Benefit voku to support a political prisoner & letter writing

Thursday November 14, 2024, Benefit voku to support a political prisoner & letter writing. Food served from 7pm, no reservation.

Come along for this voku, where we’ll be cooking to raise money for a political prisoner in the U.S. We will also provide the opportunity to write letters to them and other political prisoners.

We will share information on the so-called Budapest Antifascists, who are facing charges in relation to the ‘Ehretag’ (translation. honour day), the largest yearly gathering of neo-nazis in Europe, that took place in Budapest in February 2023. One of the arrestees has been extradited from Germany to Hungary, and the other person is facing extradition.

Our benefit will support Casey Goonan, an American anarchist facing 5-20 years in federal prison for the alleged firebombing of a UC Berkeley police vehicle. A campaign has been set up to support Casey, spread the word about their case and raise money for legal costs. An anonymous communique posted to Indybay took credit for the action in solidarity with the Palestinian resistance and university occupations throughout California. Casey was arrested in June, more than two weeks after the alleged arson. They are being held in federal custody in Santa Rita jail in California and are facing the highest federal charges in relation to the pro-Palestine movement in the U.S. so far.

Casey has a long history of organizing mutual aid in Chicago and supporting prisoners throughout the so called United States. They continue to study and organize behind bars and have already engaged in a hunger strike to demand better conditions for their cellmates.

Updates from the Casey Support Committee
– update from July 13, 2024 https://www.indybay.org/newsitems/2024/07/16/18868038.php
– update from August 12, 2024 https://www.indybay.org/newsitems/2024/08/13/18868663.php

Come eat to show solidarity, write letters and learn more about these cases.
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Solidarity VoKu for an anarchist prisoner

Monday September 23, 2024, Free Casey Goonan! Solidarity VoKu for an anarchist prisoner. Food served from 7pm, no reservation.

We’ll be cooking to support Casey Goonan, an American anarchist facing 5-20 years in federal prison for the alleged firebombing of a UC Berkeley police vehicle. A campaign has been set up to support Casey, spread the word about their case and raise money for legal costs.

An anonymous communique posted to Indybay took credit for the action in solidarity with the Palestinian resistance and university occupations throughout California. Casey was arrested on June 17th, more than two weeks after the alleged arson. They are being held in federal custody in Santa Rita jail in California.

Casey has a long history of organizing mutual aid in Chicago and supporting prisoners throughout the so called United States. They continue to study and organize behind bars and have already engaged in a hunger strike to demand better conditions for their cellmates. Come eat at Joe’s to show solidarity and learn more about their case.

Updates from the Casey Support Committee
– update from July 13, 2024 https://www.indybay.org/newsitems/2024/07/16/18868038.php
– update from August 12, 2024 https://www.indybay.org/newsitems/2024/08/13/18868663.php

[…Lees verder]

Can Dialectics Break Bricks Cinema: Killer of Sheep (Charles Burnett, 1978)

Sunday 12 May 2024, Can Dialectics Break Bricks Cinema: Killer of Sheep * 1978 * Directed by Charles Burnett * 80 minutes * In English* free screening * doors open at 8pm * intro & film start at 8.30

Back in the 1970s there was a defiant wave of black filmmakers on the West Coast of America that would later be known as the L.A. Rebellion. This movement broke out of the film department at U.C.L.A, so their movies were mostly based in Los Angeles. And since the filmmakers were primarily black, the films were exposing the poverty, violence, and everyday racism that their communities endured. One of the key directors that emerged from this movement was Charles Burnett, and this was his debut.. The depiction of his community was so tenderly and honestly rendered in this flick, that it became legendary even though it was pushed underground and never shown to a mass public audience.

What’s the story of this film?I don’t want to say very much, because everybody is fixated on stories. The Killer of Sheep focuses on the slums of Watts during the late 70s. It’s about a guy who dreams, but who is forced to work in a slaughterhouse. It’s about his family, and the world around him. That’s all I will say, and let the movie unfold for itself.

Today a lot of people in universities seem to get off on using sophisticated academic language that separates them from everyone else. This creates a clique or an elite group that ends up basically just talking amongst each other. This is the last thing we need. Back in the 70s this was much less of a problem, and someone like Charles Burnett was able to speak in a human way, and on a human level. This didn’t preclude experimentation or creativity. In fact it was exactly the opposite. The members of the L.A. Rebellion wanted to redefine the aesthetics of cinema, but to do that, they didn’t resort to academia to define their new forms, they instead went into the streets. Too many artists are creating with their head these days, and not with their heart. They are convinced that the heart can’t be creative, but they are so wrong. This film is a perfect example of this.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Voku for Solidarity With Migrants & book presentation ‘The Light of the Beast’ by Pablo Allison

Thursday 15 February 2024, Voku for Solidarity With Migrants & book presentation ‘The Light of the Beast’ by Pablo Allison. Door opens at 7pm with food. The book presentation from Pablo Allison starts around 20:30. No reservation.

The Light of the Beast is the culmination of six years work documenting migrants traveling from Central America, through Mexico and into the USA as the final destination. Since 2007, British-Mexican artist Pablo Allison has tried to understand life and its intricacies, by documenting migration and its consequences.

