSunday March 22nd 2015, Can Dialectics Break Bricks Cinema: Nenette and Boni (1996). Directed by Claire Denis, 99 minutes. In French with English subtitles Free admission. Door opens at 20:00, Film starts at 21:00.

This is an early film by French film director Claire Denis (Beau Travail, 35 Rhum, White Material), but she already has her obscure and “difficult to pin down style” well defined. She is also already working with her long-time collaborator Agnes Godard who brings us the striking cinematography in this film, along with British band Tindersticks, who do the soundtrack.

As usual with her cinema, Claire Denis has the gift of taking us into uncharted territory, especially concerning the diverse and unusual connections between people. Although its about relationships, Nenette and Boni isn’t about sex or romance, however, but rather its about intimacy and bonding. It tells the story of a brother and sister who are the products of a broken home, who are torn apart. But when 15-year old Nenette escapes and turns up on her brothers doorstep, a journey begins which is the heart of this film.

In this movie director Denis’ penchant for elliptical story lines is more fluid and less fragmentary and jarring than in her later works. Set within a harsh urban decor, this film nevertheless is able to combine unsentimentality and lyricism. It also features a cameo role by the controversial Vincent Gallo. […Lees verder]

Movie Night: Pride (2014)

Sunday March 15th 2015. Pride by Matthew Warchus (UK, 2014, 119 minutes). In English. Door opens at 8pm, film begins at 9pm. Free admission.

306_1_Pride-film-still-014

Tonight we are showing “Pride”. This movie has been released 2014 and has been received mostly very well among its audience, especially due to its narrative of cross solidarity between two particular and disconnected struggles that took place in the UK around the year of 84/85…

Wikipedia says about the movie:
Based on a true story, the film depicts a group of lesbian and gay activists who raised money to help families affected by the British miners’ strike in 1984, at the outset of what would become the Lesbians and Gays Support the Miners campaign. The National Union of Mineworkers was reluctant to accept the group’s support due to the union’s public relations’ worries about being openly associated with a gay group, so the activists instead decided to take their donations directly to Onllwyn, a small mining village in Wales, resulting in an alliance between the two communities. The alliance was unlike any seen before but was successful.

… and the Guardian adds:
In a decade when a degree of homophobia was the norm, LGSM (Lesbians and Gays Support the Miners) drove a couple of minibuses from Hackney Community Transport and a clapped-out VW camper van to a bleak mining town in South Wales to present their donations, uncertain what sort of welcome to expect. The events that unfolded said a lot about what it means to be empathetic, to overcome dissent and face common enemies: Thatcher, the tabloids, the police. They told a story about solidarity.

The real thing: LGSM members march in support of the miners

Besides the question of solidarity, which is an actual question still today, when thinking about solidarity and cooperation between our own local struggles of our daily life’s in the cities, neighborhoods and communities we are living in, but also globally when thinking about Gezi, Kobane, Ferguson or the Mediterranean Sea (just to name a few) there is another interesting theme to observe in “Pride”: the question of stereotypes that seem to emerge within the movie when it talks about the two movements in struggle and the question of media power when perceiving those emerging images.

Probably mainly for storytelling reasons, “Pride” portrays a large fraction of the miners in the village of Onllwyn as a relatively conservative, thus homophobic bunch of people, that does not want to have gays and lesbians supporting their struggle. In the movie, this situation will eventually be dissolved and overcome by LGSM, even though parts of LGSM did not seem to be comfortable with the idea of visiting the village of the miner community in the first place.

After the film has been released, former LGSM members explained that this reality was slightly different: LGSM activists did not perceive homophobic tendencies among the miners, that the majority of the communities were conscious about homosexuality and that they overruled those minor fractions within their communities that were clearly homophobic. The miners came to their stance against homophobia before LGSM visited them for the first time, and their first encounters were more welcoming and supportive as portrayed in the movie.

LGSM

In fact, the miners themselves had to struggle against a hard smear campaign initiated by British media all over the country, being portrayed as backward rednecks by media institutions that came up with absurd facts and stories aiming to discredit the miners and their struggle. It may be the only really unnecessary tendency in Pride, that it uses a similar strategy then the media of that time (on a different scale and for different purposes of course), and by that reproduces the very stereotypes that it aims to dissolve by telling this story of solidarity.

In order to dig into that situation a bit deeper we are also going to show a short documentary about the miners strike produced by LGSM in 1985. For further information, take a look at the following collection of texts about the situation in the UK during that times.

For a first reading, a quite nice interview has been made with one of the former LGSM members Ray Goodspeed who gives an insight into the context of that time and differences between the movie and history: Dear Love of Comrades: The politics of Lesbians and Gays Support the Miners.

lgsm-3-1-publicity-copy-of-a3-poster-pits-and-perverts

Some collection of texts about the miners strike 1984-85
https://libcom.org/tags/miners-strike
http://www.gayinthe80s.com/tag/lesbians-and-gays-support-the-miners/

Spanish anarchists in the Welsh valleys
https://libcom.org/history/spanish-anarchists-welsh-valleys

Tell us lies about the miners
https://libcom.org/history/tell-us-lies-about-miners-dave-douglass

Lesbians and Gays Support the Miners in their protests for ‘Coal not Dole’
https://unlockideas.wordpress.com/2014/01/31/lesbians-and-gays-support-the-miners-in-their-protests-for-coal-not-dole/

Pride: The UK miners’ strike through the distorted mirror of identity politics
https://www.wsws.org/en/articles/2014/10/29/prid-o29.html

Film night at Joe’s Garage, cozy cinema! Doors open at 8pm, film begins at 9pm, free entrance. You want to play a movie, let us know: joe [at] squat [dot] net

Tags: