Esperanto Film Night: 1910 de Exploring Esperanto (2022)

Merkredo 8 Februaro 2023, Filmovespero: 1910 de Exploring Esperanto (2022)
Speciala evento de la serio Esperanto-Atelieroj en Ĝogaraĝo! Ni kunspektos “1910,” filmon el la teatraĵo kiu premieris dum la 107-a Universala Kongreso de Esperanto en Montrealo, 2022.
Pordoj malfermiĝas je horo 18:00 por kuna vespermanĝeto (bv kunporti ion!), kurso por komencantoj komenciĝas strikte je horo 18:30, progresantoj je horo 19:30. Poste ni kunspektos la filmon 1910. Scivolemuloj ĉiam bonvenas.
Dufoje monate merkrede: 18-21:30, Esperanto-kurso

Wednesday 8 February 2023: Esperanto Film Night: 1910 de Exploring Esperanto (2022).
Doors open at 18:00, beginner’s course starts at 18:30 (strict), film starts at 20:30 (strict).
Special night at Joe’s Esperanto Workshops! This evening, we will watch together “1910,” presented by Exploring Esperanto, a film of the play which premiered during the 107th World Esperanto Congress in Montreal in 2022.

As usual, we have courses at two levels: absolute beginners and intermediate. We learn the Esperanto language along with its culture. Sometimes fluent speakers join in, do not miss the occasion; you will listen to advanced speakers with their wonderful Esperanto life stories. Official synopsis:
British Esperantist William Mann travels through time to the year 2022 to tell the congress members in Montreal about his own experience traveling to America with Dr. Zamenhof on the huge ocean liner George Washington for the 6th International Congress of Esperanto more than a century ago. Written and Produced by Yevgeniya (Ĵenja) Amis Directed by Alena Adler Filmed and Edited by Alexander Vaughn (Alekso) Miller Actors : Mr. Mann: Garry Evans Mary: Alena Adler Introduction: Nicolas Viau Musicians : Piano: Étienne (Stefano) Laflamme Soprano: Kristina Miroshkina
Absolute beginners and curious persons are always welcome!
Every two wednesdays at Joe’s Garage: 18-22:00, Esperanto workshop

Cinema Italia: Not Of This World (Giuseppe Piccioni, 1999)

Sunday 5th February 2023, Cinema Italia: Fuori dal mondo [Not Of This World] (1999) * Directed by Giuseppe Piccioni * 100 min * In Italian with English subtitles * doors open at 20:00, film starts at 20:30. After the film, please engage in sharing comments, ideas, and inspiration with the host(s) of the evening.

What does it mean to become a nun in Italy by the end of the 20th century? Caterina has taken temporary vows and is walking in a park. One day she meets a man who gives her an abandoned baby. This encounter will change her life forever. Giuseppe Piccioni introduces us to a secret world of the Roman Catholic Church with a gentle touch and a sharp eye. We are invited to think about the relationship between individual choices and the society we decide to live in.
Far from being only an unusual portrait of Italy — with a soundtrack by Ludovico Einaudi –, this feature film has a universal message about the reasons why we are in this world and what our purpose is in life. Not Of This World is a forgotten jewel of Italian cinema, almost neglected in Italy because of the topic, which is, in many ways, still taboo in the country.
Winner of 5 David di Donatello, including best actress to Margherita Buy, in one of her more complex roles ever.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Lebanese movie night: Capernaum (Nadine Labaki, 2018)

Sunday 29 January 2023, Lebanese movie night: Capernaum (Nadine Labaki, 2018), 126 minutes, in Arabic with English subtitles. Doors open at 20:00, film starts at 20:30.

