Can Dialectics Break Bricks Cinema: Hola, ¿estás sola? (Iciar Bollain, 1995)

Sunday 11 june 2023, Can Dialectics Break Bricks Cinema: Hola, ¿estás sola? (Hi, Are You Alone?) * 1995 * by Iciar Bollain * 92 minutes * In Spanish with (special) English subtitles. doors open at 20:30, intro & film start at 21:00.

Behind this daft film title lurks an extremely rare gem from Spain’s speckly tradition of social realism. Except that, in this incarnation, it has left the arid countryside with a backpack or two in its freshest everyday summer top.

Hola tells the story of two young women who would much later be referred to as the ni-ni generation: ni estudia ni trabaja, i.e. neither working nor studying. Suddenly finding themselves homeless, they pack their bags and head southward to Big-Hotel-land dragging their smelly feet over asphalt and traintracks. Their intellectual baggage is so light they don’t even have their words to describe the quest they’re embarking on. But below this apparent poverty of ideas lies a deep humanity and a clear sense that adventures and ‘personal growth’ are pointless unless they’re a shared experience.

This little early film by Iciar Bollaín features some of the most delicious lines of dialogue she has ever written, in tandem here with Julio Medem, who by 1995 had made a name for himself with films like Vacas and The Red Squirrel. It features an astonishing Candela Peña. Already in this debut role, she let her enormous heart not only shine bright, but also make space for an arguably unworthy co-star: Silke, a pretty face who was being pushed by the film industry to be Spain’s one and only grunge star. Kind of like a Kurt Cobain, but for tampon commercials. Together with a few supporting male characters, these two girls made waves in the summer of 1995. And then they were forgotten, pretty much forever.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinema Italia: Perfect Strangers (Paolo Genovese, 2016)

Sunday 4 june 2023, Perfect Strangers [Perfetti sconosciuti] * Directed by Paolo Genovese * 96 min * In Italian with English subtitles * doors open at 20:30, film starts at 21:00. After the film, please engage and share comments, ideas, and inspiration with the host(s) of the evening!
Before the film * Selection of trailers of the 24 remakes made all over the world

We all have our secrets. The problem is, we keep them inside our smartphones. What happens if, during a dinner among friends, we let everybody listen to calls, read our messages, and so on?

Perfect Strangers is the film that has more remakes than any other in the entire history of cinema: from Spain (Perfectos desconocidos) to Greece (Τέλειοι ξένοι), from China, India until, recently, to Iceland (Villibráð). Why? Because it tells a truly universal story of our times: how our most intimate aspects of our lives changed forever because of the pervasiveness of smartphones in all aspects of our lives, including Romantic relationships, marriages (they may coincide or not), and — of course — sexual desires.

Beware: if you are in a happy, stable, relationship, you may want NOT to watch this!

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Movie night: Low Life

Sunday 28 may 2023, Movie night: Low Life * dir by Nic Clotz and Elisabet Percival * 120 minutes * in French with English subtitles. Doors open at 20:00, intro & film start at 20:30.

Higher education = low life.

Spend any amount of time with anyone, no matter how dull they seem or how boring they fancy themselves. The stories they will slowly wind up telling you about their life will reveal moments of magical beauty and heartfelt dreams. Life is never fully devoid of poetry, but most ‘realistic’ mainstream movies try pathetically hard to steer away from magic, chance encounters, and the beauty of earnest, unheroic struggles. A film without poetry, as we often argue in the underground cinemas, should not even consider calling itself realistic.

This little flick throws itself with all its weight in the opposite direction. Unafraid of dipping here and there into classical French pedantry, it sets its winding dialogues and monologues to immersive electronic music, elevating the nervous dreariness of student life as we read about it in the media and the ‘user-generated content’ of the socials to a quest for deeper connections and meaning.

The choral cast of Low Life is made up of about a dozen first-time (or one-time) performers and a bunch of supporting actors plucked from films such as Blue Is the Warmest Colour. The camera moves with incredible lightness through its gritty urban settings, first on the cobbled streets, where a cop is badly wounded while trying to evict illegal immigrants. And later on through the labyrinthian spaces of their crumbling squat, where art student Carmen and her Afghan lover tacitly lock themselves up to prevent his deportation.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

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Can Dialectics Break Bricks Cinema: Interrogation (Ryszard Bugajski, 1989)

Sunday 14 may 2023, Can Dialectics Break Bricks Cinema: Interrogation * 1989 * Directed by Ryszard Bugajski * 118 min * in Polish with English subtitles. Doors open at 20:00, intro & film start at 20:30.


Considered to be one of the most harrowing movies to come out of Poland in the last century, but also one of the best. Set in 1951, it is about a woman who goes out drinking with some friends, and gets drunk to the point where she passes out. She wakes up in a prison, and she has no idea why. She is endlessly interrogated, threatened and tortured, and accused of being part of a conspiracy with a Russian friend of hers. She is being forced to answer intimate questions about her sexuality and previous lovers, and also they attempt to force her to sign a confession of things she never did.

Actress Krystyna Janda gives a fierce performance as the main character Tonia. She won the best actress award at Cannes in 1982, but the film would not be released in Poland itself until seven years later because it was banned. Director Ryszard Bugajski only was able to make a handful of films, but they were ruthless and hardhitting. I recently screened a movie he later made in Canada called Clearcut about the treatment of the indigenous native people there, and it was breathtaking. Bugajski was always taking shots at those in power – left or right, communist or capitalist, and took sides with the people trampled by those systems. In a way it is a political drama, but it can also be seen as a different kind of horror movie.