‘The Beast’ or ‘La Bestia’ as migrants call it, is a freight train that carries goods between Canada, the United States of America and Mexico. As most people who leave their countries travel with no money, ‘La Bestia” represents the only way to get to the USA border, despite this being forbidden by Mexican authorities.
This journey is tough and it can be extremely dangerous for people to travel this way, for a number of reasons. These travellers often referred to as migrants, run a high chance of being kidnapped, mugged, extorted or ending up dead in the desert before they reach their destination.
The majority of migrants that use this mode of transport come from countries with the highest levels of violence in the world. Places like Honduras, El Salvador and Guatemala are examples of countries where the situation is so untenable that undertaking this potentially devastating journey is an only option for survival.
The vast amount of migrants that leave their countries are forced to, due to the oppression and extreme violence caused by delinquent groups that dominate entire communities. Violence in these countries is a product of decades of poverty and a lack of decent and fair policies from governments in Central America as well as from US interventions over many decades. https://www.pabloallison.co.uk/

The benefit for this voku is Solidarity With Migrants, an open assembly in solidarity with migrants in Greece consisting of locals, internationals and migrants against racism, fascism, and capitalism.
Our speech and actions are against the war against migrants waged by the states, capitalism and all kinds of racists and fascists, focusing on the anti- migration policy of the Greek state and the dehumanising camp system. We seek the communication between and connection of the struggles of locals and migrants against our common enemies, in the context of international struggles against all forms of oppression and devaluation of our lives. People attending and participating in the assembly come from different backgrounds and are often faced with different forms of oppression and violence (racist, gender violence, sexism, classism etc). Many of us are also involved in political movements, antifascist, antiracist, antisexist and other struggles. We want all to be equal and we also want society to become fair and free for everyone. This is the basis of everything we do.
We are not an NGO nor in another way an official organization so we don’t get funded from anyone and we are also totally independent from refugees organizations, the greek government and the European Union. According to our political standpoint of opposing all these, refusing funding by them is essential.

Solidarity With Migrants: solidaritymigrants [at] riseup [dot] net […Lees verder]

Border Radio (Allison Anders, Dean Lent and Kurt Voss)

Sunday June 30th 2019, Movie night: Border Radio by Allison Anders, Dean Lent and Kurt Voss, 1987. In English, 87 Minutes, Doors: 20:00, Film 20:30

“‘You can’t expect other people to create drama for your life—they’re too busy creating it for themselves,’ a punk groupie says at the conclusion of Border Radio. And the four reckless characters at the center of the film certainly manage to create plenty of drama for themselves.” Chris Morris, Where Punk lived

No-budget, no-permits and DIY: Border Radio – the first film of UCLA students Allison Ander (Things behind the Sun) Kurt Voss and Dean Lent – is set in the burgeoning LA punk scene of the 80’s and went on to be an underground hit, playing in US cinemas for months. Its heist-based plot and the multiple betrayals the central foursome inflict upon each other are the stuff of purest noir. But the film diverges from its source in its largely sunlit cinematography and its explosions of punk humor.

The film music, but also a number of characters are played by local punk rockers such as the Flesh Eaters, and

“one can see what punk rock looked like, all the way to the margins of the frame: in the flyers for L.A. bands like the Alley Cats, the Gears, and the Weirdos taped in a club hallway, in the poster for Andy Warhol’s Frankenstein and the calendars of L.A. repertory movie houses tacked on apartment walls, in the thrift-store togs and rock-band T-shirts (street clothes, really) worn by the players. But, more importantly, the shifting tragicomic tone of the film, the energy and attitude of its musician performers, and the uneasy rhythms of its characters’ lives present a real sense of the reality of L.A. punkdom in the day.”

It was filmed from 1983 to 1987 – basically at the same time as Susan Seidelman’s Smithereens (1985) set in the alternative and punk seen in New York.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to play a movie, let us know: joe [at] lists [dot] squat [dot] net

Benefit for anti-ICE activists in Arizona

Thursday May 16th 2019, Benefit for anti-ICE activists in Arizona, Volkseten Vegazulu, 7pm.

Benefit for three students at the University of Arizona in Tucson, who face criminal charges and potential imprisonment for confronting ICE (Immigration and Customs Enforcement) agents on campus. Come for delicious vegan food, with fresh veggies and lots of protein!

https://unicornriot.ninja/category/immigration-borders/
https://www.kzyx.org/post/immigration-advocates-warn-ice-retaliating-activism#stream/0

Joe’s Garage is always looking for cooks. Any help is welcome in the kitchen. Experience not required. Enjoying it is a must. If you want to know which days are still available in the schedule, send an email to joe [at] lists [dot] squat [dot] net net and book yourself the night. You can, of course, also participate by rolling up your sleeves and doing the dishes.

Movie Night – Pedal (2001)

Sunday August 03rd 2014. Pedal by Peter Sutherland, 2001, 52 minutes. Door opens at 8pm, film begins at 9pm.

In Pedal, Sutherland documents bike messengers competing in the 2005 Cycle Messenger World Championships in New York City. Going straight to the center of this urban subculture, Sutherland serves up compelling portraits of the competitors from dozens of countries, in motion and at ease, checking out each other’s bags, lingering over modifications to bikes and bodies. Between events like sprints, distance racing, and skid contests, Sutherland shows us the riders’ elegant physicality, complex individuality, and unique community that crosses boundaries of race, gender, age, and class. And he doesn’t shy away from the blood and bruises that come part and parcel with the messenger’s life. Sutherland delves deep into the world of the messengers—a world usually seen from the outside—and returns with a dynamic document that evokes the unbridled anarchy and energy of its inhabitants.

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David Graeber at Joe’s Garage, October 2nd 2010

World-renowned anarchist anthropologist, David Graeber, will speak on Anarchism, Direct Action, and Urban Politics, on Saturday, October 2nd 2010, 18:00 at Joe’s Garage. Graeber has written Direct Action and Fragments of an Anarchist Anthropology.

[…Lees verder]