Zain, a 12-year-old, living in the slums of Beirut ends up in the Roumieh Prison after a stabbing. Capernaum is told in flashback format, focusing on Zain’s life, including his encounter with an Ethiopian immigrant Rahil and her infant son Yonas, and leading up to his attempt to sue his parents for child neglect, “for giving him life in such a chaotic world. He’s actually not only suing his parents, he’s suing the whole system because his parents are also victims of that system — one that is failing on so many levels and that completely ends up excluding people” according Labaki.
Like her past movies, Capernaum features a cast of mostly nonprofessional actors, and tackles societal ills. Capernaum is fiction, but its portrayal of Lebanon’s rampant poverty and treatment of undocumented populations is very realistic. “Capernaum is a biblical village that was doomed by Jesus. Later on, the word started being used to signify chaos.”
“Some critics are very cynical of the film and say this is not really happening because they don’t see it around them… All I can tell them is: “Get real. Get out of your cafe where you’re writing your critique and go out into the world and see what’s happening around you.” What you see in the film is nothing compared to reality. We should wake up to how many children are suffering in the world. It’s unbearable suffering; I didn’t put rape scenes in the film, I didn’t put real abuse in the film — because I couldn’t.”

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Iranian movie night: Crimson Gold (Jafar Panahi, 2003)

Sunday 22 January 2023, Iranian movie night: Crimson Gold, directed by Jafar Panahi, written by Abbas Kiarostami, 2003, 95 minutes. In Farsi with English subtitles. Doors open at 20:00, film starts at 20:30.

The film depicts an impoverished pizza delivery man’s failed attempt to rob a jewelry store and the events that drove him to his crime. The story is based on real events that Panahi first heard about when Kiarostami told him the story while they were stuck in a traffic jam on their way to one of Kiarostami’s photographic exhibits. Panahi was extremely moved by the story and Kiarostami agreed to write the script for him to direct. Panahi submitted the film to the Cannes Film Festival without being granted a permit from the Ministry of Culture and Islamic Guidance. Panahi had applied for the permit but the Ministry demanded several cuts be made to the film. Panahi refused and submitted the film anyway. Like The Circle, Crimson Gold was banned in Iran.
In December 2010, Jafar Panahi has been sentenced to a six-year jail sentence and a 20-year ban on directing any films, writing screenplays, giving any form of interview with Iranian or foreign media and from leaving the country. He was prosecuted for attempting “to commit crimes against the country’s national security and propaganda against the Islamic Republic”. In October 2011, a court in Tehran upheld Panahi’s sentence and ban. Following the decision, Panahi was placed under house arrest. He had since been allowed to move more freely but he couldn’t travel outside Iran.
End 2022, as the revolt is spreading all around Iran following Mahsa Amini’s death, a new Panahi film is released, No Bears, secretly shot in a mountain village near by the Turkish border. Panahi finished his film shortly before getting arrested in July 2022 when he went to the prosecutor’s office to follow up on the situation of other film-makers, Mohammad Rasoulof and Mostafa Aleahmad. He was the third director detained in less than a week.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Can Dialectics Break Bricks Cinema: Glengarry Glen Ross (James Foley, 1992)

Sunday 15 January 2023, Can Dialectics Break Bricks Cinema: Glengarry Glen Ross * by James Foley, script by David Mamet * 1992 * 100 minutes * In English with English subtitles. Doors open at 20:00, film starts at 20:30.

What is important about this flick isn’t so much the director, but its provocative scriptwriter David Mamet (Wag the Dog). The craft of his writing is so powerful it makes the director unimportant, and no matter what theme he takes on, he always elevates it to another level. His punchy razor-sharp dialogue is so unique there is even a term to describe it – ‘Mametspeak’.
In this one he throws us into the real estate world, a place almost as creepy as the banking sector, and it shows how once things start to go wrong, the inherent greed and viciousness of the employees turns inward as they start tearing themselves to shreds. For many, if you want to understand how the guts of big business operates, this is the best film to watch.
During the pandemic we were told to stay at home and chill, but others were more busy. Ruthless speculators like the American investment corporation Blackrock were busy as hell acquiring more spaces in this city so they could leave them empty and eventually jack up the rental prices for a huge profit in the future. When squatters tried occupying one of those empty Blackrock buildings, they were immediately dragged out by the police. Welcome to the dark world of high-finance, where profits matter more than human lives.
And what is just as amazing as the script is the crazy cast cobbled together to speak the dialogue – Al Pacino, Alec Baldwin, Ed Harris, Alan Arkin and old-schooler Jack Lemmon. We’re not a great fans of that genre of films where there are zero women roles of any importance. Still, for the energy in this film it was important to keep the testosterone levels as disfunctionally high as possible.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Esperanto: Musical “June kaj Kune”

Wednesday 14 December 2022, Esperanto: Musical “June kaj Kune”.
Doors open at 18:00, we watch the first musical in Esperanto, starting at 19:00
Absolute beginners and curious persons are always welcome!