Dramatically hard-hitting, fierce, it’s an experience you won’t forget, and something that many people experience around the world, behind closed doors.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Cinema Italia: The Country Boy (Franco Castellano and Giuseppe Moccia, 1984)

Sunday 7 may 2023, THE COUNTRY BOY [IL RAGAZZO DI CAMPAGNA] * Directed by Franco Castellano and Giuseppe Moccia * 92 min * In Italian with English subtitles * doors open at 20:00, film starts at 20:30. After the film, please engage and share comments, ideas, and inspiration with the host(s) of the evening!
BEFORE THE FILM * Video * Punx Creatività e Rabbia Punk Milano 1984 (by Elisabetta “Betty 23” Altomare)

According to the UN, more than half of the population of the world is urbanized. This film tells the story of a young man from a rural area coming to Milan in the 1980s, where the local government was suffocating alternatives and protests (as seen in the video before the film). Edonism, consumerism started to become mainstream, and eventually it was that version of Milan which became the cradle of berlusconism, and the deep transformation of Italy, for the worse.
The Cradle Boy is a gentle, poetic film, with a touch of humour, and a couple of surrealist moments. It’s an absolute cult film in Italy, starring the comedian Renato Pozzetto in his best role ever.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

AFGA movie Screening & Discussion: Queen of Lapa (Theodore Collatos and Carolina Monnerat, 2019)

Friday 5 May 2023, AFGA movie Screening & Discussion: Queen of Lapa (Theodore Collatos and Carolina Monnerat, 2019). Door open at 7:30. screening at 8pm.


As part of a month of events surrounding Sex Work organized by the Anarchist Feminist Group Amsterdam, we will be screening the movie Queen of Lapa, a 1h13 documentary directed in 2019 by Theodore Collatos and Carolina Monnerat about Luana Muniz and her community of trans sex workers in Rio de Janeiro, Brazil.
After the screening, we hope to have a discussion about the themes brought up in the movie 🙂
More info about the documentary: https://www.queenoflapa.com/#photo
(We plan to start the screening at 8 pm, it’s great if you can come from 7:30 to settle in and hear the introduction!).

Anarcha Feminist Group Amsterdam
https://afga.noblogs.org/
https://squ.at/afga

Benefit dinner, screening and info talk in solidarity with Alfredo Cospito

Monday 10 April 2023, Benefit dinner, screening and info talk in solidarity with Alfredo Cospito. Food served from 7pm, no reservation.

Soli-event for the International 41bis Mobilization. The 41bis Mobilization started in support of the hunger strike that Alfredo Cospito started in october 2022.
The soli-money goes to Cassa AntiRepressione delle Alpi occidentali and La Lima. These are the anti-rep groups based in Italy who support anarchists that are under repression around the mobilization of 41bis.
On the event the documentary ‘Until my last breath’ will be shown. There will be a small infotalk discussion about insurrectionary anarchism in the South of Europe and South America.
We have 3 propositions to discuss insurrectiony anarchism in the North European context, but feel free to bring your own propositions in addition, or to change the course of discussion!
Date & Time:

Volkseten Vegazulu is a people’s kitchens existing since the very beginning of Joe’s Garage, June 2005. Your donations are welcome. Food is vegan, no reservation. All benefits go to social & political struggles. Joe’s Garage is a space run by volunteers. Without a collective effort, without your active participation, we’re remaining closed. Get in touch in you feel like giving a hand. We’re always looking for cooks. Any help is welcome in the kitchen. Experience not required. If you want to know which days are still available, mail us.

Can Dialectics Break Bricks Cinema: La comunidad (Álex de la Iglesia, 2000)

Sunday 9 april 2023, Can Dialectics Break Bricks Cinema: La comunidad * 2000 * (Common Wealth) * Directed by by Álex de la Iglesia * 110 minutes * In Spanish with English subtitles. Doors open at 20:00, intro & film start at 20:30.

After the dictator Franco died in the mid-70s, Spain became a democracy and people celebrated. But catchwords like ‘democracy’ and ‘freedom’ can be tricky, and are often just a feel-good ruse for capitalism. In his own special way, Spain’s enfant terrible film director Álex de la Iglesia turns to Alfred Hitchcock to expose the darker aspects of the new Spain.

The premise of this black comedy is dead simple… when a middle-aged real estate agent (Carmen Maura) is sent to sell a Madrid apartment, she accidentally discovers a small fortune (300 million pesetas) a dead neighbor had stashed away. She secretly takes the money, and thinks she has hit a gold mine. This already shows a kind of Hitchcockian twist, revealing the murderous greed under the surface of bourgeois everyday life. But when it turns out the neighbors also had their eyes on the cash and were just waiting for the old man to croak, things really go nuts, turning the tale into a brutal farce of secret plots, dirty deals and backstabbing.

Director Alex De Iglesia has a reputation for conjuring up his own brand of madness, cranking his movies so tight they become over-the-top absurd. This approach goes against the grain of most flicks these days that wallow in a cesspool of graphic violence. When De Iglesia uses violence there is always an aspect of flamboyant panache that saves it from becoming too serious. In the end this is a punchy black humored critique of neo-liberal capitalism, bordering on a horror film. Winner of 3 Goya awards, including one for the lead actress Carmen Maura.

This will be a high-definition screening.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net