Can Dialectics Break Bricks Cinema: finally the legendary Can Dialectics Break Bricks Cinema (René Viénet, 1973)

Sunday 11 December 2022, Can Dialectics Break Bricks Cinema: finally the legendary Can Dialectics Break Bricks Cinema (René Viénet, 1973)* 90 minutes * In French with English subtitles. Doors open at 20:00, film starts at 20:30.

This is a movie we wanted to screen for ages – after all, we even named this cinema-night after it. But all of the available copies were so terrible… muddy vhs tape transfers that were virtually unwatchable and took all the joy out of the experience. But now it has finally been restored in its full color glory.

Back in the mid-60s in France there was a group of post-artists that called themselves Situationists. One thing they observed was how even the most radical ideas can be transformed into harmless commercial products by the power of modern marketing. But then they thought – why not reverse the process? Why can’t we take some banal commercial products and turn them into something subversive, alive and meaningful again?

A great example of the wild, sly humor of May 68 can be seen in this delirious flick. The situationist collaborator René Viénet took a 1972 Hong Kong martial arts film called Crush, and replaced the entire soundtrack with his own narration and dialogue. The new dubbed soundtrack he added changes everything, turning the kung-fu film into a politically-charged struggle about gender equality, the alienation of consumer society, the Paris Commune and post-Marxist political theory. And it’s all done with a razor-sharp sense of humor, because joy was part of their ammunition. The new script is witty and snappy. At one point one of the characters asks “What the hell was the original film about anyway?”

To do the new voices on the soundtrack René Viénet brought in some members of the satirical Café de la Gare Theatre group, including the legendary Patrick Dewaere. The finished film is a riot, but one with a message!

This will be a high-definition screening.

Film night at Joe’s Garage, cozy cinema! Free entrance. You want to screen a movie, let us know: joe [at] lists [dot] squat [dot] net

Benefit voku in solidarity with Iranian protesters, documentary screening and discussion with Iranian protesters

Monday 5th December 2022, Benefit voku in solidarity with Iranian protesters, documentary screening ‘Iranian Women’s Liberation Movement, Year Zero’ and discussion with Iranian protesters. Food served from 7pm, no reservation.

All benefits go to Iranian protesters. After the dinner, screening followed by an improvised talk/discussion. Little homemade craft objects will be available on donation, all proceeds will go to the benefit cause.

Screening of short documentary, Iranian Women’s Liberation Movement, Year Zero by Claudine Mulard, 1979 (جنبش آزادی زنان ایران – سال صفر) . In 1979, Iranian Women invite the American feminist Kate Millett to celebrate March 8, the International Women’s Day, in Tehran. On March 7, the religious leaders announce that women have to wear the Islamic veil. From March 8 to March 13, Iranian women and liberals demonstrate in the streets against the veil. A crew of four French feminists (Sylvina Boissonnas, Michelle Muller, Sylviane Rey, and Claudine Mulard) filmed these historic events before being expelled by the Islamic government.

Volkseten Vegazulu is a people’s kitchens existing since the very beginning of Joe’s Garage, June 2005. Your donations are welcome. Food is vegan, no reservation. All benefits go to social & political struggles. Joe’s Garage is a space run by volunteers. Without a collective effort, without your active participation, we’re remaining closed. Get in touch in you feel like giving a hand. We’re always looking for cooks. Any help is welcome in the kitchen. Experience not required. If you want to know which days are still available, mail us.

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